Exotic Armenian Flute Music recorded at 528Hz. One of our newest musical experiment with Armenian Flute (Duduk). You might remember this instrument from the soundtrack of movie Gladiator. Some how it brought out some introspective notes. And when we are looking deep inside ourselves during meditation, we believe music can help. Do let us know what you think about this…
Honor Him (From «Gladiator» Soundtrack) · Gavin Greenaway · The Lyndhurst Orchestra
The World of Hans Zimmer
℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.
Released on: 2020-12-18
Producer, Producer, Recording Arranger: Hans Zimmer
Producer, Producer, Co- Arranger: Klaus Badelt
Producer, Executive Producer: Ridley Scott
Producer, Executive Producer: Pietro Scalia
Participant: Gavin Greenaway
Participant: The Lyndhurst Orchestra
Studio Personnel, Mixer: Alan Meyerson
Studio Personnel, Editor: Adam Smalley
Unknown, Other: Kevin Globerman
Unknown, Other: Bruno Roussel
Unknown, Other: Gregg Silk
Unknown, Other: Nick Wollage
Unknown, Other: Jake Jackson
Unknown, Other: Tony Stanton
Unknown, Other: Tonia Duvall
Unknown, Other: Gavyn Wright
Composer: Hans Zimmer
Arranger: Yvonne S. Moriarty
Arranger: Walt Fowler
Arranger: Ladd McIntosh
Arranger: Elizabeth Finch
Arranger: Jack Smalley
Arranger: Bruce Fowler
John Eliot Gardiner: Monteverdi Choir, English Baroque Soloists
— The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.
The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.
Glenn Gould performs Beethoven’s «Piano Sonata No. 17 in D minor op 31/2 — The Tempest“, at the classical music television series „Music For a Sunday Afternoon“, originally broadcast on March 19, 1967. Remember to subscribe to stay up to date with all new releases on the channel.
00:00 I Largo Allegro
07:03 II Adagio
16:19 III Allegretto
Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.
The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.
The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).
Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.
The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.
By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.
Most of the videos online with only one image are only music, but not this.
The research behind the perfect combination is the key for the unconscious.
The research:
«Music–color associations are mediated by emotion» www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.
1. 0:06 Op. 9, No. 1 in B flat minor. Larghetto
2. 5:53 Op. 9, No. 2 in E flat major. Andante
3. 10:29 Op. 9, No. 3 in B major. Allegretto
4. 17:09 Op. 15, No. 1 in F major. Andante cantabile
5. 22:07 Op. 15, No. 2 in F sharp major. Larghetto
6. 25:43 Op. 15, No. 3 in G minor. Lento
7. 30:53 Op. 27, No. 1 in C sharp minor. Larghetto
8. 36:32 Op. 27, No. 2 in D flat major. Lento sostenuto
9. 42:27 Op. 32, No. 1 in B major. Andante sostenuto
10. 47:27 Op. 32, No. 2 in A flat major. Lento
11. 53:01 Op. 37, No. 1 in G minor. Lento
12. 59:51 Op. 37, No. 2 in G major. Andante
13. 1:06:17 Op. 48, No. 1 in C minor. Lento
14. 1:12:25 Op. 48, No. 2 in F sharp minor. Andantino
15. 1:20:11 Op. 55, No. 1 in F minor. Andante
16. 1:25:36 Op. 55, No. 2 in E flat major. Lento sostenuto
17. 1:31:19 Op. 62, No. 1 in B major. Andante
18. 1:38:51 Op. 62, No. 2 in E major. Lento
19. 1:45:11 Op. 72, No. 1 in E minor. Andante
20. 1:49:19 Op. posth in C sharp minor. Lento con gran espressione
21. 1:53:18 Op. posth in C minor. Andante sostenuto
Yann Tiersen Nantes EUSA Concert full from 2016
Eusa is the name of the Island Yann Tiersen calls home in Breton Language.In English it is called Ushant, in French it’s Ouessant.
TRACKLIST
00:00 Video introduction
02:43 Hent I — Eusa
05:36 Pern — Eusa
10:47 Porz Goret — Eusa
15:55 Lok Gweltaz — Eusa
19:30 Hent II — Eusa
20:24 Penn ar Roch — Eusa
23:37 Kereon — Eusa
27:34 Yuzin — Eusa
30:48 Roch Ar Vugale — Eusa
36:50 Penn ar Laan — Eusa
41:46 Enez Nein — Eusa
47:00 Kadoran — Eusa
48:32 Hent VIII — Eusa
54:09 Introductory movement -The Waltz of the Monsters)
56:38 Prayer, No 2 -The Waltz of the Monsters-
59:25 Naval — Tabarly
1:04:04 7:PM (Les Retrouvailles)
1:07:25 The waltz of the monsters
1:09:40 The Long Road (La Longue Route) — Portrait
1:12:17 La Dispute — Amelie
1:17:35 The old man still wants it — Cascade Street / Portrait
1:19:46 Sur le fil — Portrait / Cetait Ici
1:24:43 Summer Nursery Rhyme, No. 2 ( Comptine Dun autre Ete no2) — Portrait