Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.
The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.
☛ «she is a beautiful and technically accomplished player», «the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)»
— American Record Guide, July-August 2015
☛ «Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.», «She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.»
— Donald Rosenberg, Gramophone Magazine
☛ «A gifted and obviously devoted Bachian»
— James Oestreich, New York Times
☛ «in all the years, all the versions, I have never heard „Book 1“ done better», «The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ «elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music», «A brilliant performance and brilliant set all around!»
— Robert Cummings, Classical.net
☛ «This is a recording to change your perception of the Well Tempered Klavier.»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rothers Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
BACH THE WELL TEMPERED CLAVIER I No.1~12
(The GLENN GOULD Edition)
Glenn Gould — 01. The Well-Tempered Clavier I No.1 in C Major BWV 846_ I. Praeludium
Glenn Gould — 02. The Well-Tempered Clavier I No.1 in C Major BWV 846_ II. Fuga
Glenn Gould — 03. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ I. Praeludium
Glenn Gould — 04. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ II. Fuga
Glenn Gould — 05. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ I. Praeludium
Glenn Gould — 06. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ II. Fuga
Glenn Gould — 07. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ I. Praeludium
Glenn Gould — 08. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ II. Fuga
Glenn Gould — 09. The Well-Tempered Clavier I No.5 in D Major BWV 850_ I. Praeludium
Glenn Gould — 10. The Well-Tempered Clavier I No.5 in D Major BWV 850_ II. Fuga
Glenn Gould — 11. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ I. Praeludium
Glenn Gould — 12. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ II. Fuga
Glenn Gould — 13. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ I. Praeludium
Glenn Gould — 14. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ II. Fuga
Glenn Gould — 15. The Well-Tempered Clavier I, No.8 in E Flat Minor, BWV 853_ I. Praeludium
Glenn Gould — 16. The Well-Tempered Clavier I, No.8 in D Sharp Minor, BWV 853_ II. Fuga
Glenn Gould — 17. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ I. Praeludium
Glenn Gould — 18. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ II. Fuga
Glenn Gould — 19. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ I. Praeludium
Glenn Gould — 20. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ II. Fuga
Glenn Gould — 21. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ I. Praeludium
Glenn Gould — 22. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ II. Fuga
Glenn Gould — 23. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ I. Praeludium
Glenn Gould — 24. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ II. Fuga
Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.
The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.
The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).
Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.
The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.
By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.
Most of the videos online with only one image are only music, but not this.
The research behind the perfect combination is the key for the unconscious.
The research:
«Music–color associations are mediated by emotion» www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.
CGI 3D Animated Farewell Short Film by ESMA — Chen Yang Hsu, Adeline Jacquot, Paul Jourdain, Alan Sorio, Eléa Trahay. Featured on www.cgmeetup.net/home/farewell/
Farewell — After the loss of womans baby during pregnancy, the arrival of a hand drawn bird will open the mind of this young artist for a new start.
Directors: Chen Yang Hsu, Adeline Jacquot, Paul Jourdain, Alan Sorio, Eléa Trahay
Music: Raphaël Joffres
Sound: José Vicente
«Сказки У» — спецпроект от создателей «Страны У». Те же скетчи, те же авторы, те же актеры. А вот антураж и соответственно шутки – новые и непривычные. Любимые герои скетчкома, как по мановению волшебной палочки, превратятся в сказочных персонажей. Спецпроект охватывает семь популярных сказок, переиначенных на современный лад. Тут сказочные персонажи попадают в повседневные реалии, а возникшие перед ними проблемы решают привычными для нас современными способами.
Кол-ве серий:20
Дата выхода: 1 февраля 2016 года
В ролях:
«Три Девицы»:
Кристина Понунаева, Дарья Кобякова, Владимир Борисов, Дмитрий Голубев;
«Царевна Лягушка»:
Юрий Ткач, Ирина Сопонару, Олег Сёмин, Евгений Косниковский;
«Илья Муромец»:
Игорь Ласточкин, Николай Атанов, Александр Станкевич, Левон Назинян, Сергей Середа.
«Золушка»:
Александра Машлятина, Настя Оруджова, Алина Гордиенко, Александра Шабалина, Сергей Середа;
«Кощей бессмертный»:
Тарас Стадницкий, Татьяна Песик, Виктор Гевко, Александр Теренчук;
«Аладдин»:
Чингис Мазинов, Рустем Эмирсалиев;
«Буратино»:
Сергей Бибилов, Илья Дерменжи, Юлия Мотрук, Григорий Гущин.
Реставрация фильма выполнена командой профессионалов Группы компьютерной графики «Мосфильма». Узнать подробности: cg.mosfilm.ru
Масштабная историческая киноэпопея Юрия Озерова «Освобождение» состоит из пяти фильмов.
Фильм первый — «Огненная дуга». Он повествует о героическом сражении на Курской дуге летом 1943 года.
Режиссёр: Озеров Юрий
Сценаристы: Озеров Юрий, Бондарев Юрий, Курганов Оскар
Композитор: Левитин Юрий
Оператор: Слабневич Игорь
Художник-постановщик: Мягков Александр
В ролях: Стржельчик Владислав, Голубкина Лариса, Авдюшко Виктор, Ульянов Михаил, Давыдов Владлен, Буренков Евгений, Олялин Николай, Каморный Юрий, Закариадзе Бухути, Диц Фриц, Харченко Сергей
Недавно к нам пришли ребята с Discovery Channel и попросили помочь с рекламой их нового сезона «Как устроена вселенная». Это был премьерный выпуск, продолжение смотрите по тв. Напишите в комментариях, как впечатления после просмотра, будет очень интересно подискутировать на тему выпуска. А тем временем на подходе свежий выпуск ридддл!
Спасибо за просмотр, мои хорошие!) Пока ждете выхода следующего видео, подписывайтесь на меня в соц. сетях!
►Мой познавательный паблик ВК: vk.com/Ridddlers
_____________________
Ну и обязательно посетите инстаграмм моего хорошего друга, Андрея, который озвучивал для вас это видео — www.instagram.com/baldukvoice
_____________________
►РЕКЛАМА и СОТРУДНИЧЕСТВО: Мы делаем самую креативную рекламу (за разумные деньги), обращайтесь на почту — ridddle@tag.show
_____________________
Вся музыка взята с библиотеки Epidemic Sound Production Music courtesy of Epidemic Sound