The St John Passion, performed by the Nederlands Bach Society for All of Bach, was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.

For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.

Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the St John Passion go to youtu.be/KyHSxv-Y8R0
For the interview with conductor Jos van Veldhoven on leitmotifs in the St John Passion go to youtu.be/VIBJ67VqBOs
For the behind-the-scenes of the auditions for the St John Passion go to www.youtube.com/watch?v=64h8n4FOSlk
For the behind-the-scenes of the masterclasses for BWV 245 go to www.youtube.com/watch?v=mHt-bJ3acLY
For the behind-the-scenes of the general rehearsal of BWV 245 go to www.youtube.com/watch?v=5w9bZOkEZgE
For more information on BWV 245 and this production go to allofbach.com/en/bwv/bwv-245/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor

Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass

Provided to YouTube by Universal Music Group

J.S. Bach: St. John Passion, BWV 245 / Part Two — No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber " · Anthony Rolfe Johnson · Stephen Varcoe · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

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Soothing music and ambience for meditation, relaxation and sleeping.

Tracklist:

Performed by Dag Åsbjørn Johansen:
Bach — Little Prelude in C Major (BWV 924)
Beethoven — Bagatelle No. 25 in A minor (WoO 59, Bia 515) «Für Elise»
Beethoven — Moonlight Sonata (1st Movement, Op. 27, No. 2)
Chopin — Waltz in A Flat Major (Op. 69, No. 1)
Mozart — K. 332 — Piano Sonata No. 12 in F major (2nd Movement)
Satie — Gymnopédie No. 1
Bach — Prelude in C Major (BWV 846) from «Das Wohltemperierte Klavier» vol. 1
Mozart — Romance Piano version of 2. movement from Piano Concerto no. 20 in D minor K. 466
Haydn — Andantino
Mozart — Piano Version of Gavotte (Allegro) from Les petits riens, K.Anh.10/299b
Mozart — 2. movement from Sonata no. 17 in B flat major K. 570
Chopin — Preludes Op. 28 no. 7
Chopin — Preludes Op. 28 no. 4
Chopin — Preludes Op. 28 no. 6
Chopin — Preludes Op. 28 no. 20
Chopin — Preludes Op. 28 no. 15 «Raindrop» prelude
Grieg — A Little Girl I Know — Eg veit ei lita gjente Op. 17 no. 16
Grieg — I Sing With a Sorrowful Heart — Jeg sjunger med sorrigfullt hjerte Op. 17 no. 14
Grieg — Notturno Op. 54 no. 4
Grieg — The Pig — Grisen Op. 17 no. 8
Grieg — When my Eye weary and faint — Når mitt øye trett av møye Op. 17 no. 9
Grieg — Solitary Traveler — Ensom vandrer Op. 43 no. 2
Grieg — Arietta Op. 12 no. 1
Grieg — The Young Man — Ungersvennen Op. 17 no. 2
Grieg — Lullaby of Gjendine — Gjendines bånsull Op. 66 no. 19
Grieg — Shepherdess Song — Leik (kulokk) Op. 17 no. 22
Debussy — Clair de Lune (Suite Bergamasque, No. 3)
© 2020 Sleepify
℗ 2020 Odd Eagle Productions

Performed by Various, licensed by PremiumBeat, Storyblocks and YouTube Audio Library:
Chopin — Nocturne in E Flat Major (Op. 9, No. 2) (Storyblocks)
Chopin — Nocturne in E minor (Op. 72, No. 1) (Storyblocks)
Chopin — Waltz in C Sharp Minor (Op. 64, No. 2) (Storyblocks)
Chopin — Nocturne in B Flat Minor (Op. 9, No. 1) (PremiumBeat)
Beethoven — Sonata No. 8 in C minor (2nd Movement, Op. 13) (Storyblocks)
Satie — Gymnopédie No. 3 — Wahneta Meixsell (YouTube Audio Library)
Bach — Suite No. 2 in C minor (BWV 813) Allemande — Wahneta Meixsell (YouTube Audio Library)
Liszt — Consolation No.3 in D flat Major S.172 (Storyblocks)

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#relax #classical #fireplace

The legend surrounding the Goldberg Variations, performed here by Jean Rondeau for All of Bach, is such a nice one. Count Hermann Karl von Keyserlinck was having trouble sleeping and asked Bach for some pleasant music to pass the time, to be played by Keyserlinck’s harpsichord prodigy Johann Gottlieb Goldberg.

Recorded for the project All of Bach on June 6th 2017 at the Concertgebouw, Bruges. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the interview with harpsichordist Jean Rondeau on the Goldberg Variations go to youtu.be/RuV8J3hkjKc
For more information on BWV 988 and this production go to allofbach.com/en/bwv/bwv-988/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Jean Rondeau, harpsichordist
Harpsichord: Jonte Knif

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/ElenaBarshai
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Composer: Johann Sebastian Bach

Artists: Elena Barshai (organ)

Like many of his colleagues J.S. Bach frequently borrowed from himself and paid tribute to other composers by transcribing their works for other instruments, For example his oeuvre for organ includes transcriptions of some instrumental concertos based on work of composers like Vivaldi.

These release contains transcriptions of both Bach’s own concertos for solo keyboard and of instrumental concertos by Vivaldi. These works are certainly enhanced by the sonorities of the organ.

Played by the Russian organist Elena Barshai on the Silbermann organ of Arlesheim Cathedral and the Metzler organ of the Church of St. Clara, Basle (both in Switzerland).

Also included is an arrangement for two organs – both played by Barshai — of Bach’s Concerto for four harpsichords (which again is based on a concerto for four violins by Vivaldi).

Tracklist in comments

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BBCFour programme of Vivaldis Gloria performed by an all-female orchestra and choir in the Pieta in Venice. Complementary to the BBC4 programme «Vivaldi and the Women of the Pieta» uploaded by markfromireland, which showed the progress of the project.

На юге край подпирают Монголия и Китай, немного западнее — Казахстан. Местное население, алтайцы, еще помнят родной язык, молятся языческим богам, охотятся и собирают таежные дары – #кедровые_орехи.

В сезон на этих склонах и перевалах царит ореховая лихорадка. Нам удалось попасть в одну из бригад сборщиков шишек. Здесь — как в казино. Шансы у всех одинаковые, но результат обязательно будет разный.

www.currenttime.tv/a/unknown-russia/30244322.html

***

Подпишись на НАСТОЯЩЕЕ ВРЕМЯ.ДОК — bit.ly/CurrentTimeDOC

#тайга

Dans ce numéro de « Secrets d’Histoire », Stéphane Bern nous emmène en Égypte, sur les traces de la plus mystérieuse reine de l’Antiquité qui, il y a 35 siècles, régnait avec son époux, le grand pharaon Akhenaton… La sublime Néfertiti, « belle d’entre les belles », comme on la nomme à l’époque.
Dans ce nouvel épisode, nous allons tenter de lever les mystères de sa personnalité hors du commun et de son règne. Celui d’une révolution spirituelle inouïe, qui nous a livré tant de chefs-d’œuvre.

À commencer par le buste exceptionnel qui serait celui de la grande souveraine, conservé au musée d’égyptologie de Berlin.

Est-ce vraiment son visage ou la représentation élogieuse d’une nouvelle déesse que l’on adore? Qui était-elle au juste? Avait-elle autant de pouvoir que ses représentations le laissent penser? L’amour de son époux, le grand pharaon, était-il aussi sincère que l’on voulait le faire croire?

Répondre à ces questions, c’est déjà s’intéresser à l’influence de ses prédécesseurs sur le trône. Des souverains conquérants et bâtisseurs qui façonnent un royaume faste et prospère comme l’Égypte n’en a jamais connu auparavant. À commencer par le pharaon Amenhotep III, beau-père de Néfertiti, et Tiyi, sa redoutable belle-mère.

C’est comprendre l’Égypte antique et ses nombreux dieux. Le principal, Amon, dont les temples de Karnak et de Louxor célèbrent la puissance. Mais aussi Aton, le nouveau, choisi exclusivement par la souveraine et le pharaon. Un premier monothéisme. Une révolution.

C’est bien sûr aussi vivre l’incroyable aventure d’une nouvelle capitale, sortie des sables et décidée par Néfertiti et son époux. Telle la ville d’Amarna. Partager avec eux leur quotidien mais aussi celui de leur peuple. Les loisirs, leurs repas, le statut si moderne des femmes de l’époque.
C’est enfin se plonger dans les croyances toujours aussi fascinantes de l’au-delà. Grâce aux nécropoles de la vallée des Rois et aux momies à ce jour découvertes.

Mais qu’est-il arrivé à celles de Néfertiti et Akhénaton? Bien des mystères subsistent encore avec, de jour en jour, de nombreuses révélations.
Ce qui est certain, c’est que cette première tentative monothéiste de l’humanité n’a pas fini de nous fasciner, comme le sourire si noble et serein du buste de celle qui reste pour nous à jamais « La belle d’entre les belles ».

Retrouvez Secrets dhistoire:
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— sur Twitter twitter.com/secretshistoire
— sur Instagram www.instagram.com/secretsdhistoire/

Hace unos 12.000 años, el ser humano pasó de llevar una vida nómada como cazador y recolector a una vida sedentaria como agricultor. En esa época, en la Edad de Piedra, se erigieron impresionantes construcciones. La primera parte del reportaje de dos capítulos examina el trasfondo cultural de las obras de construcción y muestra las dificultades a las que se enfrentaron nuestros antepasados.

Hasta hace unos 10.000 años antes de Cristo, el hombre era cazador y recolector. Entonces se inició un cambio decisivo. La humanidad se volvió sedentaria. «Durante millones de años, los humanos vivieron como cazadores de animales silvestres y de repente sus vidas cambiaron totalmente. ¡Esto fue mucho más radical que el comienzo de la era digital o de la industrialización!», dice el prehistoriador Hermann Parzinger, presidente de la Fundación del Patrimonio Cultural Prusiano. Durante mucho tiempo, la ciencia supuso que la vida sedentaria fue la condición previa para las grandes construcciones. Entonces, el ya fallecido arqueólogo Klaus Schmidt descubrió Göbekli Tepe en el sur de Turquía, un complejo de bloques de piedra de hasta 20 toneladas de 12.000 años de antigüedad. Sus constructores eran todavía cazadores y recolectores. Decoraron los pilares de piedra con elaborados relieves de animales. Cómo se usaron los templos, a quién se le permitía entrar y a quién no, sigue siendo un misterio. Pero hoy sabemos que el complejo fue abandonado y cubierto de tierra después de que el ser humano se volviera sedentario. El destino de la humanidad tomó su curso. Con el descubrimiento de la agricultura y la ganadería los asentamientos crecieron en tamaño, se desarrollaron otras formas de alimentación y, en definitiva, comenzó la dependencia de los bienes materiales. Estos radicales cambios sociales al final de la era neolítica siguen influyendo en nuestras vidas en la actualidad. Todos están de acuerdo en que los monumentos de la Edad de Piedra son prueba de que la humanidad tiene una inclinación por la gigantomanía y un gran deseo de perpetuarse.
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Experience our planets natural beauty and examine how climate change impacts all living creatures in this ambitious documentary of spectacular scope.

In this episode: Jungles and rainforests are home to an incredible variety of species like preening birds, intelligent orangutans and remarkably ambitious ants.

For more about Jungles, please visit www.ourplanet.com/en/video/how-to-save-our-jungles

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US Rating: TV-PG. Parental guidance suggested.

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