The Last Of The Mohicans (1992) Original Motion Picture Soundtrack — Full OST

The Last of the Mohicans is a 1992 American epic historical drama, set in 1757 during the French and Indian War. It was directed by Michael Mann, based on James Fenimore Coopers eponymous 1826 novel and George B. Seitzs 1936 film adaptation, owing more to the latter than the novel. The film stars Daniel Day-Lewis, Madeleine Stowe, and Jodhi May, with Russell Means, Wes Studi, Eric Schweig, and Steven Waddington in supporting roles. It was produced by Morgan Creek Pictures.

The soundtrack features music by Trevor Jones and Randy Edelman, and the song «I Will Find You» by Clannad. The main theme of the film is taken from the tune «The Gael» by Scottish singer-songwriter Dougie MacLean. Released on September 25, 1992 in the United States, The Last of the Mohicans was met with nearly universal praise from critics and commercial success during its box-office run.

Director: Michael Mann
Writers: James Fenimore Cooper (novel), John L. Balderston (adaptation)
Stars: Daniel Day-Lewis, Madeleine Stowe, Russell Means

Sit back and enjoy the sights and sounds of Rivendell, the last homely house east of the sea. This is a remaster of the 3 hour version I made last year. For this 6 hour version, I did some work on the original photo to increase its quality. I upgraded the waterfalls, as well as the smoke coming from the chimney. I used a real video of the moon and blended it into the scene to make the moonlight as realistic as possible. No copyright intended. All content belongs to its respective owners. Be sure to select the 4K option for the best experience. Enjoy.

If you enjoyed this video, be sure to visit my channel for more LOTR inspired videos.

Music is from the original Lord of the Rings Trilogy by Howard Shore.

Two hundred years have passed since the events of the Oblivion Crisis, and it is now 4E 201. The High King of Skyrim has been killed, and the threat of Civil War looms over the land of Skyrim. One side wishes to secede from the weakened Third Empire, while the other wishes to remain a part of it. To make matters worse, this schism is the final event in a prophecy foretold by the Elder Scrolls that will lead to the return of the dragons under Alduin, the Nordic god of destruction.

0:00 — From Past to Present
5:02 — Unbroken Road
11:26 — Ancient Stones
16:09 — The City Gates
19:56 — Silent Footsteps

22:47 — Dragonsreach
25:06 — Under an Ancient Sun
28:41 — Masser
34:46 — Distant Horizon
38:39 — Dawn

42:37 — The Jerall Mountains
45:55 — Unnamed Cave music piece (not present on the OST album)
48:30 — Secunda
50:35 — Imperial Throne
52:51 — Frostfall

56:15 — Into Darkness
59:07 — Kyne’s Peace
1:02:56 — Unbound (not present in the game)
1:04:27 — Far Horizon
1:09:53 — A Winter’s Tale

1:13:13 — The Bannered Mare
1:15:45 — The Streets of Whiterun
1:19:50 — The White River
1:23:17 — Silence Unbroken
1:25:39 — Standing Stones

1:32:16 — Beneath the Ice
1:36:25 — Tundra
1:40:14 — Journey’s End
1:44:20 — A Chance Meeting
1:47:32 — Out of the Cold

1:50:34 — Around the Fire
1:53:48 — Shadows and Echoes
1:56:06 — Aurora
2:03:26 — Towers and Shadows
2:05:49 — Solitude

2:08:00 — The Gathering Storm
2:10:53 — Sky Above, Voice Within
2:14:48 — Death in the Darkness
2:17:21 — Shattered Shields
2:20:01 — Wind Guide You

Composed by Jeremy Soule.

Original thumbnail artwork based on a matte painting by Daniel Kvasznicza:
www.artstation.com/artwork/bdva

© 2011 Bethesda Softworks LLC, a ZeniMax Media company. The Elder Scrolls, Skyrim, Bethesda, Bethesda Game Studios, Bethesda Softworks, ZeniMax and related logos are registered trademarks or trademarks of ZeniMax Media Inc. in the U.S. and/or other countries. All Rights Reserved.

#hogwarts #harrypotter #christmas
Immerse yourself in the legendary Great Hall of Hogwarts School of Witchcraft and Wizardry! Think about all of the memories you would make here as a student. The sorting ceremony, holiday meals, speeches from the headmaster, and more! Relax and enjoy this 3 hour video.
I hope these videos bring you joy! A very special thanks to each and every one of you who support my channel through Patreon and Paypal. Do you enjoy my channel? Please consider supporting me! I can’t earn revenue on YouTube due to copyright restrictions, so help the channel continue to grow by becoming a Patron or making a PayPal contribution today!
www.patreon.com/ambientworlds
www.paypal.me/ambientworlds
***Join our Discord community! discord.gg/eFpwsEv
The talented artist Jacob Claussen has generously given me permission to use his artwork in this video. Please visit his portfolio and see more of his work (https://www.artstation.com/jacobclaussen). I appreciate his wonderful work to create the Great Hall. Thanks Jacob!
Song List (looped):
0:00 — 4:23 — Reunion of Friends — Harry Potter and the Chamber of Secrets, composed by John Williams (https://www.youtube.com/watch?v=Iq8TFBAOVvk)
4:24 — 5:22 — Christmas at Hogwarts — Harry Potter and the Philosophers Stone, composed by John Williams (https://www.youtube.com/watch?v=MMvfOUer3Vo)
3:03 — 7:27 — Nevilles Waltz — Harry Potter and the Goblet of Fire, composed by Patrick Doyle (https://www.youtube.com/watch?v=EbM_n1LKT5c)
7:28 — 11:06 — Fawx the Phoenix — Harry Potter and the Chamber of Secrets, composed by John Williams (https://www.youtube.com/watch?v=1pnxGaY0FN4)
11:07 — 12:09 — Wander Snow — Harry Potter and the Prisoner of Azkaban Video Game Soundtrack, composed by Jeremy Soule
12:10 — 13:53 — Introducing Colin — Harry Potter and the Chamber of Secrets, composed by John Williams (https://www.youtube.com/watch?v=LX3oNZdcIaE)
13:54 — 16:01 — Friendship Theme — Harry Potter and the Half-Blood Prince Video Game Soundtrack, composed by James Hannigan
16:02 — 18:11 — Hogwarts Express — Harry Potter and the Prisoner of Azkaban Video Game Soundtrack, composed by Jeremy Soule
*************
Copyright information: I do not own any of the visuals or audio in my videos and my channel is not monetized. All rights belong to the respective copyright holders. All ads direct revenue to the respective copyright owners through the Content ID system. Please check out the copyright links to the original music in the links above. Videos on my channel are removed immediately upon request or claims from the copyright owners or YouTube. I have no control over when or where ads appear on my videos.

Credit goes to the composer of the incredible Skyrim soundtrack, Jeremy Soule.

I have been slowly working on this over the past few weeks as I realised not long ago how beautifully the atmospheric and ambient sounds of Skyrim flow with the calmer exploration pieces from the games soundtrack. I thought it was about time that a large relaxing suite was created for Skyrim. And it seems like this is an appropriate celebration of Skyrim as the Special Edition was only just revealed. I hope you enjoy!

0:00 — Awake
1:23 — Skyrim Atmospheres Part 1
4:07 — From Past to Present
8:59 — Skyrim Atmospheres Part 2
13:49 — Kynes Peace
17:24 — Dawn
21:11 — Skyrim Atmospheres Part 3
27:08 — Under an Ancient Sun
30:30 — Skyrim Atmospheres Part 4
33:36 — Ancient Stones
38:06 — Skyrim Atmospheres Part 5
41:42 — White River
45:00 — Far Horizons
50:18 — Journeys End
54:13 — Skyrim Atmospheres Part 6
57:48 — Secunda (My Extended Version)
1:00:44 — Skyrim Atmospheres Part 7
1:03:07 — Frostfall
1:06:20 — Tundra
1:09:54 — Skyrim Atmospheres Part 8
1:12:08 — Masser
1:17:52 — Standing Stones
1:24:18 — Skyrim Atmospheres Part 9
1:27:42 — Aurora
1:34:52 — Wind Guide You
1:43:02 — Skyrim Atmospheres Part 10
Skyrim Atmospheres (throughout)
(Note — not all calm/exploration tracks from the original soundtrack have been used in this suite, only a select few that I felt worked together well)

Artwork used: www.artstation.com/artwork/WvmN (Artist Michal Kus)

(No infringement of copyright is intended by the use of these tracks as they are intended as a homage to the video game The Elder Scrolls V: Skyrim)

Provided to YouTube by Universal Music Group

J.S. Bach: Toccata and Fugue in D Minor, BWV 565 · Peter Hurford

The World of Bach

℗ 1980 Decca Music Group Limited

Released on: 1991-01-01

Producer, Recording Producer: Chris Hazell
Associated Performer, Organ: Peter Hurford
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

In Wachet auf, ruft uns die Stimme, performed by the Netherlands Bach Society for All of Bach, everything revolves around the parable of the wise and foolish virgins. They wait throughout the night with burning lamps for the arrival of the bridegroom. Five of them have brought along extra oil to keep their lamp burning. The others run out of oil and go off to buy some more. The bridegroom arrives while they are away.

Recorded for the project All of Bach on February 11th 2018 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with Jos van Veldhoven on Wachet auf, ruft uns die Stimme go to www.youtube.com/watch?v=tvB-sJyZEqw
For more information on BWV 140 and this production go to allofbach.com/en/bwv/bwv-140/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor
Maria Keohane, soprano
Tim Mead, alto
Daniel Johannsen, tenor
Matthew Brook, bass

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.

#Baroque
#BaroqueMusic
#BaroqueHistory

BACH THE WELL TEMPERED CLAVIER I No.1~12
(The GLENN GOULD Edition)

Glenn Gould — 01. The Well-Tempered Clavier I No.1 in C Major BWV 846_ I. Praeludium
Glenn Gould — 02. The Well-Tempered Clavier I No.1 in C Major BWV 846_ II. Fuga
Glenn Gould — 03. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ I. Praeludium
Glenn Gould — 04. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ II. Fuga
Glenn Gould — 05. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ I. Praeludium
Glenn Gould — 06. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ II. Fuga
Glenn Gould — 07. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ I. Praeludium
Glenn Gould — 08. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ II. Fuga
Glenn Gould — 09. The Well-Tempered Clavier I No.5 in D Major BWV 850_ I. Praeludium
Glenn Gould — 10. The Well-Tempered Clavier I No.5 in D Major BWV 850_ II. Fuga
Glenn Gould — 11. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ I. Praeludium
Glenn Gould — 12. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ II. Fuga
Glenn Gould — 13. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ I. Praeludium
Glenn Gould — 14. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ II. Fuga
Glenn Gould — 15. The Well-Tempered Clavier I, No.8 in E Flat Minor, BWV 853_ I. Praeludium
Glenn Gould — 16. The Well-Tempered Clavier I, No.8 in D Sharp Minor, BWV 853_ II. Fuga
Glenn Gould — 17. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ I. Praeludium
Glenn Gould — 18. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ II. Fuga
Glenn Gould — 19. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ I. Praeludium
Glenn Gould — 20. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ II. Fuga
Glenn Gould — 21. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ I. Praeludium
Glenn Gould — 22. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ II. Fuga
Glenn Gould — 23. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ I. Praeludium
Glenn Gould — 24. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ II. Fuga

ytimg.preload(https://r2---sn-pivhx-n8vs.googlevideo.com/generate_204);ytimg.preload(https://r2---sn-pivhx-n8vs.googlevideo.com/generate_204?conn2);Bach / Gould — Two