00:00 – 01:24 | On The Doorstep
01:24 – 02:11 | The Hunters (Extended Edition)
02:11 – 02:58 | In the Shadow of the Mountain
02:58 – 07:08 | Courage And Wisdom
07:08 – 07:30 | The Courage of Hobbits
07:30 – 07:51 | On The Doorstep
07:51 – 08:37 | A Thief In The Night
08:37 – 09:37 | The House of Beorn (Extended Version)
09:37 – 10:09 | Brass Buttons
10:09 – 10:24 | Barrels Out of Bound
10:24 – 11:26 | Old Friends (Extended Version)
11:26 – 13:37 | There And Back Again
13:37 – 17:11 | The Return Journey
17:11 – 18:58 | Dreaming of Bag End
18:58 – 19:24 | The Adventure Begins
19:24 – 20:24 | A Very Respectable Hobbit (Exclusive Bonus Track)
20:24 – 20:42 | The Hill of Sorcery
20:42 – 24:10 | The White Council (Extended Version)
24:10 – 24:24 | Fire And Water
24:24 – 24:49 | Proctector of the Common Folk
24:49 – 25:25 | Radagast the Brown (Extended Version)
25:25 – 27:19 | Kingsfoil
27:19 – 27:44 | The Quest for Erebor
27:44 – 28:05 | An Unexpected Party (Extended Version)
28:05 – 29:42 | Misty Mountains
29:42 – 31:39 | Feast of Starlight
31:39 – 32:17 | Flies and Spiders (Extended Version)
32:17 – 35:11 | Shores Of The Long Lake
35:11 – 36:21 | The Ruins Of Dale
36:21 – 37:18 | Ironfoot
37:18 – 38:08 | The Woodland Realm (Extended Version)
38:08 – 38:54 | Girion, Lord of Dale (Extended Version)
38:54 – 39:27 | Ravenhill
39:27 – 39:59 | The Fallen
39:59 – 43:42 | The Darkest Hour
43:42 – 45:23 | Over Hill
45:23 – 48:03 | Beyond the Forest
48:03 – 50:25 | Axe or Sword
50:25 – 51:20 | Moon Runes (Extended Version)
51:20 – 52:43 | The Hidden Valley
52:43 – 54:38 | The Dwarf Lords (Exclusive Bonus Track)
54:38 – 55:53 | My Dear Frodo
55:53 – 56:16 | A Good Omen
56:16 – 57:56 | Old Friends (Extended Version)
If you want to listen to the mix on a phone or other device, you have to stream it on SoundCloud since it seems to be restricted here on YouTube: goo.gl/TZaizG
Cornfield Chase, a new song by Hans Zimmer from the #OfficialSoundtrack of Christopher Nolan’s film: Interstellar
Starring Matthew McConaughey, Anne Hathaway, Michael Caine, Jessica Chastain and Matt Damon
Tracklist:
1. Dreaming Of The Crash
2. Cornfield Chase
3. Dust
4. Day One
5. Stay
6. Message From Home
7. The Wormhole
8. Mountains
9. Afraid Of Time
10. A Place Among The Stars
11. Running Out
12. Im Going Home
13. Coward
14. Detach
15. S.T.A.Y.
16. Where Were Going
17. First Step
18. Flying Drone
19. Atmospheric Entry
20. No Need To Come Back
21. Imperfect Lock
22. No Time For Caution
23. What Happens Now?
24. Do Not Go Gentle Into That Good Night
About Interstellar:
Interstellar is a 2014 epic science fiction film directed, co-written and co-produced by Christopher Nolan. Set in a dystopian future where humanity is struggling to survive, the film follows a group of astronauts who travel through a wormhole near Saturn in search of a new home for mankind.
About WaterTower Music:
WaterTower Music, the in-house label for the WarnerMedia companies, releases recorded music as rich
and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most
iconic films, television shows and games since 2001. Featured releases include the soundtracks for
Aquaman, The Hobbit, Game of Thrones, Crazy Rich Asians, King Arthur, Justice League, Game of
Thrones and Westworld.
Interstellar Official Soundtrack | Cornfield Chase – Hans Zimmer | WaterTower youtu.be/JuSsvM8B4Jc
Interstellar Docking Scene Music — No Time For Caution — Hans Zimmer
Interstellar is a 2014 science fiction film directed by Christopher Nolan. Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine, the film features a team of space travelers who travel through a wormhole in search of a new habitable planet. It was written by Jonathan Nolan and Christopher Nolan, Christopher combined his idea with an existing script by his brother that was developed in 2007 for Paramount Pictures and producer Lynda Obst. Nolan is producing the film with Obst and Emma Thomas. Theoretical physicist Kip Thorne, whose works inspired the film, acted as both an executive producer and a scientific consultant for the film.
Warner Bros., who produced and distributed some of Nolans previous films, negotiated with Paramount, traditionally a rival studio, to have a financial stake in Interstellar. Legendary Pictures, which formerly partnered with Warner Bros., also sought a stake. The three companies co-financed the film, and the production companies Syncopy and Lynda Obst Productions were enlisted. The director also hired cinematographer Hoyte van Hoytema since his long-time collaborator Wally Pfister was busy working on Transcendence, his directorial debut. Interstellar was filmed with a combination of anamorphic 35 mm and IMAX 70 mm film photography. Filming took place in the last quarter of 2013 in locations in the province of Alberta, Canada, in southern Iceland, and in Los Angeles, California. The visual effects company Double Negative created visual effects for Interstellar.
Interstellar premiered on October 26, 2014 in Los Angeles, California. Commercially, it is scheduled for a limited release in North America (United States and Canada) on November 5, 2014 and a wide release on November 7, 2014. It will also be released in Belgium, France and Switzerland on November 5, 2014 and in additional territories in the following days, including the United Kingdom on November 7, 2014. For the limited release in North America, it will be released in 70 mm and 35 mm film formats in approximately 240 theaters which still project the formats, including at least 41 70 mm IMAX theaters. For the wide release, it will expand to theaters that will show it in digital format. Paramount Pictures will distribute the film in North America, and Warner Bros. will distribute it in the remaining territories
Interstellar OST — No Time For Caution — Hans Zimmer (Original Motion Picture Soundtrack)
Interstellar Docking Soundtrack
Interstellar OST,Interstellar Soundtrack,Interstellar Docking,Interstellar No Time For Caution,Interstellar
☛ «she is a beautiful and technically accomplished player», «the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)»
— American Record Guide, July-August 2015
☛ «Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.», «She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.»
— Donald Rosenberg, Gramophone Magazine
☛ «A gifted and obviously devoted Bachian»
— James Oestreich, New York Times
☛ «in all the years, all the versions, I have never heard „Book 1“ done better», «The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ «elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music», «A brilliant performance and brilliant set all around!»
— Robert Cummings, Classical.net
☛ «This is a recording to change your perception of the Well Tempered Klavier.»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rothers Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
BACH THE WELL TEMPERED CLAVIER I No.1~12
(The GLENN GOULD Edition)
Glenn Gould — 01. The Well-Tempered Clavier I No.1 in C Major BWV 846_ I. Praeludium
Glenn Gould — 02. The Well-Tempered Clavier I No.1 in C Major BWV 846_ II. Fuga
Glenn Gould — 03. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ I. Praeludium
Glenn Gould — 04. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ II. Fuga
Glenn Gould — 05. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ I. Praeludium
Glenn Gould — 06. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ II. Fuga
Glenn Gould — 07. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ I. Praeludium
Glenn Gould — 08. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ II. Fuga
Glenn Gould — 09. The Well-Tempered Clavier I No.5 in D Major BWV 850_ I. Praeludium
Glenn Gould — 10. The Well-Tempered Clavier I No.5 in D Major BWV 850_ II. Fuga
Glenn Gould — 11. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ I. Praeludium
Glenn Gould — 12. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ II. Fuga
Glenn Gould — 13. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ I. Praeludium
Glenn Gould — 14. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ II. Fuga
Glenn Gould — 15. The Well-Tempered Clavier I, No.8 in E Flat Minor, BWV 853_ I. Praeludium
Glenn Gould — 16. The Well-Tempered Clavier I, No.8 in D Sharp Minor, BWV 853_ II. Fuga
Glenn Gould — 17. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ I. Praeludium
Glenn Gould — 18. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ II. Fuga
Glenn Gould — 19. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ I. Praeludium
Glenn Gould — 20. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ II. Fuga
Glenn Gould — 21. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ I. Praeludium
Glenn Gould — 22. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ II. Fuga
Glenn Gould — 23. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ I. Praeludium
Glenn Gould — 24. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ II. Fuga
CGI 3D Animated Short Film: Matt Cerini Animated Short Film by Matt Cerini at The School of Visual Arts. Featured on CGMeetup www.cgmeetup.com/project/dear-alice
The CG Animated Short Film «Dear Alice» tells the story of an unconfident artist who must inspire a wide-eyed young girl to see the beauty in her sketch before the bus reaches his stop.
Directed by Matt Cerini and produced at the School of Visual Arts.
Dear Alice is a CG animated short film and senior thesis, directed by Matt Cerini and produced at the School of Visual Arts (2018). The film was completed in 10 months time and included a team of 15 artists in production.
New technology reveals why Tutankhamun’s tomb remained hidden in the Valley of the Kings, Tut’s treasures take a once-in-a-lifetime journey and archaeologists open a 4,000-year-old tomb.
➡ Subscribe: bit.ly/NatGeoSubscribe
About Lost Treasures of Egypt:
An immersive, action-packed and discovery-led series following International teams of Egyptologists as they unearth the worlds richest seam of ancient archaeology — Egypts Valley of the Kings. For a full season of excavations and with unprecedented access to the teams on the front line of archaeology, we follow these modern-day explorers as they battle searing heat and inhospitable terrain to make the discoveries of a lifetime. Using innovative technology and age-old intuition in their quest to uncover the secrets of these ancient sites, can the teams discoveries re-write ancient history?
About National Geographic:
National Geographic is the worlds premium destination for science, exploration, and adventure. Through their world-class scientists, photographers, journalists, and filmmakers, Nat Geo gets you closer to the stories that matter and past the edge of whats possible.
«With the ecosystem destroyed after a nuclear war, Mari, a survivor, does all she can to rebuild. When she stumbles upon a robot soldier in an abandoned city, everything changes.»
Green Light Animated Short Film is a story about a girl and a robot soldier thrown into the worst situation brought up
by the misuse of highly-advanced science technology, trying to restore the land it used to be.
I tried to show the fellowship of Mari, a girl trying to make a better future without giving up hope in the tragic situation
where everything was destroyed and a robot which started a new life because of her, and how they make a new world.
Director — Seongmin Kim www.cgmeetup.com/ahhrahan
Executive Producer/ VFX Supervisor — Haejung Suk
Pipeline Producer — Unseol Jeong
Story — Seongmin Kim, Woojin Chang
Lighting — Unseol Jeong
Animation — Junsung Kim, Daehyun Lee, Gwangwon Son, Hongsuk Hur, Seungki Lee
Character — Changhyeok Kang
Sets — Jeonghwa Kang, Hakrae Lee, Jihoon Joo, Yeram Kim
Compositing — Unseol Jeong, nara Kim
2D Art — Daehwan Kim
Matte Painting — Jiwon Choi
Music