The Last Of The Mohicans (1992) Original Motion Picture Soundtrack — Full OST
The Last of the Mohicans is a 1992 American epic historical drama, set in 1757 during the French and Indian War. It was directed by Michael Mann, based on James Fenimore Coopers eponymous 1826 novel and George B. Seitzs 1936 film adaptation, owing more to the latter than the novel. The film stars Daniel Day-Lewis, Madeleine Stowe, and Jodhi May, with Russell Means, Wes Studi, Eric Schweig, and Steven Waddington in supporting roles. It was produced by Morgan Creek Pictures.
The soundtrack features music by Trevor Jones and Randy Edelman, and the song «I Will Find You» by Clannad. The main theme of the film is taken from the tune «The Gael» by Scottish singer-songwriter Dougie MacLean. Released on September 25, 1992 in the United States, The Last of the Mohicans was met with nearly universal praise from critics and commercial success during its box-office run.
Director: Michael Mann
Writers: James Fenimore Cooper (novel), John L. Balderston (adaptation)
Stars: Daniel Day-Lewis, Madeleine Stowe, Russell Means
Credit goes to the composer of the incredible Skyrim soundtrack, Jeremy Soule.
I have been slowly working on this over the past few weeks as I realised not long ago how beautifully the atmospheric and ambient sounds of Skyrim flow with the calmer exploration pieces from the games soundtrack. I thought it was about time that a large relaxing suite was created for Skyrim. And it seems like this is an appropriate celebration of Skyrim as the Special Edition was only just revealed. I hope you enjoy!
0:00 — Awake
1:23 — Skyrim Atmospheres Part 1
4:07 — From Past to Present
8:59 — Skyrim Atmospheres Part 2
13:49 — Kynes Peace
17:24 — Dawn
21:11 — Skyrim Atmospheres Part 3
27:08 — Under an Ancient Sun
30:30 — Skyrim Atmospheres Part 4
33:36 — Ancient Stones
38:06 — Skyrim Atmospheres Part 5
41:42 — White River
45:00 — Far Horizons
50:18 — Journeys End
54:13 — Skyrim Atmospheres Part 6
57:48 — Secunda (My Extended Version)
1:00:44 — Skyrim Atmospheres Part 7
1:03:07 — Frostfall
1:06:20 — Tundra
1:09:54 — Skyrim Atmospheres Part 8
1:12:08 — Masser
1:17:52 — Standing Stones
1:24:18 — Skyrim Atmospheres Part 9
1:27:42 — Aurora
1:34:52 — Wind Guide You
1:43:02 — Skyrim Atmospheres Part 10
Skyrim Atmospheres (throughout)
(Note — not all calm/exploration tracks from the original soundtrack have been used in this suite, only a select few that I felt worked together well)
Rio Lobo — After the Civil War, Cord McNally searches for the traitor whose treachery caused the defeat of McNallys unit and the loss of a close friend.
Rio Lobo (1970)
Director: Howard Hawks
Writers: Burton Wohl (screenplay), Leigh Brackett (screenplay)
Stars: John Wayne, Jorge Rivero, Jennifer ONeill
Country: USA | Mexico
Language: English | Spanish
Release Date: 2 April 1971 (West Germany)
Also Known As: San Timoteo
Filming Locations: Tucson, Arizona, USA
Storyline:
Bent on unearthing the cynical traitor who sold information to the enemy and caused the death of a dear brother-in-arms, the battle-tested former Union cavalry officer, Colonel Cord McNally, teams up with a pair of ex-Confederates after the Civil War. Now, as honest friends, the three companions ride into Rio Lobo--a dusty town in the middle of the desert overcome by corruption--to bring to justice the one who sold McNally out; however, the town is rife with the betrayers murderous cut-throats. Can McNally avenge his bosom buddy and clean up Rio Lobo?
Reviews:
«Rio Lobo is the final masterpiece by Howard Hawks. A great plot from the Civil War and after the war. The plot thickens when Christopher Mitchum and Jorge Rivero join with the Dukes quest to find the Union traitors. After a big gold heist and mad chase it seemed like the rest of the story might be anticlimactic. However, Jack Elam and David Huddleston give uplifting stellar performances that keep the action at fever pitch. Victor French also gives a memorable performance as Ketcham, the villainous land baron. With all the wonderful performances Jennifer ONeill as Shasta Delaney stole the show. She played the part of the woman fighting the good ol boys and the love interest of Jorge Rivero to perfection. John Wayne and Howard Hawks picked the finest cast for their final collaboration.» Written by frank4122 on IMDb.com
«Simply put, this is one of the greatest Westerns of the 70s. And with the kind of clout it has, it couldnt possibly miss.
Hawks direction, Brackett and Wohls script, Goldsmiths score and even the legendary Yakima Canutt as second unit director all do their parts to make this one of the brightest and snappiest tales from the Old West ever.
Oh yeah, and the Dukes in it, too. Comfortable as ever in a genre he basically dominates anyway, John Wayne (the great „re-actor“) makes every word he says and every action he takes as stalwart and as forceful as if he were taking to the screen for the first time.
Much has been made of how weak the younger actors are, but considering the circumstances, they do well for themselves (even a young Lansing, who would go on to bigger and better things beyond the camera).
The liveliest performance, though, is saved for good old Jack Elam, as looney as ever, and handy with a shotgun as well as mouth harp. He also has the best line: „Dont mind if I shoot anyway, it makes me feel better.“
Youll no doubt recognize a lot of faces in this film, and probably be surprised to see them there (yes, THAT George Plimpton) but in a film this big and this good, it looks like everyone wanted to get into the act.
And through it all, Wayne swaggers and shoots and helps save the Western way of life.
You have to admit, there aint nothing like the „Rio“ thing!
Ten stars. Check out „Rio Lobo“ but just because The Duke looks at ease here, dont call him „comfortable“.» Written by Mister-6 on IMDb.com
«Terrific Wayne-Hawks Western, almost remake of RIO BRAVO, which happens to be the greatest Western ever made. This is great fun, loaded with action, lotsa comedy, great finish with the Duke, Elam, Mike Henry and the vengeful Sherry Lansing. And Chris Mitchums in there somewhere. My #4 film of 70. Young people, if you wanna see a Bad John Wayne film, check out BARBARIAN AND THE GEISHA. If youre lookin for a Bad Hawks movie — Stop. There aint any. Not even RED LINE 7000.» Written by keiljd on IMDb.com
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Original video: youtu.be/vz91QpgUjFc
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J.S. Bach: St. John Passion, BWV 245 / Part Two — No.25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn " · Anthony Rolfe Johnson · Cornelius Hauptmann · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir
Bach, J.S.: St. John Passion
℗ 1986 Deutsche Grammophon GmbH, Berlin
Released on: 1986-01-01
Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous
Internationally acclaimed vocal group VOCES8 headline the Academy of Ancient Musics performance of Handels beloved oratorio Messiah, recorded live at the Chapel of Trinity College, Cambridge.
PROGRAMME:
George Frideric Handel (1685 — 1759)
Messiah HWV56
========
PART THE FIRST
00:00:10 — Symphony
00:03:30 — Comfort Ye My People (Blake Morgan, tenor)
00:06:54 — Evry Valley Shall Be Exalted (Euan Williamson, tenor)
00:10:33 — And The Glory Of The Lord
00:13:24 — Thus Saith The Lord (Christopher Moore, bass)
00:14:47 — But Who May Abide The Day Of His Coming (Katie Jeffries-Harris, alto)
00:19:10 — And He Shall Purify
00:21:38 — Behold, A Virgin Shall Conceive (Katie Jeffries-Harris, alto)
00:22:15 — O Thou That Tellest Good Tidings To Zion (Katie Jeffries-Harris, alto)
00:27:33 — For Unto Us A Child Is Born
00:31:52 — Pastoral Symphony
00:33:00 — There Were Shepherds Abiding In The Field (Eleonore Cockerham, soprano)
00:33:58 — And Suddenly There Was With An Angel (Eleonore Cockerham, soprano)
00:36:09 — Rejoice Greatly, O Daughter Of Zion (Penelope Appleyard, soprano)
00:40:50 — Then Shall The Eyes Of The Blind (Katie Jeffries-Harris, alto)
00:41:26 — He Shall Feed His Flock (Katie Jeffries-Harris, alto
Glenn Goulds debut album of Bachs Goldberg Variations was recorded in June 1955. The Columbia LP quickly became one of the most revered piano recordings ever made and Gould became the most famous classical artist of the day. His exciting, unorthodox new way of playing Bach left listeners awestruck and critics around the world hailing him as a genius. But until recently this iconic album was limited by the dated recording technology of its time.
On September 25, 2006, history was made again. Zenph Studios recorded its debut re-performance® to standing ovations in the CBCs famed Glenn Gould Studio in Toronto. The date would have been Glenn Goulds 74th birthday, and what a gift Zenph created to give his fans.
The Zenph re-performance is a revelation in its clarity, depth, and vibrancy. Gould seems to play at an almost inhuman speed and yet with complete accuracy. The 30 variations dazzle the listener with their inventiveness and variety. As music historian and Gould biographer Kevin Bazzana writes in the CDs liner notes, «Here, albeit with his trademark vocalizing no longer accompanying the performance, Goulds musical personality is unquestionably present...»
Upright Bass: Allen Walley
Cello: Anthony Lewis
Cello: Anthony Pleeth.
Lead Vocals: Azam Ali
Violin: Bea Lovejoy
Masterer: Bernie Grundman
Violin: Boguslaw Kostecki
Viola: Bruce White.
Drums: Butch Norton
Viola: Catherine Bradshaw
Cello: Cathy Giles
Violin: Cathy Thompson
Viola: Charles Cross
Bass: Chris Chaney
Violin: Chris Clad
Upright Bass: Chris Laurence
Violin: Chris Tombling.
Cello: Chris Worsey
Music Editor: Darrell Hall
Trombone: Dave Stewart
Cello: David Daniels
Violin: David Emanuel
Drums: David Hadad
French Horn: David Pyatt
Violin: David Woodcock.
Violin: Declan Daly
Violin: Dermot Crehan
Upright Bass: Dominic Black
Viola: Don McVay
Trombone: Dudley Bright
Violin: Emlyn Singleton
Violin: Everton Nelson
Violin: Fenella Barton
Clarinet: Frank Macchia
Bass Flute: Frank Macchia
Percussion: Frank Ricotti
Cello: Frank Schaefer
Percussion: Gary Kettel
Orchestra Leader