Игорь составил «Рейтинг отвратительности» всех подружек Лены. И настаивает на том, чтобы жена распрощалась с той, которая возглавит этот список. При этом он предоставил ей возможность самой выбрать «самую отвратительную». Но Игорь вскоре пожалел о том, что начал эту игру.
Больше о жизни Игоря и Лены — в 14 серии «Семейки У».
Two hundred years have passed since the events of the Oblivion Crisis, and it is now 4E 201. The High King of Skyrim has been killed, and the threat of Civil War looms over the land of Skyrim. One side wishes to secede from the weakened Third Empire, while the other wishes to remain a part of it. To make matters worse, this schism is the final event in a prophecy foretold by the Elder Scrolls that will lead to the return of the dragons under Alduin, the Nordic god of destruction.
0:00 — From Past to Present
5:02 — Unbroken Road
11:26 — Ancient Stones
16:09 — The City Gates
19:56 — Silent Footsteps
22:47 — Dragonsreach
25:06 — Under an Ancient Sun
28:41 — Masser
34:46 — Distant Horizon
38:39 — Dawn
42:37 — The Jerall Mountains
45:55 — Unnamed Cave music piece (not present on the OST album)
48:30 — Secunda
50:35 — Imperial Throne
52:51 — Frostfall
56:15 — Into Darkness
59:07 — Kyne’s Peace
1:02:56 — Unbound (not present in the game)
1:04:27 — Far Horizon
1:09:53 — A Winter’s Tale
1:13:13 — The Bannered Mare
1:15:45 — The Streets of Whiterun
1:19:50 — The White River
1:23:17 — Silence Unbroken
1:25:39 — Standing Stones
1:32:16 — Beneath the Ice
1:36:25 — Tundra
1:40:14 — Journey’s End
1:44:20 — A Chance Meeting
1:47:32 — Out of the Cold
1:50:34 — Around the Fire
1:53:48 — Shadows and Echoes
1:56:06 — Aurora
2:03:26 — Towers and Shadows
2:05:49 — Solitude
2:08:00 — The Gathering Storm
2:10:53 — Sky Above, Voice Within
2:14:48 — Death in the Darkness
2:17:21 — Shattered Shields
2:20:01 — Wind Guide You
I hope these videos bring you joy! A very special thanks to each and every one of you who support my channel through Patreon and Paypal. Do you enjoy my channel? Please consider supporting me! I can’t earn revenue on YouTube due to copyright restrictions, so help the channel continue to grow by becoming a Patron or making a PayPal contribution today! www.patreon.com/ambientworlds www.paypal.me/ambientworlds
This video is dedicated to Mia Cienfuegos, who has been a very encouraging subscriber to my channel! Immerse yourself in the realm of Rivendell!
Disclaimer #1: Please know that I do not place any of the adds on my videos. Since I use copyright protected music, YouTube has demonetized my channel. Ads are placed by YouTube automatically to generate revenue for the license holders of the music. My channel is best enjoyed with YouTube Premium!
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Ive looped the song «Honor Him» from the 2000 movie Gladiator to play for an entire hour.
Unlike the few other «extended version» videos of this song already on YouTube, this one is much longer and has a seamless, near perfect transition between each loop.
Ive rendered the video in 1440p, Im unsure whether thatll result in higher quality audio than 1080p but whatever. The original audio was 320kbps.
All the pictures used in this video were found on Google Images and every last one of them, as well as the audio, are property of their respective owners, whoever the fuck that may be.
I dont own anything about this video and Im not making any money off it. This is fair use, strictly for educational and entertainment purposes and shit.
Glenn Goulds debut album of Bachs Goldberg Variations was recorded in June 1955. The Columbia LP quickly became one of the most revered piano recordings ever made and Gould became the most famous classical artist of the day. His exciting, unorthodox new way of playing Bach left listeners awestruck and critics around the world hailing him as a genius. But until recently this iconic album was limited by the dated recording technology of its time.
On September 25, 2006, history was made again. Zenph Studios recorded its debut re-performance® to standing ovations in the CBCs famed Glenn Gould Studio in Toronto. The date would have been Glenn Goulds 74th birthday, and what a gift Zenph created to give his fans.
The Zenph re-performance is a revelation in its clarity, depth, and vibrancy. Gould seems to play at an almost inhuman speed and yet with complete accuracy. The 30 variations dazzle the listener with their inventiveness and variety. As music historian and Gould biographer Kevin Bazzana writes in the CDs liner notes, «Here, albeit with his trademark vocalizing no longer accompanying the performance, Goulds musical personality is unquestionably present...»
More than 3,5 hours of the most famous and recognizable classical music recordings.The best of classical music for studying, reading, relaxing and (most of all) enjoying!
Tracklist:
0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato)
02:42 Edvard Grieg – Morning Mood
06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor)
08:51 Frederic Chopin — Nocturne in C-sharp minor
12:56 Georges Bizet — Habanera («Lamour est un oiseau rebelle»)
14:58 W.A. Mozart — Rondo alla Turca («Turkish March»)
18:33 Ludwig van Beethoven — Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», Op. 27, No. 2)
23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto)
26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy
28:10 Federic Chopin – Prelude Op.28, no.4
30:44 Gioachino Rossini – Overture to “The Barber of Seville”
36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment)
37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major)
42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068)
45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro)
51:44 Erik Satie – Gymnopedie no.1
54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 («Voices of Spring»)
1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1
1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance
1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie)
1:09:07 Gioachino Rossini – William Tell Overture
1:14:55 Antonin Dvorak – Symphony no. 9 in E minor («From the New world»: IV. Allegro con fuoco)
1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers
1:31:47 Richard Wagner – Ride of the Valkyries
1:37:08 Ludwig van Beethoven — Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile)
1:42:08 Johann Strauss II – «An der schönen blauen Donau» (The Blue Danube),Op.314
1:49:19 Erik Satie – Gnossienne No.1
1:52:42 Edvard Grieg – In the Hall of the Mountain King
1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2
1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro)
2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major
2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement)
2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment)
2:20:10 Claude Debussy – Clair de lune (from «Suite bergamasque»)
2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan)
2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March)
2:28:25 Edvard Grieg — Notturno, Op.54, No.4
2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”)
2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen”
2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro)
2:43:36 Erik Satie – Gnossienne No.3
2:46:17 Johann Strauss II – Künstlerleben («Artists Life»), op.316
2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12)
2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275)
2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor)
2:57:53 Richard Strauss – Also sprach Zarathustra
2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 («Minute Waltz»)
3:01:00 Tomaso Albinoni — Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto).
3:04:29 Modest Mussorgsky – Night on Bald Mountain
3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354
3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565
3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section)
3:18:14 Leo Delibes – Pizzicato (from “Sylvia”)
3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre)
3:29:33 W.A. Mozart – Requiem in D minor
3:33:01 J.S.Bach – Prelude in C major
Every composition from this video exists as a public domain or creative common content.
The fragment of Debussys «Suite bergamasque» performed by Laurens Goedhart.
Liszts «Liebesträume» performed by Martha Goldstein.
Griegs Notturno performed by Mark Gasser.
Piano versions of Mozarts «Requiem in D minor» and Piano «Concerto no.21 in C major» performed by Markus Staab.
Saties «Gnossiennes» performed by La Pianista.
Richard Wagners «Also Sprach Zarathustra» performed by Kevin MacLeod.
The fragments of Vivaldis «Spring», «Summer» and «Autumn» performed by John Harrison.
More public domain and creative commons music you can find on Musopen website.
To follow me and my playlists on Spotify enter: spotify:user:1190084485 into your searchbar!
Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.
The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.
The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).
Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.
The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.
By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.
Most of the videos online with only one image are only music, but not this.
The research behind the perfect combination is the key for the unconscious.
The research:
«Music–color associations are mediated by emotion» www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.
String instruments and especially the violin demanded a key position in Baroque music particularly in Italy. Like many of his contemporaries Tomaso Albinoni composed a large number of pieces for string ensemble and many concertos for the violin.
0:00:00 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro non presto
0:03:43 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Adagio
0:07:57 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro
0:10:48 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
0:12:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Adagio
0:13:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
0:15:40 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allego
0:18:21 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Adagio
0:20:01 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allegro
0:22:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
0:26:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Adagio
0:28:45 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
0:32:14 Concerto, Op. 7/8: D Major for two Oboes and Strings: (no tempo)
0:34:32 Concerto, Op. 7/8: D Major for two Oboes and Strings: Largo
0:36:30 Concerto, Op. 7/8: D Major for two Oboes and Strings: Allegro
0:38:16 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
0:41:36 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Adagio
0:43:33 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
0:46:42 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
0:49:29 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Adagio
0:51:32 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
0:53:45 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
0:58:15 Concerto, Op. 9/3: F Major for two Oboes and Strings: Adagio
1:00:29 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
1:04:25 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
1:08:28 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Adagio
1:11:08 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
1:14:28 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
1:17:15 Concerto, Op. 7/11: C Major for two Oboes and Strings: Adagio
1:19:06 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
1:21:42 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
1:25:43 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Adagio
1:27:49 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
1:31:27 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
1:33:19 Concerto, Op. 7/5: C Major for two Oboes and Strings: Adagio
1:34:48 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
1:36:09 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
1:38:39 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Adagio
1:39:36 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
1:41:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
1:45:36 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Adagio
1:47:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
1:51:00 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
1:53:56 Concerto, Op. 7/12: C Major for two Oboes and Strings: Adagio
1:55:55 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
1:58:07 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
2:01:16 Concerto, Op. 9/12: D Major for two Oboes and Strings: Adagio
2:03:26 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
2:04:56 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
2:08:09 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Adagio
2:09:55 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
2:12:23 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
2:15:52 Concerto, Op. 9/10 in F Major for Violin and Strings: Adagio
2:19:15 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
2:22:44 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
2:26:14 Concerto, Op. 9/7: D Major for Violin and Strings: Andante e sempre piano
2:33:51 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
2:36:32 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro
2:39:58 Concerto, Op. 9/4: A Major for Violin and Strings: Adagio
2:42:16 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro
Artist:
Stefan Schilli (oboe)
Stuttgart Chamber Orchestra