HUMANs Musics - A film by Yann Arthus-Bertrand / Composed by Armand Amar

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HUMANs Musics — A film by Yann Arthus-Bertrand / Composed by Armand Amar

«I am deeply taken with traditional music, it moves me, it connects you to emotion.

The idea with HUMAN was to create songs that would reflect the same emotion generated by the interviews. I wanted things to open up, to open up one’s heart, to let the sadness be without any restraint. HUMAN has been one of these rare moments in my life as a film composer during which I could express all these different cultures at the same time: either working on minimalist songs or meeting with these singers and musicians coming from all around the world. Which note did I first produce? I had more like a global vision in mind, an atmosphere that would merge into the film and that would bring people together, this was my starting point. The part I created for the Mongolian sequence might be the best summary of the atmosphere I wanted the film to have.

Yann has given me a particular role as a film composer that is very diffrent from the one other directors usually give me. There is a strong friendship between us, an intimate relationship. He’s generous. You follow him because of his fantastic instinct, I can advise on the artistic process being in a way the first audience.»

Armand Amard, composer of the HUMAN music.

«Les musiques traditionnelles m’ont accaparé, elle me touchent, elles ont un rapport direct avec l’émotion. Pour HUMAN, mon idée était de construire une sorte de résonnance des interviews par un chant qui délivrerait la même émotion. J’avais envie que les choses s’ouvrent, que le cœur s’ouvre, que la tristesse s’ouvre, de ne pas avoir de retenue. HUMAN a été un des rares moments dans ma vie de compositeur de musiques de film, où j’ai pu exprimer toutes ces cultures différentes: être aussi bien dans des musiques minimalistes que dans des rencontres avec tous ces musiciens et chanteurs venus d’ailleurs. Quelle note m’est venue en premier? C’était plus une vision globale, un univers en osmose avec le film, où il était question de partage et de rencontre, qui ont été mon point de départ. D’ailleurs, pour moi ma composition faite pour les images de la Mongolie résume particulièrement l’univers que j’ai voulu pour ce film.

Avec Yann, j’ai une place particulière en tant que compositeur, différente de celle que me donnent les autres réalisateurs. Entre lui et moi, il y a une amitié profonde, nos échanges sont complices. C’est quelqu’un de généreux. Son instinct assez fantastique fait qu’on arrive à le suivre, je peux me permettre de donner mon avis dans la construction du film, parce que je suis dans le fond, le premier public.»

Armand Amar, compositeur de la musique de HUMAN.

HUMAN exhibition!

Come and discover an exclusive 8 hours film exhibition at the GoodPlanet Foundation – Domaine de Longchamp, Paris.
Unprecedented installations offering unique testimonies of love, happiness, but also hatred and violence, which confront us with the Other and bring us back to our own lives.
More information on www.goodplanet.org
Youtube: www.youtube.com/watch?v=VxRvktagWmU

Этническая Релакс Музыка для Души, Дудук Красивая Музыка! Нью эйдж

Степени Верха

Классная расслабляющая музыка для отдыха. Очень Красивая Подборка.
Используйте видео как фон во время прослушивания.
отблагодарить donatepay.ru/don/535740
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Спасибо что Смотрите этот канал! НЕ ЗАБУДЬТЕ ОЦЕНИТЬ И Поделиться с Друзьями!

— Attribution Music:
«Eastern illusion» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/

«Desert queenl» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/

«Behind the veil» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/

«Oasis» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/

«The passage» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/

«Deep in the ancient forest» by zero-project (www.zero-project.gr)
source clck.ru/LVnWx
Licensed under Creative Commons: Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/
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Основной Язык Канала — РУССКИЙ

— cabron1982@mail.ru

#релакс
#музыка
#инструментальнаямузыка
#красиваямузыка

Sona Jobarteh

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Click times for titles: 1) 0:12 2) 10:06 3) 16:52 4) 24:40 5) 34:02 6) 44:24 7) 49:30

Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange.

Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.

Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Kari Bannermann – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs

Recorded on 1 July 2015 at the «mon ami», Weimar.

For further information visit:
www.hfm-weimar.de/tms

Time

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Provided to YouTube by Reprise/WaterTower

Time · Hans Zimmer

Inception

℗ 2010 WarnerBros. Entertainment Inc.

Mixer: Alan Meyerson
Music Editor: Alex Gibson
Producer: Alex Gibson
Additional Programmer: Andrew Kawczynski
Cello: Anthony Pleeth
Orchestration: Bruce L. Fowler
Orchestration: Carl Rydlund
Assistant Engineer: Chris Barrett
Executive Producer: Christopher Nolan
Technical Engineer: Chuck Choi
Assistant Mixing Engineer: Daniel Kresco
Trombone: Dave Stewart
Orchestration: Ed Neumeister
Orchestration: Elizabeth Finch
Recorded by: Geoff Foster
Music, Producer, Synthesizer: Hans Zimmer
Synthesizer Programmer: Hans Zimmer
Synthesizer Programmer: Howard Scarr
Orchestral Contractor: Isobel Griffiths
Additional Programmer: Jacob Shea
Guitar: Johnny Marr
Orchestration: Kevin Kaska
Additional Music: Lorne Balfe
Producer: Lorne Balfe
Conductor: Matt Dunkley
Designer: Mel Wesson
Assistant Engineer: Mike Higham
Additional Programmer: Nick Delaplane
Tuba: Owen Slade
Masterer: Pat Sullivan
Lead Violin: Perry Montague-Mason
Viola: Peter Lale
Assistant Engineer: Peter Oso Snell
Trombone: Richard Edwards
French Horn: Richard Watkins
Orchestration: Rick Giovinazzo
Music Editor: Ryan Rubin
Orchestration: Suzette Moriarty
Technical Engineer: Thomas Broderick
Orchestration: Walter Fowler
Bass: mary Scully
Composer: Hans Zimmer

Auto-generated by YouTube.

The Kraken

Степени Верха

Provided to YouTube by Universal Music Group

The Kraken · Hans Zimmer

Pirates of the Caribbean: Dead Mans Chest

℗ 2006 Walt Disney Records

Released on: 2006-01-01

Unknown, Other: Hans Zimmer
Unknown, Other: Bob Badami
Unknown, Other: Jerry Bruckheimer
Unknown, Other: Gore Verbinski
Composer Lyricist: Hans Zimmer

Auto-generated by YouTube.

The Kraken

Степени Верха

Provided to YouTube by Universal Music Group

The Kraken · Hans Zimmer

Pirates of the Caribbean: Dead Mans Chest

℗ 2006 Walt Disney Records

Released on: 2006-01-01

Unknown, Other: Hans Zimmer
Unknown, Other: Bob Badami
Unknown, Other: Jerry Bruckheimer
Unknown, Other: Gore Verbinski
Composer Lyricist: Hans Zimmer

Auto-generated by YouTube.