Glenn Gould performs Beethoven’s «Piano Sonata No. 17 in D minor op 31/2 — The Tempest“, at the classical music television series „Music For a Sunday Afternoon“, originally broadcast on March 19, 1967. Remember to subscribe to stay up to date with all new releases on the channel.
00:00 I Largo Allegro
07:03 II Adagio
16:19 III Allegretto
To celebrate the 200th birthday of Ludwig van Beethoven, Glenn Gould performed «The Bicentennial Concert“, produced by Mario Prizek and originally broadcast on 9th December, 1970.
Part 2
00:00 Adagio un poco moto — attacca
07:35 Rondo. Allegro
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More than 3,5 hours of the most famous and recognizable classical music recordings.The best of classical music for studying, reading, relaxing and (most of all) enjoying!
Tracklist:
0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato)
02:42 Edvard Grieg – Morning Mood
06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor)
08:51 Frederic Chopin — Nocturne in C-sharp minor
12:56 Georges Bizet — Habanera («Lamour est un oiseau rebelle»)
14:58 W.A. Mozart — Rondo alla Turca («Turkish March»)
18:33 Ludwig van Beethoven — Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», Op. 27, No. 2)
23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto)
26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy
28:10 Federic Chopin – Prelude Op.28, no.4
30:44 Gioachino Rossini – Overture to “The Barber of Seville”
36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment)
37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major)
42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068)
45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro)
51:44 Erik Satie – Gymnopedie no.1
54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 («Voices of Spring»)
1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1
1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance
1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie)
1:09:07 Gioachino Rossini – William Tell Overture
1:14:55 Antonin Dvorak – Symphony no. 9 in E minor («From the New world»: IV. Allegro con fuoco)
1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers
1:31:47 Richard Wagner – Ride of the Valkyries
1:37:08 Ludwig van Beethoven — Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile)
1:42:08 Johann Strauss II – «An der schönen blauen Donau» (The Blue Danube),Op.314
1:49:19 Erik Satie – Gnossienne No.1
1:52:42 Edvard Grieg – In the Hall of the Mountain King
1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2
1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro)
2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major
2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement)
2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment)
2:20:10 Claude Debussy – Clair de lune (from «Suite bergamasque»)
2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan)
2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March)
2:28:25 Edvard Grieg — Notturno, Op.54, No.4
2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”)
2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen”
2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro)
2:43:36 Erik Satie – Gnossienne No.3
2:46:17 Johann Strauss II – Künstlerleben («Artists Life»), op.316
2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12)
2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275)
2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor)
2:57:53 Richard Strauss – Also sprach Zarathustra
2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 («Minute Waltz»)
3:01:00 Tomaso Albinoni — Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto).
3:04:29 Modest Mussorgsky – Night on Bald Mountain
3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354
3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565
3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section)
3:18:14 Leo Delibes – Pizzicato (from “Sylvia”)
3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre)
3:29:33 W.A. Mozart – Requiem in D minor
3:33:01 J.S.Bach – Prelude in C major
Every composition from this video exists as a public domain or creative common content.
The fragment of Debussys «Suite bergamasque» performed by Laurens Goedhart.
Liszts «Liebesträume» performed by Martha Goldstein.
Griegs Notturno performed by Mark Gasser.
Piano versions of Mozarts «Requiem in D minor» and Piano «Concerto no.21 in C major» performed by Markus Staab.
Saties «Gnossiennes» performed by La Pianista.
Richard Wagners «Also Sprach Zarathustra» performed by Kevin MacLeod.
The fragments of Vivaldis «Spring», «Summer» and «Autumn» performed by John Harrison.
More public domain and creative commons music you can find on Musopen website.
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J. S. Bach
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Vol. 3 CD 1
Cantatas:
BWV 24 [17:01]
BWV 185 [14:41]
BWV 177 [25:06]
BWV 71 [18:30]
Recorded at Tewkesbury Abbey England
String instruments and especially the violin demanded a key position in Baroque music particularly in Italy. Like many of his contemporaries Tomaso Albinoni composed a large number of pieces for string ensemble and many concertos for the violin.
0:00:00 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro non presto
0:03:43 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Adagio
0:07:57 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro
0:10:48 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
0:12:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Adagio
0:13:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
0:15:40 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allego
0:18:21 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Adagio
0:20:01 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allegro
0:22:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
0:26:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Adagio
0:28:45 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
0:32:14 Concerto, Op. 7/8: D Major for two Oboes and Strings: (no tempo)
0:34:32 Concerto, Op. 7/8: D Major for two Oboes and Strings: Largo
0:36:30 Concerto, Op. 7/8: D Major for two Oboes and Strings: Allegro
0:38:16 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
0:41:36 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Adagio
0:43:33 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
0:46:42 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
0:49:29 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Adagio
0:51:32 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
0:53:45 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
0:58:15 Concerto, Op. 9/3: F Major for two Oboes and Strings: Adagio
1:00:29 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
1:04:25 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
1:08:28 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Adagio
1:11:08 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
1:14:28 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
1:17:15 Concerto, Op. 7/11: C Major for two Oboes and Strings: Adagio
1:19:06 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
1:21:42 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
1:25:43 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Adagio
1:27:49 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
1:31:27 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
1:33:19 Concerto, Op. 7/5: C Major for two Oboes and Strings: Adagio
1:34:48 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
1:36:09 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
1:38:39 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Adagio
1:39:36 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
1:41:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
1:45:36 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Adagio
1:47:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
1:51:00 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
1:53:56 Concerto, Op. 7/12: C Major for two Oboes and Strings: Adagio
1:55:55 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
1:58:07 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
2:01:16 Concerto, Op. 9/12: D Major for two Oboes and Strings: Adagio
2:03:26 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
2:04:56 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
2:08:09 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Adagio
2:09:55 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
2:12:23 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
2:15:52 Concerto, Op. 9/10 in F Major for Violin and Strings: Adagio
2:19:15 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
2:22:44 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
2:26:14 Concerto, Op. 9/7: D Major for Violin and Strings: Andante e sempre piano
2:33:51 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
2:36:32 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro
2:39:58 Concerto, Op. 9/4: A Major for Violin and Strings: Adagio
2:42:16 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro
Artist:
Stefan Schilli (oboe)
Stuttgart Chamber Orchestra
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Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to SONY MUSIC who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo_Allegro Assa (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace ass (50:39)
Piano Concerto piano No.22 K.482, a, Allegro (57:47)
Piano Concerto piano No.22 K.482, b, Andante (1:10:53)
Piano Concerto piano No.22 K.482, c, Allegro (1:19:30)
Piano Concerto piano No.23 K.488, a, Allegro (1:31:20)
Piano Concerto piano No.23 K.488, b, Adagio (1:41:57)
Piano Concerto piano No.23 K.488, c, Allegro Assai (1:47:30)
Piano Concerto No.24 C Minor K.491 1.Allegro (1:55:27)
Piano Concerto No.24 C Minor K.491 2.Larghetto (2:08:24)
Piano Concerto No.24 C Minor K.491 3.Allegretto (2:15:23)
Piano Concerto No.25 C Major K.503 1.Allegro (2:24:47)
Piano Concerto No.25 C Major K.503 2.Andante (2:39:38)
Piano Concerto No.25 C Major K.503 3.Allegretto (2:45:48)
Piano Concerto No.26 D Major K.537 1.Allegro (2:55:10)
Piano Concerto No.26 D Major K.537 2.Larghetto (3:09:18)
Piano Concerto No.26 D Major K.537 3.Allegretto (3:15:06)
Piano Concerto No.27 B-Flat Major K.595 1.Allegro (3:27:00)
Piano Concerto No.27 B-Flat Major K.595 2.Larghetto (3:40:29)
Piano Concerto No.27 B-Flat Major K.595 3.Allegro (3:48:17)
Piano: Lili Kraus
Vienna Festival Orchestra
Conductor: Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart na montré combien son expression personnelle a su épouser la forme que lusage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusquà en souffrir la symétrie et la régularité dune section, à tel point que la forme simpose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans lœuvre de Mozart, la place hautement représentative quils occupent si leurs andantes nétaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.
Lili Kraus a comparé son affinité avec Mozart à une mission: « Quand jai commencé à explorer Mozart, jai découvert la beauté infinie de cette musique, et dune certaine manière il mest donné de donner vie à cette beauté. Je trouve quil est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à lesprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsquil sagissait de la musique pour piano de Mozart, plusieurs générations dauditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot…
Главные герои картины – брат и сестра Нина и Кирилл Петровские из благополучной обеспеченной семьи, в которой царят любовь и взаимопонимание. Молодые люди очень близки, их отношения наполнены нежностью и юмором. Кирилл – лучший ученик гимназии, он хорошо рисует, популярен среди сверстников и особенно среди сверстниц. Нина же не хватает звезд с неба – она прилежная ученица, добра, мила, обаятельна, но и только.
На глазах у зрителей главная героиня из неуверенной в себе, пассивной и не слишком удачливой девочки превратится в сильную деятельную личность, энергия которой объединяет и примиряет совершенно разных людей. Пройдя через серьезные испытания, потеряв и вновь обретя любовь своей жизни, победив страшную болезнь, Нина становится источником надежды и света не только для своей семьи и друзей, но и для всех тех, кто нуждается в ее помощи и поддержке.