ДИСКЛЕЙМЕР:
— Ограничение по возрасту — 18;
— В видео присутствует большое количество мата;
— Не забывайте, что все сказанное в концерте является, в первую очередь, шутками;
— Данное видео ничего не пропагандирует, ни к чему не призывает и не преследует цели кого-либо оскорбить.
Смотрите мультик Джинглики — сборник лучших серий.Подписывайтесь на наш канал, чтобы не пропустить новые серии goo.gl/gHctdI
а также смотрите другие видео мультфильма Джинглики на Ютуб: goo.gl/pqysPB
Мультсериал рассказывает детям о таких важных понятиях как трудолюбие, дружба, умение прощать и помогать друг другу.
#джинглики #джингликимультик #джингликисборник #джингликивсесерии #сборник #мультики #добрыемультики
Джинглики — увлекательные истории о волшебной стране Джингл Сити, где живут маленькие человечки — весёлые и звонкие, словно колокольчики.
Джинглики изобретательны и приветливы, они радуются каждому дню и обожают приключения. И хотя их мир полон волшебства и больше похож на сказку, герои сталкиваются с такими же повседневными ситуациями, что и обычные люди, вот только решают их по-своему.
Мультсериал рассказывает детям о таких важных понятиях как трудолюбие, дружба, первая любовь, взаимовыручка, умение прощать и помогать друг другу.
Subscribe to my newsletter if you would like to be notified about upcoming concerts, face to face lessons and workshops in your town or country: canberkulas.com/newsletter/
In my process of learning the duduk, I have experienced different techniques and styles. I finally have found my musical identity as a duduk player after a long and difficult journey; however, I have benefited from different styles and cultures, and, inspired from different stories. This journey gave me new and different perspectives, knowledge, experience and story. You are welcome to write your own story.
Special thanks to Derya Ulkat and Deniz Ulkat.
Thanks a lot to Baris Ayhan and Lea Laubacher for French subtitles.
ABOUT ME
I am a professional duduk player and educator.
I studied in Istanbul Technical University Turkish Music State Conservatory. I studied the duduk with Suren Asaduryan and Özcan Gül. I joined in Erkan Oğur’s and Derya Türkans workshops, who are two prominent representatives of Anatolian music.
It is possible to hear both Turkish and Armenian and also Ottoman Classical Music modes and patterns in my playing style. I have contributed to many albums and music productions with my duduk throughout my career. I composed music for quartet (duduk, piano, double bass, drums) and founded the band “Canberk Ulaş Quartet” in 2015 and I released my album titled “Telafi" with this band in 2017.
I continue working on my music projects, giving concerts in different parts of the world and giving duduk online lessons to duduk lovers from all over the world.
«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations rapid, bravura passages (Vars 5 and 19, for example). Ishizakas restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the musics agonising harmonic tension speak softly for itself.»
— Jed Distler, Gramophone Magazine
«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
«The sound quality of the recording is top notch»
«In fact, the albums an audiophile gem.»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bachs «Goldberg Variations», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org
The two solo parts of the Concerto for two violins in D minor, performed by the Netherlands Bach Society for All of Bach, have survived in Bach’s own handwriting. This autograph dates from around 1730, a few years after the composer had moved from Köthen to Leipzig. Bach composed most of his instrumental concertos in the period 1717–1723, while working at the court of Leopold von Anhalt-Köthen, but this work appears to be an exception.
Recorded for the project All of Bach on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the interview with violinists Shunske Sato and Emily Deans on the Concerto for two violins in D minor go to youtu.be/iwHOeTHMiGk
For more information on BWV 1043 and this production go to allofbach.com/en/bwv/bwv-1043/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Shunske Sato, violin and leader
Emily Deans, violin
Summer — Concerto No. 2 in G minor
from The Four Seasons by Antonio Vivaldi
Netherlands Bach Society
Violin and direction: Shunske Sato
The Four Seasons are among the most populair and best violin concertos written in the baroque era. Recorded on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck, Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
The title is misleading: the English Suites are more ‘French’ in character than the French Suites, which are more characteristic of the Italian style. ‘By design the composer is here less learned than in his other suites,’ remarked one early biographer, ‘and has mostly used a pleasing, more predominant melody.’ Just so, and the same is true of the pair of suites BWV 818 and 819 which fall outside the collection but belong with it in terms of style. To all of them Yuan Sheng brings considered tempi and precise articulation in the mould of Tureck. To Bach at his most uncomplicated, Sheng brings the virtues of simplicity and clarity.
Again Yuan Sheng draws the listener into his highly intelligent musical discourse, vibrant and moving, speaking through the medium of a modern Steinway piano.
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
Composer: Franz Schubert
Artists: Alberto Miodini (piano)
When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.
You can find the tracklist in the comments:
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HAUSER performing his favorite classical music pieces with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor
Special guests:
Choir Zvjezdice
Lana Trotovsek, violin
Petrit Çeku, guitar
00:34 Benedictus (K. Jenkins)
09:05 Pie Jesu (A. L. Webber) feat. Josephine Ida Zec, child soprano
13:00 Ave Maria (F. Schubert)
17:50 Jesu, Joy of Mans Desiring (J. S. Bach)
21:08 Prelude from Cello Suite no.1 (J. S. Bach)
23:40 Panis Angelicus (C. Franck)
28:08 Erbarme Dich, Mein Gott from St. Matthew Passion (J. S. Bach)
36:20 Passacaglia (Handel — Halvorsen)
44:37 Adagio (Albinoni)
51:47 Salut dAmour (E. Elgar)
54:40 Song from a Secret Garden (Secret Garden)
58:28 Mia