at Hollywood in Vienna 2018
The World of Hans Zimmer

Vienna Radio Symphony Orchestra
Martin Gellner, conductor

Hans Zimmer, guitar
Amir John Haddad, guitar
Eliane Correa, piano
Juan Garcia Herreros, bass
Rusanda Panfili, violin
Marie Spaemann, cello
Pedro Eustache, flute
Aleksandra Suklar, percussion
Lucy Landymore, drums
Luis Ribeiro, ethnic percussion

THE COMPLETE MOTION PICTURE SCORE
CD1
00:00 France 1184
01:21 Crusaders
02:31 Burning The Past
04:26 I Am Your Father
07:21 I Am Your Father (Alternate)
10:16 Priest Death
12:29 After Godfrey
13:22 After Godfrey (Alternate 1)
14:24 After Godfrey (Alternate 2)
15:17 Murder
15:42 Swordplay
17:28 Swordplay (Alternate 1)
19:12 Swordplay (Alternate 2)
20:52 Ambush
23:32 Eyes Wide Shut And…
24:07 Path To Heaven
25:04 To Messina
25:53 New World
27:26 Godfrey Dies
30:21 Godfrey Dies (Alternate 1)
31:53 Godfrey Dies (Alternate 2)
32:39 Ship Wrecked
35:27 Saracen Fight
36:04 Saracen Fight (Alternate)
36:40 To Jerusalem
38:19 Golgotha
39:47 Golgotha (Alternate)
41:09 My Lord
44:48 My Lord (Alternate)
48:00 Religion
48:40 Raid
50:46 Good Knight
51:43 Two Faces
52:49 Two Faces (Alternate)

CD2
54:08 The King
57:13 The Pilgrim Road
59:29 Ibelin
01:01:39 Sibylla Visits
01:03:36 Washing
01:05:33 Caravan Road
01:08:10 Kerak Castle
01:10:45 The Battle Of Kerak
01:14:34 The Battle Of Kerak (Alternate 1)
01:18:20 The Battle Of Kerak (Alternate 2)
01:21:20 The Battle Of Kerak (Alternate 3)
01:24:15 The Battle Of Kerak (Alternate 4)
01:26:53 Terms
01:31:20 Guy Power
01:32:44 An Understanding
01:35:09 Marry Sibylla
01:36:53 Better Man
01:38:35 The King Is Dead
01:42:28 The King Is Dead (Alternate)
01:45:36 Templar Fight
01:46:47 Leprosy
01:50:08 Rape And Pilage
01:52:07 Kill The Messenger
01:54:07 To War
01:56:53 Desert Thirst
02:00:08 Corale
02:01:46 Theyre Here
02:03:21 Theyre Here (Alternate 1)
02:04:12 Theyre Here (Alternate 2)

CD3
02:06:21 Rise A Knight
02:09:06 Almarics Peerage
02:10:30 Fireballs
02:12:16 Fireballs (Alternate)
02:14:02 2nd Day Of War
02:17:33 2nd Day Of War (Alternate)
02:21:07 Haircut
02:22:15 Flag Up
02:24:51 Night Burial
02:26:29 Night Burial (Alternate)
02:28:08 Door Into Jerusalem
02:30:27 Wall Breached
02:33:29 Wall Breached (Alternate)
02:36:16 Ask For Terms
02:37:39 Everything
02:40:15 Muslim Jerusalem
02:42:38 Muslim Jerusalem (Alternate)
02:45:06 Smelly Wood
02:45:55 Ibelin Song (feat. Natacha Atlas)

Composer: Harry Gregson-Williams
— ℗ 2005 Sony Classical. All Rights Reserved.
— Custom cover: 66.media.tumblr.com/tumblr_lxe8wiQDMm1r7twxno1_1280.jpg

*NEW* Best of Epic Music 2017: www.youtube.com/watch?v=1fRjwBtVNEs

2 hours filled with one of the latest action/heroic tracks from the epic music/trailer music genre. To keep the variety fresh ive also included a few industry releases. Im sure there are tracks you have never heard before. MUST LISTEN FOR EVERY SOUNDTRACK ENTHUSIAST

_

Tracklist:

00:00 Alliance — Apocalypse Tomorrow
03:19 Alliance — One Final Outpost
05:37 Storm Sound — Dont Lose Hope
07:34 Will McTavish — Final Hope
09:32 Kelly Andrew — The Incursion
14:06 Iconic Audio — Conviction
16:37 Axl Rosenberg — Ascendance
18:23 Audiomachine — Fearless
20:27 Sub Pub Music (Colossal Trailer Music) — Involution
22:32 Audiomachine — Guardians At The Gate [Pandora Version]
26:08 Rumble Head — Voyage
27:57 Dylan C Jones — Malefic
32:08 Evan King — Titan Striker
34:17 Michael Maas feat. Julie Elven — Supernova
37:04 Iconic Audio — Mass Extinction
39:39 Dylan C. Jones — Osiris
44:26 Audiomachine — Solace
47:56 Michael Maas — Way to Darchan
50:21 Blue Wolfie Music — The Last Battalion
52:10 Nordwise — Evolve II
55:49 Evan King — Odin
58:07 Rumble Head — The Day Will Come
01:00:27 Alliance — Stand United
01:03:08 Audiomachine Journey Through the Portal
01:05:32 Michael Maas feat. Mike Holt — Hymn of Gods
01:07:45 Iconic Audio — Ryze
01:10:14 Wintershade — Era of the Paragon
01:13:12 Storm Sound — A Warriors Quest
01:14:50 Alliance — Iron Dragon
01:16:50 Evan King — Overwatch
01:20:01 Audiomachine — Land of Shadows Remix
01:23:09 Rumble Head — Beat Them Senseless
01:25:26 C21FX — Destroyers of Skies
01:27:46 Sub Pub Music (Colossal Trailer Music) — Genesis
01:30:27 Kari Sigurdsson — Dark Frontier
01:32:21 Kurt Tomlinson — Post Apocalypse
01:35:10 Blue Wolfie Music — Seismic Shift
01:36:58 Thunderstep Music — The Horde Is Near
01:38:54 Theta Sound Music — Evilium
01:41:08 Kari Sigurdsson — Skyline
01:43:31 C21FX — Are we alive
01:46:00 Alliance — Stand Against
01:50:44 Iconic Audio — Drifter
01:51:09 Yuri Fiorini — Outlands
01:52:13 Rumble Head — Beneath The Vaulted Sky
01:54:51 Alliance — Rise Above
01:57:51 Ron Morina — The Fallen

_

Picturelist (Doesnt fit in the description)
pastebin.com/PampJmGU
_

My Facebook

Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.

The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.

Book I: No. 1 in C major, BWV 846: Prelude • 2:19 Fugue • No. 2 in C minor, BWV847: 3:57 Prelude • 5:38 Fugue • No. 3 in C sharp major, BWV 848: 7:17 Prelude • 8:31 Fugue • No. 4 in C sharp minor, BWV 849: 10:33 Prelude • 13:25 Fugue • No. 5 in D major, BWV 850: 18:54 Prelude • 20:02 Fugue • No. 6 in D minor, BWV 851: 22:06 Prelude • 23:27 Fugue • No. 7 in E flat major, BWV 852: 25:34 Prelude • 30:05 Fugue • No. 8 in E flat minor, BWV 853: 31:40 Prelude • 35:36 Fugue • No. 9 in E major, BWV 854: 42:25 Prelude • 43:36 Fugue • No. 10 in E minor, BWV 855: 44:46 Prelude • 47:02 Fugue • No. 11 in F major, BWV 856: 48:24 Prelude • 49:40 Fugue • No. 12 in F minor, BWV 857: 51:12 Prelude • 53:26 Fugue • No. 13 in F sharp major, BWV 858: 58:07 Prelude • 59:26 Fugue • No. 14 in F sharp minor, BWV 859: 1:01:25 Prelude • 1:02:29 Fugue • No. 15 in G major, BWV860: 1:06:35 Prelude • 1:07:37 Fugue • No. 16 in G minor, BWV 861: 1:10:20 Prelude • 1:12:30 Fugue • No. 17 in A flat major, BWV 862: 1:15:13 Prelude • 1:16:48 Fugue • No. 18 in G sharp minor, BWV 863: 1:19:48 Prelude • 1:21:27 Fugue • No. 19 in A major, BWV 864: 1:25:11 Prelude • 1:26:31 Fugue • No. 20 in A minor, BWV 865: 1:28:48 Prelude • 1:30:04 Fugue • No. 21 in B flat major, BWV 866: 1:34:49 Prelude • 1:36:15 Fugue • No. 22 in B flat minor, BWV 867: 1:38:00 Prelude • 1:41:21 Fugue • No. 23 in B major, BWV 868: 1:45:10 Prelude • 1:46:11 Fugue • No. 24 in B minor, BWV 869: 1:48:26 Prelude • 1:56:53 Fugue • Book II: 2:04:19 No. 1 in C major, BWV 870: Prelude • 2:06:51 Fugue • No. 2 in C minor, BWV 871: 2:08:34 Prelude • 2:10:56 Fugue • No. 3 in C sharp major, BWV 872: 2:13:28 Prelude • 2:15:14 Fugue • No. 4 in C sharp minor, BWV 873: 2:17:04 Prelude • 2:20:47 Fugue • No. 5 in D major, BWV 874: 2:23:00 Prelude • 2:28:37 Fugue • No. 6 in D minor, BWV 875: 2:32:35 Prelude • 2:34:11 Fugue • No. 7 in E flat major, BWV 876: 2:36:07 Prelude • 2:38:27 Fugue • No. 8 in D sharp minor, BWV 877: 2:40:48 Prelude • 2:45:54 Fugue • No. 9 in E major, BWV 878: 2:50:47 Prelude • 2:55:11 Fugue • No. 10 in E minor, BWV 879: 2:59:30 Prelude • 3:04:27 Fugue • No. 11 in F major, BWV 880: 3:07:38 Prelude • 3:11:04 Fugue • No. 12 in F minor, BWV 881: 3:12:47 Prelude • 3:17:09 Fugue • No. 13 in F sharp major, BWV 882: 3:19:04 Prelude • 3:22:36 Fugue • No. 14 in F sharp minor, BWV 883: 3:25:14 Prelude • 3:28:20 Fugue • No. 15 in G major, BWV 884: 3:32:54 Prelude • 3:35:01 Fugue • No. 16 in G minor, BWV 885: 3:36:34 Prelude • 3:39:30 Fugue • No. 17 in A flat major, BWV 886: 3:42:43 Prelude • 3:46:47 Fugue • No. 18 in G sharp minor, BWV 887: 3:50:29 Prelude • 3:54:31 Fugue • No. 19 in A major, BWV 888: 3:59:11 Prelude • 4:00:53 Fugue • No. 20 in A minor, BWV 889: 4:02:11 Prelude • 4:07:34 Fugue • No. 21 in B flat major, BWV 890: 4:09:18 Prelude • 4:16:17 Fugue • No. 22 in B flat minor, BWV 891: 4:20:06 Prelude • 4:24:02 Fugue • No. 23 in B major, BWV 892: 4:30:49 Prelude • 4:32:41 Fugue • No. 24 in B minor, BWV 893: 4:37:08 Prelude • 4:39:56 Fugue

BBCFour programme of Vivaldis Gloria performed by an all-female orchestra and choir in the Pieta in Venice. Complementary to the BBC4 programme «Vivaldi and the Women of the Pieta» uploaded by markfromireland, which showed the progress of the project.

Nocturne in E-flat major, Op. 9, No. 2
Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich)
FB-Vadim: www.facebook.com/vadimchaimovich
— Instagram
www.instagram.com/andrearomanoandrea

Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.

The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.

The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).

Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.

The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.

By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.

Most of the videos online with only one image are only music, but not this.

The research behind the perfect combination is the key for the unconscious.

The research:
«Music–color associations are mediated by emotion»
www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.

Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: goo.gl/8AOGaN
Join our Facebook: goo.gl/5oL723

Buy on Google Play: goo.gl/nt2FtY

00:00 Nina Simone — Love Me Or Leave Me (1958)
03:19 Nina Simone — Solitude (1962)
06:59 Nina Simone — Bye Bye Blackbird (1962)
15:12 Nina Simone — Satin Doll (1962)
18:46 Nina Simone — Zungo (1962)
21:41 Nina Simone — Exactly Like You (1959)
24:51 Nina Simone — Blues For Porgy (1960)
29:55 Nina Simone — Fine And Mellow (1959)
33:22 Nina Simone — Something To Live For (1962)
36:13 Nina Simone — Tomorrow (We Will Meet Once More) (1959)
39:11 Nina Simone — Work Song (1961)
41:42 Nina Simone — Children Go Where I Send You (1959)
44:31 Nina Simone — Good Bait (1958)
49:55 Nina Simone — Willow Weep For Me (1959)
53:05 Nina Simone — My Baby Just Cares For Me (1958)
56:39 Nina Simone — Forbidden Fruit (1961)
01:00:24 Nina Simone — Dont Smoke In Bed (1958)
01:03:28 Nina Simone — House Of The Rising Sun (1962)
01:07:54 Nina Simone — It Might As Well Be Spring (1959)
01:11:46 Nina Simone — I Got It Bad (1962)
01:15:49 Nina Simone — It Dont Mean A Thing (1962)
01:18:08 Nina Simone — Central Park Blues (1958)
01:23:38 Nina Simone — Hey, Buddy Bolden (1962)
01:26:00 Nina Simone — Ill Look Around (1961)
01:31:02 Nina Simone — Ninas Blues (1960)
01:37:05 Nina Simone — Youll Never Walk Alone (1958)
01:40:48 Nina Simone — Chilly Winds Dont Blow (1959)
01:43:26 Nina Simone — I Like The Sunrise (1962)
01:46:23 Nina Simone — I Loves You Porgy (1958)
01:50:30 Nina Simone — Just Say I Love Him (1961)
01:57:02 Nina Simone — Gin House Blues (1961)

Nina Simone (born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R

Документальный фильм о всесильном наркоме сталинского времени Лазаре Кагановиче

СМОТРИМ С УДОВОЛЬСТВИЕМ И ВСЕЙ СЕМЬЕЙ! Сваты 3 сезон! 1-4 серии! Сериалы! Комедии!

«Сваты» — известный юмористический сериал. Его главными героями являются 2 семьи Будько и Ковалевых. Они кардинально разные: если Будько сельские провинциалы, то Ковалевы – городские интеллигенты. Судьба сводит их вместе когда их дети, которые поженились оставляют им на попечение внучку Женю, а сами улетают в отпуск

#сериалы #комедия #сваты #фильмы #кино #новинки