Медведь находит черный рояль в кустах. Довольный, он относит его домой, настраивает и начинает музицировать. Но Маша решает стать всемирно известным пианистом и просит Медведя научить ее играть.
сценарий Олег Кузовков
режиссер Олег Кузовков
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художник-постановщик И.Трусов
художник по персонажам М.Нефёдова
ассистент режиссёра О. Баулина
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композитор
В. Богатырев
звукорежиссер
Б. Кутневич
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актёры:
Маша – Алина Кукушкина
Медведь – Борис Кутневич
режиссер озвучания
Е.Чернова
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аниматоры
О. Баулина
А. Гончаров
М. Антонова
С. Сиваев
П.Антоненков
М. Хиггинс
Петр Барков
Павел Барков
М. Тарасов
В. Настанюк
А. Беляев
Е. Голянкова
C. Шарыгин
А. Якименко
художники
Е. Зацепина
Ю. Ивашкина
Н. Константинова
Н. Черкасова
Т. Шлома
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3D моделирование
А. Лопатин
С. Шарыгин
супервайзер серии по анимации
А. Якименко
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Игорь составил «Рейтинг отвратительности» всех подружек Лены. И настаивает на том, чтобы жена распрощалась с той, которая возглавит этот список. При этом он предоставил ей возможность самой выбрать «самую отвратительную». Но Игорь вскоре пожалел о том, что начал эту игру.
Больше о жизни Игоря и Лены — в 14 серии «Семейки У».
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In my process of learning the duduk, I have experienced different techniques and styles. I finally have found my musical identity as a duduk player after a long and difficult journey; however, I have benefited from different styles and cultures, and, inspired from different stories. This journey gave me new and different perspectives, knowledge, experience and story. You are welcome to write your own story.
Special thanks to Derya Ulkat and Deniz Ulkat.
Thanks a lot to Baris Ayhan and Lea Laubacher for French subtitles.
ABOUT ME
I am a professional duduk player and educator.
I studied in Istanbul Technical University Turkish Music State Conservatory. I studied the duduk with Suren Asaduryan and Özcan Gül. I joined in Erkan Oğur’s and Derya Türkans workshops, who are two prominent representatives of Anatolian music.
It is possible to hear both Turkish and Armenian and also Ottoman Classical Music modes and patterns in my playing style. I have contributed to many albums and music productions with my duduk throughout my career. I composed music for quartet (duduk, piano, double bass, drums) and founded the band “Canberk Ulaş Quartet” in 2015 and I released my album titled “Telafi" with this band in 2017.
I continue working on my music projects, giving concerts in different parts of the world and giving duduk online lessons to duduk lovers from all over the world.
Andras Schiff — Piano
BWV 812 813 814 815 816 817
The French Suites, BWV 812--817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725. The suites were later given the name French (first recorded usage by Friedrich Wilhelm Marpurg in 1762) as a means of contrast with the English Suites (whose title is likewise a later appellation). The name was popularised by Bachs biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, «One usually calls them French Suites because they are written in the French manner.» This claim, however, is inaccurate: like Bachs other suites, they follow a largely Italian convention.
There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscripts.
The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»
Structure
0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus
Summer — Concerto No. 2 in G minor
from The Four Seasons by Antonio Vivaldi
Netherlands Bach Society
Violin and direction: Shunske Sato
The Four Seasons are among the most populair and best violin concertos written in the baroque era. Recorded on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam.
In northern Benin, each year from October to January, DRAMANE and ZACHARI, drivers of rattling trucks survive only to the rhythm of the cotton harvest. Like them, hundreds of drivers are trying to profit from this white gold which represents nearly 40% of BENINs exports to rich countries. But in this very poor country, the cultivation of cotton dramatically impoverishes the soils of the countryside… Because the immaculate flower requires astronomical quantities of water to grow… water which in Benin is sorely lacking for the inhabitants who walk for kilometers on foot to find some… In this painful context, ZACHARI fights to load the meager cotton crops with a rolling wreck… DRAMAN he is seven days a week stuck behind the wheel of a huge truck, a «TITAN». He rushes to the ground, ignoring the pedestrians to deliver the port of COTONOU as quickly as possible. Even if his meager salary forces him to live on a small business, he is not the most miserable like those they meet on the road: The farmers and their children who work only to survive, the women who break stones under the blazing sun or the dockworkers who are paid twenty cents to carry a 200 kilogram bale of cotton.
Покажу подробно, поэтапно, от забивки блока до сбора урожая как вырастить грибы на подножном мусоре. Вам теперь не нужно больше жечь сорняки в огороде.