Данное видео является полной версией моего обучения игры на блокфлейте.
0:04 — День 1. Изучаю нотную грамотность
0:24 — День 3. Изучаю ноты
0:46 — День 5. ДВА ГУСЯ
1:25 — День 10. КАТЮША
2:10 — День 15. ОДИНОКИЙ ПАСТУХ
3:06 — День 20. ГИМН РОССИИ
4:00 — День 25. ПРЕКРАСНОЕ ДАЛЕКО
5:08 — День 30. ПИРАТЫ КАРИБСКОГО МОРЯ (экзамен)
J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.
The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах
Provided to YouTube by Warner Classics International
St Matthew Passion, BWV 244, Pt. 1: Recitative. «Da ging hin der Zwölfen einer» [Evangelist, Judas] · Nikolaus Harnoncourt · Kurt Equiluz · Max van Egmond
Bach: St Matthew Passion, BWV 244
℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH
Orchestra: Concentus Musicus Wien
Tenor Vocals: Kurt Equiluz
Bass Vocals: Max van Egmond
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach
J. S. Bach
Cantatas BWV 21, 135; Concerto BWV 1044
J. E. Gardiner (Vol2 CD2)
Live recordings from the Bach Cantata Pilgrimage:
Fraumünster, Zürich, Switzerland.
Disc: 2
Track Listings
1. Sinfonia
2. Ich Hatte Viel Bekummernis in Meinem Herzen
3. Sopran Seufzer, Tranen, Kummer, Not
4. Wie Hast Du Dich, Mein Gott
5. Bache Von Gesalznen Zahren
6. Was Betrübst Du Dich, Meine Seele
7. Ach Jesu, Meine Ruh
8. Komm, Mein Jesu, Und Erquicke
9. Sei Nun Wieder Zufrieden
10. Erfreue Dich, Seele, Erfreue Dich, Herze
11. Das Lamm, Das Erwurget Ist
12. Ach Herr, Mich Armen Sunder
13. Ach Heile Mich, Du Arzt Der Seelen
14. Troste Mir, Jesu, Mein Gemute
15. Alt Ich Bin Von Seufzen Mude
16. Bass Weicht, All Ihr Ubeltater
17. Ehr Sei Ins Himmels Throne
18. Allegro
19. Adagio Ma Non Tanto E Dolce
20. Alla Breve