: Now We Are Free (From «Gladiator» Soundtrack) · Lisa Gerrard · Gavin Greenaway · The Lyndhurst Orchestra · Hans Zimmer
Some Famous Soundtracks
℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.
Released on: 2018-09-28
Producer, Producer, Recording Arranger: Hans Zimmer
Producer, Producer, Co- Arranger: Klaus Badelt
Producer, Executive Producer: Pietro Scalia
Producer, Executive Producer: Ridley Scott
Orchestra, Orchestra: The Lyndhurst Orchestra
Conductor, Conductor: Gavin Greenaway
Associated Performer, Alto: Lisa Gerrard
Studio Personnel, Mixer: Alan Meyerson
Studio Personnel, Editor: Adam Smalley
Unknown, Other: Kevin Globerman
Unknown, Other: Bruno Roussel
Unknown, Other: Gregg Silk
Unknown, Other: Nick Wollage
Unknown, Other: Jake Jackson
Unknown, Other: Tony Stanton
Unknown, Other: Tonia Duvall
Unknown, Other: Gavyn Wright
Composer Lyricist: Lisa Gerrard
Composer Lyricist: Klaus Badelt
Composer Lyricist: Hans Zimmer
Arranger: Bruce Fowler
Arranger: Yvonne S. Moriarty
Arranger: Walt Fowler
Arranger: Ladd McIntosh
Arranger: Elizabeth Finch
Arranger: Jack Smalley
Sarah Brightman (Christine) and Antonio Banderas (Phantom) duet in this rendition of the titular number from Andrew Lloyd Webbers Phantom of The Opera.
From Andrew Lloyd Webber: The Royal Albert Hall Celebration — A celebratory tribute to musical compositions of Lord Andrew Lloyd Webber, live from the Royal Albert Hall. Featuring hits from some of his most renowned productions, such as Starlight Express, Evita, Cats, Phantom of the Opera, Jesus Christ Superstar, and more.
If you enjoyed that why not check out these other hit musicals!:
Welcome to The Shows Must Go On the channel bringing you showtunes, backstage access and full performances from some of the best loved musicals in history!
Featuring melodic moments, show-stopping solos and high notes for the history books.
Димаш Кудайберген выступил с песней «Любовь, похожая на сон» на музыкальном шоу «Новая Волна 2019».
муз. И. Крутой, ст. В. Горбачёва. Выступление на «Новой волне 2019»
J. S. Bach, Mass in B minor BWV 232, in a stellar, groundbreaking recording from 1985, using one voice per part and a set of ripieno singers for the forte sections.
Taverner Consort and Players, conducted by Andrew Parrott. Emma Kirkby — soprano, Emily van Evera — soprano, Panito Inconomou — alto (child), Christian Immler — alto (child, nowadays a great bass), Michael Kilian — alto (child), Rogers Covey-Crump — tenor, David Thomas — bass
Les six suites pour violoncelle de JS Bach, interprétées par Marc Coppey. Juin 2015
Production Séquence SDP / ARTE concerts
Réalisation: Paul Ouazan
Direction artistique — montage son: Cécile Lenoir
Prise de son: Cécile Lenoir et Jean-Yves Pouyat
Mixage: Jean-Yves Pouyat
Montage: David Renaud
Image: Stéphane Aveneau
Johannes-Passion, BWV 245, II. Teil: 39. Chorus «Ruht wohl, ihr heiligen Gebeine» · Collegium Vocale Gent · Philippe Herreweghe
J.S. Bach: Johannes-Passion
℗ harmonia mundi s.a.
Released on: 2007-07-31
Artist: Collegium Vocale Gent
Orchestra: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach
Johann Sebastian BACH (1685-1750)
Erbarme dich, mein Gott
Aria (No. 39) from the oratorio Matthäuspassion, BWV 244
Text: Picander (1700-1764)
First performance: probably 11 April 1727, in Leipzig (Thomaskirche)
Delphine Galou, contralto
François-Marie Drieux, solo violin
Les Siècles,
conducted by François-Xavier Roth
Recorded in Summer 2008?
German text:
Erbarme dich, mein Gott, um meiner Zähren willen!
Schaue hier, Herz und Auge weint vor dir bitterlich.
English translation:
Have mercy, my God, for the sake of my tears!
See here, before you heart and eyes weep bitterly.