Let this solfeggio 417 Hz healing frequency serve as an anchor for tranquility and cleansing rejuvenation for your self and the energy of your home or workspace.
You may play this music in your home for its entire length to raise vibration and cleanse out old energies. You can stay in your home and listen or go and do other activities while the frequency does its work and creates harmonic resonance.
Ive looped the song «Honor Him» from the 2000 movie Gladiator to play for an entire hour.
Unlike the few other «extended version» videos of this song already on YouTube, this one is much longer and has a seamless, near perfect transition between each loop.
Ive rendered the video in 1440p, Im unsure whether thatll result in higher quality audio than 1080p but whatever. The original audio was 320kbps.
All the pictures used in this video were found on Google Images and every last one of them, as well as the audio, are property of their respective owners, whoever the fuck that may be.
I dont own anything about this video and Im not making any money off it. This is fair use, strictly for educational and entertainment purposes and shit.
Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.
The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.
☛ «she is a beautiful and technically accomplished player», «the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)»
— American Record Guide, July-August 2015
☛ «Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.», «She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.»
— Donald Rosenberg, Gramophone Magazine
☛ «A gifted and obviously devoted Bachian»
— James Oestreich, New York Times
☛ «in all the years, all the versions, I have never heard „Book 1“ done better», «The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ «elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music», «A brilliant performance and brilliant set all around!»
— Robert Cummings, Classical.net
☛ «This is a recording to change your perception of the Well Tempered Klavier.»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rothers Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
The opening chorus Herr, unser Herrscher from St John Passion, performed by the Nederlands Bach Society for All of Bach. The St John Passion was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.
For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.
Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Jos van Veldhoven, conductor
Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass
Чем занимался Путин до того, как стать президентом? Сегодня поговорим о Путине и о начале его профессиональной деятельности, о том, как он служил в КГБ, чем занимался в Петербурге, как попал во власть и почему за него проголосовали на первых выборах. Заодно разберём популярную конспирологическую теорию «Рязанский сахар» — о том, что якобы ФСБ совершало в России теракты чтобы привести Путина к власти.
Der Westwall: eine befestigte Grenze zur Vorbereitung eines Krieges. Mehr als 600 Kilometer zog er sich vom südlichen Oberrhein durch die Eifel bis zum Niederrhein. Entstanden vor dem Zweiten Weltkrieg, prägt der Westwall die Landschaft und die Bewohner der Gegend bis heute.
Mauern, Bunker, Panzergräben: Die «Siegfried Line»
Rund eine halbe Million Menschen waren am größten Bauwerk der Nationalsozialisten beteiligt. Mit 22.000 Bunkern zieht sich der Westwall entlang des Oberrheins, durch die Wälder von Pfalz und Eifel, mit MG-Nestern im Pfälzerwald, Panzergräben und Mauern durch die Eifel. Am Ende des Krieges erlebten die Amerikaner an der «Siegfried Line», wie sie den Westwall nannten, eine der verlustreichsten Schlachten ihrer Geschichte.
Das grüne Band heute
Entstanden im Zweiten Weltkrieg, prägt der Westwall die Landschaft bis heute. Luftaufnahmen zeigen die einstige Grenze als grünes Band. Stählerne Panzerkuppeln haben auf dem Gelände eines Kindergartens Platz gefunden, aus einem See ragen Bunkerreste.
Geschichts-Denkmal in neuem Licht
Der Film zeigt bisher nicht gesendete Originalaufnahmen vom Bau des Westwalls aus den Jahren 1937 bis 1940. Zeitzeugen erzählen, wie sie den Westwall erlebt haben. Darunter der ehemalige rheinland-pfälzische Ministerpräsident Kurt Beck. Ingenieure und Historiker ordnen ein.
Diese Doku von Manfred Ladwig aus der SWR-Reihe «Geschichte und Entdeckung» trägt den Originaltitel: Der Westwall — Die Geschichte einer Grenze, Ausstrahlungsdatum: 21.07.2019. #swrdoku
Alle Aussagen und Fakten entsprechen dem damaligen Stand und wurden seitdem nicht aktualisiert.
Главный герой фильма — таксист (Аркадий Райкин), который рассказывает об одном из своих рабочих дней. Встречи и разговоры (монологи) с разными пассажирами. В фильм вошли лучшие миниатюры из спектаклей: «Холостяк», «Маски», «Смеяться, право, не грешно», «Многоберидзе», «Париж» и другие сыгранные Аркадием Райкиным и его партнёрами по Ленинградскому театру миниатюр.
В ролях: Аркадий Райкин, Ольга Малоземнова, Виктория Горшенина, Людмила Гвоздикова, Владимир Ляховицкий, Татьяна Рогозина, Александр Карпов, Наталья Соловьёва
Автор сценария: Михаил Жванецкий, Лион Измайлов, Аркадий Райкин
Режиссёр: Владимир Храмов, Аркадий Райкин
Оператор: Юрий Журавлёв, Евгений Русаков
Художник: Юрий Углов
Композитор: Геннадий Гладков