Пельмени и их родственники в разных странах мира. Есть ли что-то полезное в такой пище? Зачем пельмени на производстве «отбеливают»? И можно вообще употреблять в пищу замороженные пельмени? Что кладут внутрь вместо мяса и сколько пельмешек безопасно для фигуры и здоровья? Есть ли разница между дорогими и дешевыми? Программа «Еда живая и мёртвая» объехала полмира и попробовали разные варианты такого продукта.Сколько киви можно съесть за раз без проблем для здоровья? Зачем на фабриках с плодов киви «сбривают волосы»? Чем красные и желтые отличаются от привычных зеленых? И что общего между киви-плодом и птичкой киви? Глазунья и омлет — это самые простые блюда для сытного завтрака. Что еще можно приготовить из яиц? Пять необычных рецептов из самого обычного продукта.А также — необычный и красивый рецепт недели по мотивам одной из тем выпуска.
Каждый будний день лучшие практикующие врачи нашей страны:
— дают четкие рекомендации по профилактике болезней,
— раскрывают нюансы новейших методов лечения,
— развенчивают мифы о питании,
— тестируют актуальные методы похудения,
— изучают старые и создают новые косметологические рецепты,
— отвечают в эфире на самые наболевшие вопросы о здоровье.
Каждый понедельник — телеклиника. Будьте уверены, Александр Мясников, Наталья Колесникова, Михаил Глотов и Александр Алексеев поставят верный диагноз.
Со вторника по четверг прием ведут врач-реабилитолог Сергей Агапкин, телемедсестра Светлана Пермякова и команда экспертов Минздрава.
По пятницам пациентов также ждет главный врач московской городской клинической больницы №71, кандидат медицинских наук Александр Мясников.
«О самом главном» – всё самое главное о вашем здоровье.
Andras Schiff — Piano
BWV 812 813 814 815 816 817
The French Suites, BWV 812--817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725. The suites were later given the name French (first recorded usage by Friedrich Wilhelm Marpurg in 1762) as a means of contrast with the English Suites (whose title is likewise a later appellation). The name was popularised by Bachs biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, «One usually calls them French Suites because they are written in the French manner.» This claim, however, is inaccurate: like Bachs other suites, they follow a largely Italian convention.
There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscripts.
The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»
Structure
0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus
The two solo parts of the Concerto for two violins in D minor, performed by the Netherlands Bach Society for All of Bach, have survived in Bach’s own handwriting. This autograph dates from around 1730, a few years after the composer had moved from Köthen to Leipzig. Bach composed most of his instrumental concertos in the period 1717–1723, while working at the court of Leopold von Anhalt-Köthen, but this work appears to be an exception.
Recorded for the project All of Bach on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the interview with violinists Shunske Sato and Emily Deans on the Concerto for two violins in D minor go to youtu.be/iwHOeTHMiGk
For more information on BWV 1043 and this production go to allofbach.com/en/bwv/bwv-1043/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Shunske Sato, violin and leader
Emily Deans, violin
Summer — Concerto No. 2 in G minor
from The Four Seasons by Antonio Vivaldi
Netherlands Bach Society
Violin and direction: Shunske Sato
The Four Seasons are among the most populair and best violin concertos written in the baroque era. Recorded on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam.
The mandolin was essentially the instrument of amateur musicians in the early to mid 18th century. Vivaldi composed many concertos and trios for the young ladies of the Ospiedale della Pieta – including the famous G major RV532, which must rank as one of his most popular works after the Four Seasons.
The concertos and trios on this CD make a delightful programme, written for the pleasure of gifted students and patrons, full of the hallmarks of Vivaldian style that will not disappoint those who love the famous Four Seasons violin concertos from his Op.8 set. Simple, catchy melodies abound, in both still and often poignant slow movements as well as sparky fast movements.
Other information:
— Recording made in 2009.
— Frederico Gugliemo studied with Salvatore Accardo, Isaac Stern and The Amadeus, LaSalle and Quartetto Italiano string quartets before turning to period instrument performance under the guidance of Christopher Hogwood.
00:00:00 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:03:54 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:08:15 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:11:48 Concerto for mandolin, strings and continuo in C Major RV 425
00:14:26 Concerto for mandolin, strings and continuo in C Major RV 425
00:17:44 Concerto for mandolin, strings and continuo in C Major RV 425
00:19:57 Trio for Violin, lute and basso in g Minor RV 85
00:24:00 Trio for Violin, lute and basso in g Minor RV 85
00:27:01 Trio for Violin, lute and basso in g Minor RV 85
00:28:53 Concerto for 2 Violin, lute and basso in D Major RV 93
00:32:22 Concerto for 2 Violin, lute and basso in D Major RV 93
00:36:33 Concerto for 2 Violin, lute and basso in D Major RV 93
00:38:44 Trio for Violin, lute and basso in C Major RV 82
00:42:51 Trio for Violin, lute and basso in C Major RV 82
00:45:54 Trio for Violin, lute and basso in C Major RV 82
00:47:52 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:53:13 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:56:15 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:59:47 Concerto for harpsichord, strings and continuo in A Major RV 780
01:03:30 Concerto for harpsichord, strings and continuo in A Major RV 780
01:05:40 Concerto for harpsichord, strings and continuo in A Major RV 780