Страна: Россия
Год: 2014
Героем фильма стал Андрей Тимофеевич Болотов — едва ли не самый интересный русский человек во всём 18 столетии. По широте интересов с ним вообще некого рядом поставить, включая даже Ломоносова.
Всем известны его заслуги в сельском хозяйстве, однако, в то же время он был химиком, физиком, биологом, медиком и фармацевтом. Разбирая труда Болотова, нынешние ученые с удивлением обнаружили, что он открыл некоторые из законов генетики.
Его можно назвать первым нашим физиотерапевтом: при помощи «электрической машины» он начал лечить — и не без успеха — некоторые болезни. Болотов обладал выдающимся административным талантом, был примерным хозяином — недаром же прослужил управителем имений Екатерины II более 20 лет.
Захватывающие приключения авантюриста Фигаро продолжаются. Даже став «звездой», неугомонный такс не сидит сложа лапы. Влезая своим длинным носом в очередные нелепые ситуации или создавая их, он ни на минуту не даёт соскучиться своим друзьям таксистам.
Режиссер: Федор Попов
Сценарий: Алла Криницына
Оператор: Елена Иванова
Художник: Лев Грудев
Композитор: Владимир Давыденко
Продюсер: Федор Попов
В ролях:
Виктор Бычков, Роман Мадянов, Максим Коновалов, Светлана Ходченкова, Алексей Панин, Андрей Федорцов, Ирэна Кокрятская, Джулиано Ди Капуа, Анатолий Горячев, Светлана Иванова, Жасмин Дар Самоцвета в роли Фигаро
Чтобы спасти родное королевство от заклятия и найти давно пропавшую принцессу, храбрая девочка отправляется в полное опасностей путешествие на поиски Рождественской Звезды. Но могущественные враги готовы сделать все, чтобы не дать ей достичь заветной цели. В основу фильма легла самая популярная рождественская история в Норвегии.
The duduk is easily the most recognisable Armenian musical instrument, featuring perhaps more often in funerals, due to its melancholy tone, than in weddings, although it is also used during celebrations or for dances. With different variations and names, it is used throughout the region – the Balkans, the Middle East, the Caucasus, and Central Asia.
01 Where is She?
02 Through Loreign Deserted Roads
03 I Beg You Mountains
04 They Look Away My Loved One
05 Fallowing The Banks Of he Arax River
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The St John Passion, performed by the Nederlands Bach Society for All of Bach, was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.
For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.
Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Jos van Veldhoven, conductor
Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass
Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.
Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Stephan MacLeod, conductor
Live recording from Theatre des Champs-Elysees,Paris.
Viva Vivaldi! with Cecilia Bartoli
Cecilia Bartolis all-Vivaldi sell-out concert performances with the Italian period instrument ensemble Il Giardino Armonico, at Pariss Théâtre des Champs-Elysées, brought together the talents of todays most celebrated mezzo-soprano and an outstandingly creative group of musicians. Included are arias from Vivaldis operas and pasticcios LOlimpiade, Tito Manlio, Ottone in Villa, Gloria, Juditha Triumphans, Farnace, Bajazet and La Fida Ninfa. The repertoire displays Bartolis breathtaking virtuosity in arias demanding a phenomenal range of vocal expression.
Cecilia Bartoli (born June 4, 1966 in Rome) is an Italian mezzo-soprano opera singer and recitalist. She is best known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartolis coloratura skill has earned her the title the Queen of Agility." --Wikipedia