«Кирпичные особняки» — настолько опасный район Детройта, что власти обносят его стеной. Однако ситуация выходит из-под контроля, когда местный наркобарон (RZA) решает взорвать ненавистный город. Детективу Дамьену (Пол Уокер) и бывшему уголовнику Лино (Давид Белль) предстоит остроумно и с акробатической легкостью пройти через огонь и воду криминального мира, чтобы спасти город, а заодно стать настоящими друзьями. Скучать не придется: головокружительные погони, невиданные трюки и уникальные съемки от создателей «Перевозчика», «Заложницы» и «Пятого элемента» по уровню адреналина не уступят и «Форсажу»!
Последний фильм, в котором успел сняться Пол Уокер до своей трагической смерти: сценарий Люка Бессона, завораживающие трюки Давида Белля (основателя и лидера мирового паркур-движения), уморительные диалоги, которые оставляют после финальных титров лишь одно желание – прокатиться на этом кино-аттракционе еще раз!
Год: 2013
Страна: Франция, Канада, США
Жанр: боевик, криминал
Режиссер: Камиль Деламарр
Актеры: Пол Уокер, Давид Белль, RZA, Гучи Бой, Каталина Денис, Аиша Исса, Карло Рота, Андреас Апергис, Ричард Земан, Роберт Мэйллет
The Varnus Organ Hall needs your help. We are asking the communitys support to restoring and operating Varnus Hall, Canadas only private organ concert venue owned by Xaver Varnus, to provide a worthy home for organists, famous artists and young talent alike, from around the world to perform, and broadcast their concerts online. We are grateful to you if you can help our work with any donations. ca.gofundme.com/f/fundraising-for-varnus-organ-hall-in-nova-scotia
Xaver Varnus plays Toccata and Fugue in D minor (edited by Mendelssohn) on the great Sauer Organ of the Berliner Dom. Recorded live on the Opening Night of the «Berliner Internationaler Orgelsommer 2013».
At the time of its dedication in 1905, the great Sauer Organ of the Berliner Dom was the largest in Germany, with its 7269 pipes and 113 registers, distributed across four manuals and pedals. The court organ builder Wilhelm Sauer, from Frankfurt on the Oder, created an instrument that embodied the newest technical and musical developments of German organ building at the time. In that way, the organ met the high expectations of both the organ builder and his client: in the Protestant Cathedral of the capital city, there was to be a monumental, modern, and in every way extraordinary instrument of the highest quality. The organ of the Cathedral of Berlin represents the highpoint of Sauer’s career. At the same time, it marks the end of the long development of Romantic orchestral organs, whose sound corresponds to the characteristic sound of a symphonic orchestra of that period. Today, the organ in the Cathedral of Berlin is the largest late-Romantic pneumatic action organ in the world that has survived in its original condition.
•●The Official Video Site of Concert Organist Xaver Varnus●•
Born in Budapest, his first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. Xaver Varnus has played virtually every important organ in the world, including those in Bachs Thomaskirche in Leipzig (2014), Berliner Dom (2013), Notre-Dame (1981), Saint-Sulpice (2006) and Saint-Eustache (1996) in Paris, National Shrine in Washington, D.C. (1985), and Canterbury Cathedral (2004), as well as the largest existing instrument in the world, the Wanamaker Organ in Philadelphia (1985). His Quadruple Platinum Disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling organ CD ever. As a Canadian citizen, Xaver Varnus resides in Berlin, Germany. «Put simply, Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould» (The Globe
About this Album:
Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composer’s shadow, during his lifetime he was exalted as Bach’s equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bach’s; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime – the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition.
International Piano Magazine considers Yuan Sheng “China’s premier Bach interpreter”, the New York Times describes his Bach playing as “a model of clarity, balance and proportion”. Yuan Sheng studied in his native country in Bejing, and through a scholarship entered Manhattan School of Music, where he studied with Solomon Mikowsky and later with Bach specialist Rosalyn Tureck. His interpretation of Bach’s famous Goldberg Variations is genuinely personal, but never artificial or self conscious. He doesn’t use the piano as a “pianistic” instrument (though his technical command is all the more impressive), but simply as a means to express the message of this music, a human message of beauty, joy and sorrow.
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
Goldberg Variations, BWV 988:
00:00:00 I. Aria
00:04:27 II. Variatio 1
00:06:32 III. Variatio 2
00:07:58 IV. Variatio 3, canone all’unisono
00:09:41 V. Variatio 4
00:10:50 VI. Variatio 5
00:12:24 VII. Variatio 6, canone alla seconda
00:13:41 VIII. Variatio 7
00:15:22 IX. Variatio 8
00:17:22 X. Variatio 9, canone alla terza
00:19:21 XI. Variatio 10, fughetta
00:21:01 XII. Variatio 11
00:23:17 XIII. Variatio 12, canone alla quarta
00:25:25 XIV. Variatio 13
00:29:20 XV. Variatio 14
00:31:38 XVI. Variatio 15, canone alla quinta, andante
00:36:17 XV. Variatio 16, ouverture
00:39:31 XVI. Variatio 17
00:41:44 XVII. Variatio 18, canone alla sesta
00:43:25 XVIII. Variatio 19
00:44:55 XIX. Variatio 20
00:47:03 XX. Variatio 21, canone alla settima
00:50:38 XXI. Variatio 22
00:52:15 XXII. Variatio 23
00:54:29 XXIII. Variatio 24, canone all’ottava
00:56:59 XXIV. Variatio 25
01:04:54 XXV. Variatio 26
01:07:02 XXVI. Variatio 27, canone alla nona
01:08:45 XXVII. Variatio 28
01:11:04 XXVIII. Variatio 29
01:12:58 XXIX. Variatio 30, quodlibet
01:14:43 XXX. Aria da capo
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The world is home to a plethora of fascinating ancient ruins, from crumbling cities to temples that have withstood the test of time. Many of these ancient societies were incredibly innovative and forward thinking. Just take a look at their meticulous city planning and incredible feats of engineering; some of which we are yet to fully understand. Some of the most captivating ancient ruins are full of thousand-year-old mysteries that will boggle even the most curious of minds.
ОБВОРОЖИТЕЛЬНАЯ МЕЛОДРАМА / Алешкина Любовь / Русские мелодрамы Новинки HD
Популярный в начале 80-х ВИА «Летчики» заново пытается собраться в начале девяностых. Изменилась страна, изменились и наши герои. У каждого из музыкантов в новом времени накопились свои проблемы, комплексы и взаимные претензии. Сумеют ли они преодолеть все препятствия, вернуть дружбу, обрести когда-то потерянную любовь и опять стать легендарной группой «Летчики», вновь покорив вершину музыкального Олимпа?
#фильм #полноепревращение #комедия #фантастика
Полное превращение (2015)
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Жанр: комедия фантастика
Год: 2015
режиссер Филипп Коршунов
сценарий Павел Санаев
В ролях: Олег Гаас
Арина Постникова
Наиль Абдрахманов
Павел Абдалов
Егор Сальников
Виталий Кудрявцев
Ирина Крутик
Сергей Николаев
Александра Булычёва
Татьяна Оквамо
Главный герой — незадачливый риелтор Дима, жизнь которого — одна сплошная проблема: с работой, с родителями, с девушками. Он так устал от себя и хочет стать кем-то другим, что случай предоставляет ему такую возможность. Из рук чудаковатого учёного Дима получает прибор, способный превращать любого человека в кого угодно.Смотри также:
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