Sit back and enjoy the sights and sounds of Rivendell, the last homely house east of the sea. I added movement to the closest of the waterfalls, as well as to the smoke coming from the chimney. I used a real video of the moon and blended it into the scene to make the moonlight as realistic as possible. No copyright intended. All content belongs to its respective owners. Be sure to select the 4K option for the best experience!
Be sure to check out my other LOTR inspired videos.
Music is from the original Lord of the Rings Trilogy by Howard Shore.
How do you categorise such an extensive piece of music, such as the Mass in B minor, the Hohe Messe? Jos van Veldhoven and various musicians from the Netherlands Bach Society, who performed the work for All of Bach, make an attempt.
Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass
☛ «she is a beautiful and technically accomplished player», «the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)»
— American Record Guide, July-August 2015
☛ «Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.», «She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.»
— Donald Rosenberg, Gramophone Magazine
☛ «A gifted and obviously devoted Bachian»
— James Oestreich, New York Times
☛ «in all the years, all the versions, I have never heard „Book 1“ done better», «The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ «elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music», «A brilliant performance and brilliant set all around!»
— Robert Cummings, Classical.net
☛ «This is a recording to change your perception of the Well Tempered Klavier.»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rothers Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
BACH THE WELL TEMPERED CLAVIER I No.1~12
(The GLENN GOULD Edition)
Glenn Gould — 01. The Well-Tempered Clavier I No.1 in C Major BWV 846_ I. Praeludium
Glenn Gould — 02. The Well-Tempered Clavier I No.1 in C Major BWV 846_ II. Fuga
Glenn Gould — 03. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ I. Praeludium
Glenn Gould — 04. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ II. Fuga
Glenn Gould — 05. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ I. Praeludium
Glenn Gould — 06. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ II. Fuga
Glenn Gould — 07. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ I. Praeludium
Glenn Gould — 08. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ II. Fuga
Glenn Gould — 09. The Well-Tempered Clavier I No.5 in D Major BWV 850_ I. Praeludium
Glenn Gould — 10. The Well-Tempered Clavier I No.5 in D Major BWV 850_ II. Fuga
Glenn Gould — 11. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ I. Praeludium
Glenn Gould — 12. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ II. Fuga
Glenn Gould — 13. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ I. Praeludium
Glenn Gould — 14. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ II. Fuga
Glenn Gould — 15. The Well-Tempered Clavier I, No.8 in E Flat Minor, BWV 853_ I. Praeludium
Glenn Gould — 16. The Well-Tempered Clavier I, No.8 in D Sharp Minor, BWV 853_ II. Fuga
Glenn Gould — 17. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ I. Praeludium
Glenn Gould — 18. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ II. Fuga
Glenn Gould — 19. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ I. Praeludium
Glenn Gould — 20. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ II. Fuga
Glenn Gould — 21. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ I. Praeludium
Glenn Gould — 22. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ II. Fuga
Glenn Gould — 23. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ I. Praeludium
Glenn Gould — 24. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ II. Fuga
Glenn Gould performs Beethoven’s «Piano Sonata No. 17 in D minor op 31/2 — The Tempest“, at the classical music television series „Music For a Sunday Afternoon“, originally broadcast on March 19, 1967. Remember to subscribe to stay up to date with all new releases on the channel.
00:00 I Largo Allegro
07:03 II Adagio
16:19 III Allegretto
Among the most revered virtuosos of all time, Nicolò Paganini was a true musical legend of his era, inspiring musicians such as Robert Schumann to forge his own career as a pianist. Franz Schubert was also a regular audience member at Paganini’s concerts, despite the outlandish ticket prices.
Paganini often remarked that, despite his legendary status as a violinist, he found it rather difficult to compose for the instrument. This release presents Paganinis complete violin concertos, performed by violinist Alexandre Dubach accompanied by the Orchestre Philharmonique de Monte-Carlo.
Composer:
Nicolò Paganini
Artist:
Alexandre Dubach (violin)
Orchestre Philharmonique de Monte-Carlo
Michel Sasson (conductor)
Lawrence Foster (conductor)
00:00:00 Violin Concerto No. 4 in D Minor: I. Allegro maestoso
00:16:44 Violin Concerto No. 4 in D Minor: II. Adagio flebile con sentimento
00:23:25 Violin Concerto No. 4 in D Minor: III. Rondo galante. Andantino gaio
00:34:10 Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso
00:54:15 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio espressivo
00:59:28 Violin Concerto No. 1 in D Major, Op. 6: III. Rondo: allegro spirituoso
01:09:08 Violin Concerto No. 3 in E Major: I. Introduzione. Andantino — Allegro marziale
01:26:57 Violin Concerto No. 3 in E Major: II. Adagio. Cantabile spianato
01:34:13 Violin Concerto No. 3 in E Major: III. Polacca. Andantino vivace
01:46:22 Violin Concerto No. 6 in E Minor: I. Risoluto
02:07:04 Violin Concerto No. 6 in E Minor: II. Adagio
02:13:59 Violin Concerto No. 6 in E Minor: III. Rondo ossia polonese
02:25:27 Violin Concerto No. 5 in A Minor: I. Allegro maestoso
02:44:27 Violin Concerto No. 5 in A Minor: II. Andante un poco sostenuto
02:53:03 Violin Concerto No. 5 in A Minor: III. Rondo
03:03:37 Violin Concerto No. 2 in B Minor, Op. 7: I. Allegro maestoso
03:19:05 Violin Concerto No. 2 in B Minor, Op. 7: II. Adagio
03:26:05 Violin Concerto No. 2 in B Minor, Op. 7: III. Ronde à la clochette
New technology reveals why Tutankhamun’s tomb remained hidden in the Valley of the Kings, Tut’s treasures take a once-in-a-lifetime journey and archaeologists open a 4,000-year-old tomb.
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About Lost Treasures of Egypt:
An immersive, action-packed and discovery-led series following International teams of Egyptologists as they unearth the worlds richest seam of ancient archaeology — Egypts Valley of the Kings. For a full season of excavations and with unprecedented access to the teams on the front line of archaeology, we follow these modern-day explorers as they battle searing heat and inhospitable terrain to make the discoveries of a lifetime. Using innovative technology and age-old intuition in their quest to uncover the secrets of these ancient sites, can the teams discoveries re-write ancient history?
About National Geographic:
National Geographic is the worlds premium destination for science, exploration, and adventure. Through their world-class scientists, photographers, journalists, and filmmakers, Nat Geo gets you closer to the stories that matter and past the edge of whats possible.
Der Westwall: eine befestigte Grenze zur Vorbereitung eines Krieges. Mehr als 600 Kilometer zog er sich vom südlichen Oberrhein durch die Eifel bis zum Niederrhein. Entstanden vor dem Zweiten Weltkrieg, prägt der Westwall die Landschaft und die Bewohner der Gegend bis heute.
Mauern, Bunker, Panzergräben: Die «Siegfried Line»
Rund eine halbe Million Menschen waren am größten Bauwerk der Nationalsozialisten beteiligt. Mit 22.000 Bunkern zieht sich der Westwall entlang des Oberrheins, durch die Wälder von Pfalz und Eifel, mit MG-Nestern im Pfälzerwald, Panzergräben und Mauern durch die Eifel. Am Ende des Krieges erlebten die Amerikaner an der «Siegfried Line», wie sie den Westwall nannten, eine der verlustreichsten Schlachten ihrer Geschichte.
Das grüne Band heute
Entstanden im Zweiten Weltkrieg, prägt der Westwall die Landschaft bis heute. Luftaufnahmen zeigen die einstige Grenze als grünes Band. Stählerne Panzerkuppeln haben auf dem Gelände eines Kindergartens Platz gefunden, aus einem See ragen Bunkerreste.
Geschichts-Denkmal in neuem Licht
Der Film zeigt bisher nicht gesendete Originalaufnahmen vom Bau des Westwalls aus den Jahren 1937 bis 1940. Zeitzeugen erzählen, wie sie den Westwall erlebt haben. Darunter der ehemalige rheinland-pfälzische Ministerpräsident Kurt Beck. Ingenieure und Historiker ordnen ein.
Diese Doku von Manfred Ladwig aus der SWR-Reihe «Geschichte und Entdeckung» trägt den Originaltitel: Der Westwall — Die Geschichte einer Grenze, Ausstrahlungsdatum: 21.07.2019. #swrdoku
Alle Aussagen und Fakten entsprechen dem damaligen Stand und wurden seitdem nicht aktualisiert.
