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Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)

Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)

Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C major, K.415_ II.Andante (58:15)
Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43)

Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04)
Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08)
Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10)

Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41)
Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16)
Piano Concerto #17 in G major, K.453_ III.Allegretto — Finale_ Presto (1:56:19)

Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33)
Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26)
Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43)

Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12)
Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43)
Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02)

Piano: Lili Kraus
Vienna Festival Orchestra
Direction: Stephen Simon
Recorded in 1965-66
New Mastering 2017 by AB for CMRR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
La véritable conception du concerto, l’essence du genre consiste dans la lutte qui se livre entre lorchestre, dune part, et linstrument ou le groupe dinstruments solos de lautre. Cette lutte est entrecoupée de trêves pendant lesquelles orchestre et soliste collaborent amicalement, et elle se termine par une réconciliation; elle nen est pas moins une lutte véritable. Tantôt, les armes sont communes aux deux adversaires: ce sont les thèmes principaux qui reviennent dans les soli et dans les tuttis; tantôt, chacun a les siennes: ce sont dautres thèmes réservés au soliste, et dautres, enfin, qui nappartiennent quà lorchestre.

Les péripéties de la lutte sont diverses: elle peut rester indécise et solo et orchestre se renvoient alors les thèmes de lun à lautre; le tutti peut remporter une victoire momentanée et claironner bruyamment son triomphe; ou bien, le soliste, à coups daccords, de gammes et darpèges, peut voir ses efforts couronnés de victoire, et, dans un trille étincelant, narguer lorchestre vaincu. Mais, quelle que soit lissue momentanée, nous savons quen fin de compte ni lun ni lautre ne triomphera et que la dernière cadence scellera paix et alliance entre les ennemis réconciliés.

Or, de tous les concertos, ceux de Mozart forment le groupe le plus important. Cest une raison pour laquelle ils ont droit à une étude spéciale. Il en existe une autre. Il ny a pas, dans toute lœuvre de leur compositeur, de genre où il se soit exprimé dune manière aussi complète. Ses concertos pour piano, échelonnés à travers ses années depuis sa dix-huitième jusquà sa trente-sixième, nous le présentent à tous les âges; ils constituent le témoignage le plus varié et le plus étendu de sa vie artistique.

Nous y retrouvons ses joies et ses tristesses, ses espérances et ses déceptions; nous pénétrons par eux dans ce sanctuaire intérieur, où lhomme harassé et surmené retrouvait la vie fraîche et rayonnante qui ne cessa jamais de renaître au fond de son coeur. Dans presque tous les genres si divers où il a prodigué ses richesses, on trouve une ou deux œuvres qui comptent parmi ses plus belles, mais aucun de ces genres n’offre une succession de chefs-dœuvre aussi abondante que celle des concertos pour piano.

Mozart — Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Centurys recording: Lili Kraus/Simon)
www.youtube.com/watch?v=FHwmL8Md22w

Henry Purcell (1659-1695)

Dido and Aeneas

End of Act III:
Dido´s Lament When I am laid in earth, soprano
Chorus With Drooping Wings

Simone Kermes soprano
The New Siberian Singers
Musica Aeterna
Direction Teodor Currentzis

Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Recitative. «Da das Jesus merkete, sprach er zu ihnen» · Nikolaus Harnoncourt · Karl Ridderbusch · Kurt Equiluz

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Bass Vocals: Karl Ridderbusch
Tenor Vocals: Kurt Equiluz
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Provided to YouTube by NAXOS of America

Freue dich, erloste Schar, BWV 30: Part I: Aria: Kommt, ihr angefochtnen Sunder (Alto) · Joanne Lunn

Bach, J.S.: Cantatas, Vol. 1 — Bwv 7, 20, 30, 39, 75, 167

℗ 2000 SDG

Released on: 2000-01-01

Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

J. S. Bach
Cantatas:
BWV 194
BWV 176 [10:29]
BWV 165 [12:54]
BWV 129 [18:52]
Soprano: Ruth Holton
Counter-tenor: Daniel Taylor
Tenor: Paul Agnew
Bass: Peter Harvey
Monteverdi Choir:
Sopranos: Suzanne Flowers, Gillian Keith, Emma Preston-Dunlop, Katharine Fuge, Elisabeth Priday, Joanne Lunn
Altos: Elinor Carter, Mark Chambers, Angus Davidson, Charles Humphries
Tenors: Rory OConnor, Paul Tindall, Peter Butterfield, Nicolas Robertson
Basses: Julian Clarkson, Charles Pott, Robert Evans, Michael McCarthy
English Baroque Soloists:
Violins 1: Alison Bury, Penelope Spencer, Catherine Martin, Debbie Diamond, Jane Gillie
Violins 2: Lucy Howard, Matthew Truscott, Silvia Schweinberger, Desmond Heath
Violas: Annette Isserlis, Katherine McGillivray, Colin Kitching
Cellos: Melanie Beck, Helen Verney
Double-bass: Valerie Botwright
Flute: Rachel Beckett
Oboes: Edouard Wesley, Mark Baigent, Jasu Moisio
Bassoon: Philip Turbett
Trumpets: Mark Bennett, Mike Harrison, Paul Sharp
Timpani: John Chimes
Harpsichord: Howard Moody
Organ: Robert Quinney
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
St Magnus Cathedral, Kirkwall, Orkney, Scotland
www.bach-cantatas.com/Performers/Gardiner-Rec4.htm
Volume 27 CD-2

J. S. Bach
Cantatas BWV 2, 10, SWV 386, 76 — J. E. Gardiner (Vol2 CD1)
Live recordings from the Bach Cantata Pilgrimage:
Basilique Saint-Denis, Paris, France.
Disc: 1
Track Listings
  1. Ach Gott, Vom Himmel Sieh Darein
  2. Tenor Sie Lehren Eitel Falsche List
  3. Alt Tilg, O Gott, Die Lehren
  4. Bass Die Armen Sind Verstort
  5. Tenor Durchs Feuer Wird Das Silber Rein
  6. Das Wollst Du, Gott, Bewahren Rein
  7. Meine Seel Erhebt Den Herren
  8. Sopran Herr, Der Du Stark Und Machtig Bist
  9. Tenor Des Hochsten Gut Und Treu
  10. Bass Gewaltige Stosst Gott Vom Stuhl
  11. Alt, Tenor Er Denket Der Barmherzigkeit
  12. Tenor Was Gott Den Vatern Alter Zeiten
  13. Lob Und Preis Sei Gott Dem Vater Und Dem Sohn
  14. Die Himmel Erzahlen Die Ehre Gottes, SWV386
  15. Die Himmel Erzahlen Die Ehre Gottes
  16. Tenor So Lasst Sich Gott Nicht Unbezeuget!
  17. Sopran Hort, Ihr Volker, Gottes Stimme
  18. Bass Wer Aber Hort
  19. Bass Fahr Hin, Abgottische Zunft!
  20. Alt Du Hast Uns, Herr, Von Allen Strassen
  21. Es Woll Uns Gott Genaedig Sein
  22. Sinfonia
  23. Bass Gott Segne Noch Die Treue Schar
  24. Tenor Hasse Nur, Hasse Mich Recht
  25. Alt Ich Fuhle Schon Im Geist
  26. Alt Liebt, Ihr Christen, in Der Tat!
  27. Tenor So Soll Die Christenheit
  28. Es Danke, Gott, Und Lobe Dich

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Hauser performing Adagio by Albinoni with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.

Elisabeth Fuchs, conductor
Pavao Mašić, organ

Arrangement by Hauser and Filip Sljivac

Filmed and edited by MedVid production
Sound and mixing by Morris Studio

2CELLOS

Amsterdam Sinfonietta en violiste Janine Jansen spelen Vivaldis Vier jaargetijden tijdens het Internationaal Kamermuziek Festival 2014.

La Primavera/Spring/Lente
Spring Movement 1 (Allegro) — 0:04
Spring Movement 2 (Largo) — 3:31
Spring Movement 3 (Allegro) — 6:02

Lestate/Summer/Zomer
Summer Movement 1 (Allegro non molto) — 10:22
Summer Movement 2 (Adagio) — 15:41
Summer Movement 3 (Presto) — 17:54

Lautunno/Autumn/Herfst
Autumn Movement 1 (Allegro) — 21:01
Autumn Movement 2 (Adagio molto) — 26:10
Autumn Movement 3 (Allegro) — 28:41

Linverno/Winter
Winter Movement 1 (Allegro non molto) — 32:05
Winter Movement 2 (Largo) — 35:21
Winter Movement 3 (Allegro) — 37:00

Opname: 29 juni 2014 tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.

The evolution of classical piano music from 1600 to the present day. Let the music take you away on a journey throughout the years of classical piano music. Visit the Baroque period (1600-1750), Classical period (1750-1820), Romantic period (1780-1910), Modernist period (1890-1950) and de Postmodern period (1930-present).

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/ClassicalPianoMusic

This is a video that will show the piano through the years of classical music. We made this to reflect on the amazing music made and for everyone who is new to classical piano music. Let us know what you think of the video and the amazing pieces played. If you think any piece or composer is missing, feel free to leave a comment below. We hope you can enjoy this beautiful music, thank you for watching!

In the tracklist below you can find the musical pieces, the composers who made them and the pianist who played them.

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Spotify:
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Tracklist:

Baroque Era:

Domenico Scarlatti played by Michelangelo Carbonara:
0:00:00 Sonata in C Minor, Kk. 158 (Andante)
0:03:10 Sonata in C Major, Kk. 461 (Allegro)

Georg Frideric Handel played by Scipione Sangiovanni:
0:06:33 Suite in B-Flat Major, HWV 434: I. Praeludium
0:08:51 Suite in D Minor, HWV 436: I. Allemande

Johann Sebastian Bach played by Yuan Sheng:
0:12:25 French Suite No. 1 in D Minor, BWV 812: I. Allemande
0:16:30 French Suite No. 5 in G Major, BWV 816: I. Allemande
0:19:38 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium

Classical Era:

Joseph Haydn:
0:21:24 Piano Sonata in E-Flat Major, Hob. XVI:52: I. Allegro played by Jeroen van Veen

Wolfgang Amadeus Mozart played by Klára Würtz:
Piano Sonata No. 1 in C Major, K. 279:
0:30:49 I. Allegro
0:35:46 II. Andante
0:40:58 III. Allegro
0:44:21 Piano Sonata No. 11 in A Major, K. 331: III. Alla turca. Allegretto

Romantic Era:

Ludwig van Beethoven played by Misha Goldstein:
0:47:46 Für Elise in A Minor, WoO 59
0:50:40 Piano Sonata No. 14 in C-Sharp Minor «Moonlight»: I. Adagio sostenuto

Frédéric Chopin:
0:56:23 Impromptu No. 2 in F-Sharp, Op. 36 played by Wolfram Schmitt-Leonardy
1:02:11 Nocturnes, Op. 9: II. Andante in E-Flat Major played by Earl Wild

Robert Schumann:
1:06:24 Kinderszenen, Op. 15: VII. Träumerei played by Klára Würtz

Franz Liszt:
1:09:05 Grandes études de Paganini, S. 141: No. 3, La Campanella played by Ivo Sandro Bartoli

Sigismond Thalberg:
1:14:10 LArt du chant appliqué au Piano, Op. 70: XIX. Casta diva, cavatine de lopéra Norma de Bellini played by Mark Viner

Anton Bruckner:
1:21:03 Andante in E-Flat Major played by Francesco Pasqualotto

Modernist Era:

Claude Debussy played by Misha Goldstein:
1:24:28 Deux Arabesques, L. 66: I. Première Arabesque
1:28:37 Clair de Lune, L. 32

Erik Satie:
1:33:36 Valse-ballet played by Jeroen van Veen
1:35:51 3 Gymnopédies: No. 1, Lent et douloureux played by Håkon Austbö

Leopold Godowsky:
1:39:31 Study No. 44 in F Minor on trois nouvelle études No. 1, B. 130 (Left Hand Alone) played by Emanuele Delucchi

Postmodern Era:

Henri Dutilleux:
1:41:25 Piano Sonata, Op. 1: II. Lied played by Akanè Makita

Ryuichi Sakamoto:
1:48:08 Merry Christmas Mr. Lawrence played by Jeroen van Veen

Yann Tiersen played by Jeroen van Veen:
1:52:45 Comptine dun autre été: Laprès midi
1:55:10 La dispute

Yiruma played by Jeroen van Veen:
1:57:27 River Flows in You
2:00:58 Spring Waltz

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#Classical #Piano #Music

Johann Sebastian Bach
András Schiff, Piano
English Suite No 2 in A minor BWV 807
0:00 Prelude
04:21 Allemande
07:28 Courante
09:02 Sarabande
12:03 Bourrée I
13:58 Bourrée II
15:51 Gigue