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J. S. Bach
Cantatas
BWV 70 [22:59]
BWV 132 [17:40]
BWV 147 [28:07]
Soprano: Brigitte Geller
Counter-tenor: Michael Chance
Tenor: Jan Kobow
Bass: Dietrich Henschel
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Michaeliskirche, Lüneburg, Germany.
Volume 13 CD 2
Stabat Mater
for soprano, contralto, strings and basso continuo
by Giovanni Battista Pergolesi (1710-1736)
Margaret Marshall (soprano)
Lucia Valentini Terrani (contralto)
Leslie Pearson (organ)
London Symohony Orchestra
Claudio Abbado (conductor)
Recorded in 1985
00:00 «Stabat Mater Dolorosa»
04:39 «Cujus animam gementem»
07:47 «O quam tristis et afflicta»
10:22 «Quae moerebat et dolebat»
13:12 «Quis est homo»—«Pro peccatis suae gentis...»
16:14 «Vidit suum dulcem natum»
19:48 «Eja mater fons amoris»
22:42 «Fac ut ardeat cor meum»
25:23 «Sancta mater, istud agas»
31:22 «Fac ut portem Christi mortem»
35:06 «Inflammatus et accensus»
37:57 «Quando corpus morietur» —«Amen...»
This video was made for non-profit, self-educational, entertainment, recreational and improving my video making skills purposes. All rights belong to its rightful owners.
01. Utrecht Te Deum in D major HWV 278 00:00
02. Utrecht Jubilate in D major HWV 279 24:44
03. Queen Caroline Te Deum in D major HWV 280 42:24
04. Chandos Te Deum in B flat major HWV 281 57:50
05. Te Deum in A major HWV 282 01:32:18
06. Dettingen Te Deum in D major HWV 283 01:48:22
Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston
Netherlands Bach Society
Jos Van Veldhoven
Les Arts Florissants, William Christie
Gerhard Jenemann
Drottningholms Baroque Ensemble*
Vocalsolisten Frankfurt
Concerto Polacco
Alsfelder Vocal Ensemble
Helbich, Wolfgang
Choir of Westminster Abbey
The English Concert
Trevor Pinnock
Simon Preston
Andreas is a Countertenor. Born into a family of singers, Scholl was enrolled at the age of seven into the boys choir. Aged 13, he was chosen from 20,000 choristers gathered in Rome from around the world to sing solo at a Mass held on 4 January 1981. Just four years later, Scholl was offered a place at the Schola Cantorum Basiliensis, an institution that normally accepts only post-graduate students, based on the strength and quality of his voice. He has since become an instructor at the Schola Cantorum Basiliensis, succeeding his own teacher, Richard Levitt.
Scholls early operatic roles include his standing in for René Jacobs in 1993 at the Théâtre Grévin in Paris, where he caused a sensation. His major roles, such as his debut at Glyndebourne in 1998 as Bertarido in Handels Rodelinda, a role he reprised at the Metropolitan Opera in 2006, were written for the 18th-century alto castrato Senesino.
The bulk of Scholls recording career has been with Harmonia Mundi and Decca, and his CDs are among Harmonia Mundis best sellers. He has worked with most contemporary Baroque specialists, including William Christie and Philippe Herreweghe, and is himself a songwriter and composer of ballet and theatre music, with his own professional sound studio in Basel, Switzerland.