Well here it is, the «Holy Grail» and «Old Testament» of keyboard literature. It does not really make sense to post yet another recording of the WTC, and by an amateur who is barely scratching the surface of this priceless music. But hey, there is worse stuff on YouTube, and I am somewhat proud of these recordings from 2009-2014. While flawed in many ways, they are many times better than my first recording (from 2007-2008 I think).

I am much indebted to the good folks at Piano Society, especially to Andreas Pfaul, for their stern but honest feedback and their many useful suggestions which enabled me to do a much better job the second time round.

I know Ill want to improve on these one day, even the greats do. This music is so much better than anyone could ever play it — Bach is always ahead of you, beckoning, challenging, and leading the way. He is both a hard task master and a gentle teacher. Sheesh, I can get really religious about Bach :) No other composer does that to me. I would think myself weird if I did not know that many people feel the same.

I never took any video footage for these. My apologies for being a lazy sod and not providing imagery or sheets to go along with the music. This just seems too much work for such a large video. And anyway, one should concentrate on the music rather than watching pictures or checking notes against the score :) At least Ill provide the titles and starting times as usual. Let me know what you think!

Bach — Das Wolhtemperierte Clavier, Book I (ca. 1722)

00:00:10 BWV 846 — Prelude and Fugue No.1 in C major
00:04:20 BWV 847 — Prelude and Fugue No.2 in C minor
00:07:33 BWV 848 — Prelude and Fugue No.3 in C sharp major
00:11:26 BWV 849 — Prelude and Fugue No.4 in C sharp minor
00:19:58 BWV 850 — Prelude and Fugue No.5 in D major
00:23:39 BWV 851 — Prelude and Fugue No.6 in D minor
00:27:03 BWV 852 — Prelude and Fugue No.7 in E flat major
00:33:34 BWV 853 — Prelude and Fugue No.8 in E flat minor
00:43:13 BWV 854 — Prelude and Fugue No.9 in E major
00:46:03 BWV 855 — Prelude and Fugue No.10 in E minor
00:49:41 BWV 856 — Prelude and Fugue No.11 in F major
00:53:28 BWV 857 — Prelude and Fugue No.12 in F minor
00:59:33 BWV 858 — Prelude and Fugue No.13 in F sharp major
01:03:57 BWV 859 — Prelude and Fugue No.14 in F sharp minor
01:08:30 BWV 860 — Prelude and Fugue No.15 in G major
01:12:34 BWV 861 — Prelude and Fugue No.16 in G minor
01:17:32 BWV 862 — Prelude and Fugue No.17 in A flat major
01:21:17 BWV 863 — Prelude and Fugue No.18 in G sharp minor
01:26:54 BWV 864 — Prelude and Fugue No.19 in A major
01:30:29 BWV 865 — Prelude and Fugue No.20 in A minor
01:36:14 BWV 866 — Prelude and Fugue No.21 in B flat major
01:39:29 BWV 867 — Prelude and Fugue No.22 in B flat minor
01:46:01 BWV 868 — Prelude and Fugue No.23 in B major
01:49:41 BWV 869 — Prelude and Fugue No.24 in B minor

Bach — Das Wolhtemperierte Clavier, Book II (ca. 1742)

02:00:33 BWV 870 — Prelude and Fugue No.1 in C major
02:04:46 BWV 871 — Prelude and Fugue No.2 in C minor
02:09:29 BWV 872 — Prelude and Fugue No.3 in C sharp major
02:13:31 BWV 873 — Prelude and Fugue No.4 in C sharp minor
02:20:32 BWV 874 — Prelude and Fugue No.5 in D major
02:31:23 BWV 875 — Prelude and Fugue No.6 in D minor
02:35:05 BWV 876 — Prelude and Fugue No.7 in E flat major
02:40:28 BWV 877 — Prelude and Fugue No.8 in E flat minor
02:49:15 BWV 878 — Prelude and Fugue No.9 in E major
02:59:10 BWV 879 — Prelude and Fugue No.10 in E minor
03:07:06 BWV 880 — Prelude and Fugue No.11 in F major
03:13:15 BWV 881 — Prelude and Fugue No.12 in F minor
03:20:03 BWV 882 — Prelude and Fugue No.13 in F sharp major
03:25:54 BWV 883 — Prelude and Fugue No.14 in F sharp minor
03:35:16 BWV 884 — Prelude and Fugue No.15 in G major
03:39:58 BWV 885 — Prelude and Fugue No.16 in G minor
03:45:23 BWV 886 — Prelude and Fugue No.17 in A flat major
03:52:39 BWV 887 — Prelude and Fugue No.18 in G sharp minor
04:00:47 BWV 888 — Prelude and Fugue No.19 in A major
04:04:58 BWV 889 — Prelude and Fugue No.20 in A minor
04:12:10 BWV 890 — Prelude and Fugue No.21 in B flat major
04:20:14 BWV 891 — Prelude and Fugue No.22 in B flat minor
04:28:38 BWV 892 — Prelude and Fugue No.23 in B major
04:34:59 BWV 893 — Prelude and Fugue No.24 in B minor

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Franz Schubert (1797-1828) — Sonatas, Impromptus and Allegretto
Sonata in A / A-dur / La Maj, Op.posth.120 D.664
*Click to activate the English subtitles for the presentation* (00:00-01:52)
Allegro moderato (00:00)
Andante (11:35)
Allegro (16:57)

Impromptus, Op.90 D.899
*Click to activate the English subtitles for the presentation* (25:09-26:43)
N°1 in C minor / c-moll / ut min (25:09)
N°2 in E flat / Es-dur / Mi bémol Majeur (35:02)
N°3 in G flat / Ges-dur / Sol bémol Majeur (40:43)
N°4 in A flat / As-dur / La bémol Majeur (47:25)

Allegretto in C minor, D.915 (55:52)
*Click to activate the English subtitles for the presentation* (55:52-56:18)
c-moll / Ut mineur

Sonata in C minor / c-moll / Ut min, Op.posth. D.958
*Click to activate the English subtitles for the presentation* (1:02:37-1:05:32)
Allegro (1:02:37)
Adagio (1:14:16)
Menuetto — Allegro (1:22:40)
Allegro (1:26:19)

Sonata in B flat / B-dur / Si bémol Maj, D.960
*Click to activate the English subtitles for the presentation* (1:36:14-1:39:51)
Molto moderato (1:36:14)
Andante sostenuto (1:56:27)
Scherzo — Allegro vivace con delicatezza (2:07:17)
Allegro, ma non troppo (2:12:05)

Sonata in A / A-dur / La Maj, D.959
*Click to activate the English subtitles for the presentation* (2:20:31-2:24:13)
Allegro (2:20:31)
Andantino (2:36:08)
Scherzo — Allegro vivace (2:45:04)
Rondo — Allegretto (2:50:54)

Piano: Claudio Arrau
Recorded in 1978,1980,1982
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

*COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.*
Impromptus op. 90 D.899
Les deux groupes de quatre Impromptus chacun (D 899 et D 935) ont presque certainement été composés en 1827, et le n° I et le n° 2 de D 899 ont été imprimés peu avant la fin de 1827. Lorsque le troisième Impromptu a été publié dix ans plus tard, il est apparu un demi-ton plus haut en sol au lieu de sol bémol pour faciliter la tâche du joueur. Si un signe en croix est plus facile à lire que six signes en si bémol, la pièce nest pas plus facile à jouer. Ainsi, lintention de Schubert de faire se terminer le second Impromptu dans une tonalité mineure au lieu dune majeure, comme préparation à la tonalité de sol, est également détruite par la transposition.

Le titre «Impromptu», qui est apparu pour la première fois quelques années auparavant, fait référence à une pièce de caractère similaire à une improvisation. Comme relativement peu de matériaux de composition sont traités de différentes manières dans ces œuvres, chaque Impromptu de Schubert donne limpression davoir été créé dans un moment dinspiration créative. Mais quel soin extrême a été apporté par le compositeur pour assurer les fins développements harmoniques et les modulations! Dans le détail, les Impromptus (D 899 et D 935) montrent le compositeur au sommet de son art; ensemble, ils forment une de ses œuvres majeures.

Le premier et le plus vaste des quatre Impromptus, D 899, nest pas sans rappeler un rondo et se développe, même dans ses variations et ses prolongements, à partir dun seul thème. Le troisième, de caractère nocturne, est tout aussi dense, tandis que les Impromptus 3 et 4 sont basés sur la forme ABA. Le 2e Impromptu est suivi dune coda basée sur la partie centrale de la pièce, qui apporte avec elle la surprenante tonalité mineure.

Claudio Arrau: The Emperor (A film in English — Español Subtitulado) / The Emperor Concerto www.youtube.com/watch?v=lqFGXwomwOw

From the Festival d’Ambronay, 2012
Contralto Nathalie Stutzmann conducts violinist Satomi Watanabe and Orfeo 55
Johann Sebastian Bach — Saint Matthew Passion «Ebarme Dich, mein Gott» BWV 244

Click here to watch other concerts at the Festival dAmbronay: bit.ly/ConcertsFestivaldAmbronay
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Satomi Watanabe — violinist
Nathalie Stutzmann — contraalto and conductor
Orfeo 55

A coproduction of
Ozango — Le Festival d’Ambronay
with the participation of France Télévisions
in association with M_Media
with the support of Centre National du Cinéma et de limage animée

Video director: Isabelle Soulard

It goes deep into your soul.

It is the most beautiful involvement of a interpreter with a work.

She was in a trance. She was out of this world.

No words. Just watch, listen and get out of this world for some minutes with her.

Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Recitative. «Du lieber Heiland du» · Nikolaus Harnoncourt · Paul Esswood

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Counter-tenor Vocals: Paul Esswood
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Johann Sebastian Bach
András Schiff, Piano
English Suite No 2 in A minor BWV 807
0:00 Prelude
04:21 Allemande
07:28 Courante
09:02 Sarabande
12:03 Bourrée I
13:58 Bourrée II
15:51 Gigue

00:00 — Flute Sonata In E Minor BWV1034: I. Adagio Ma Non Tanto
03:13 — Flute Sonata In E Minor BWV1034: II. Allegro
05:53 — Flute Sonata In E Minor BWV1034: III. Andante
09:36 — Flute Sonata In E Minor BWV1034: IV. Allegro
14:18 — Flute Sonata In E BWV1035: I. Adagio Ma Non Tanto
16:38 — Flute Sonata In E BWV1035: II. Allegro
19:34 — Flute Sonata In E BWV1035: III. Siciliano
23:12 — Flute Sonata In E BWV1035: IV. Allegro Assai
26:20 — Flute Sonata In B Minor BWV 1030: Andante
34:13 — Flute Sonata In B Minor BWV 1030: Largo E Dole
38:00 — Flute Sonata In B Minor BWV 1030: Presto
43:49 — Flute Sonata In A Major BWV 1032: Vivace
49:02 — Flute Sonata In A Major BWV 1032: Largo E Dolce
52:00 — Flute Sonata In A Major BWV 1032: Allegro
56:16 — Flute Sonata In C Major BWV 1033: Andante
58:01 — Flute Sonata In C Major BWV 1033: Allegro
01:00:40 — Flute Sonata In C Major BWV 1033: Adagio
01:02:25 — Flute Sonata In C Major BWV 1033: Menuet
01:05:33 — Sonata For Flute

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1990 год. Закончив военное училище, два друга, Алексей и Саша полны надежд и планов. Алексей планирует жениться на Ане, Саша собирается писать диссертацию. Но судьба распоряжается по-своему. По пути в ЗАГС Алексей становится свидетелем ограбления Сберкассы. Решив в одиночку задержать преступников, он сам попадает под подозрение. Представители правоохранительных органов, как оказалось, сами имевшие отношение к этому ограблению, «назначают» виновным Алексея. Он получает 6 лет тюрьмы. Аня решает ждать любимого, в тяжелой ситуации ее поддерживает друг Алексея — Саша, давно и безнадежно влюбленный в Аню. Аня ездит к Леше на свидания на зону. Однажды она узнает, что у молодого человека на зоне роман с медсестрой. Не в силах простить обиды, она моментально принимает решение. Аня сама делает предложение Саше, он, конечно же, не может сказать «нет». 1994 год. Дело Леши пересмотрено, он выходит на свободу, сразу направляется к Ане. Придя к ней, он узнает, что она вышла замуж за Сашу, у них растет дочь. Теперь Алексея ничего не держит. Он принимает предложение работать на одну из бандитских группировок.

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CGI 3D Animated Short Film: Matt Cerini Animated Short Film by Matt Cerini at The School of Visual Arts. Featured on CGMeetup www.cgmeetup.com/project/dear-alice

The CG Animated Short Film «Dear Alice» tells the story of an unconfident artist who must inspire a wide-eyed young girl to see the beauty in her sketch before the bus reaches his stop.

Directed by Matt Cerini and produced at the School of Visual Arts.
Dear Alice is a CG animated short film and senior thesis, directed by Matt Cerini and produced at the School of Visual Arts (2018). The film was completed in 10 months time and included a team of 15 artists in production.

Matt Cerini: Director, Animator, Lighter, Story
www.MattCerini.com/

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