01. Utrecht Te Deum in D major HWV 278 00:00
02. Utrecht Jubilate in D major HWV 279 24:44
03. Queen Caroline Te Deum in D major HWV 280 42:24
04. Chandos Te Deum in B flat major HWV 281 57:50
05. Te Deum in A major HWV 282 01:32:18
06. Dettingen Te Deum in D major HWV 283 01:48:22
Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston
Netherlands Bach Society
Jos Van Veldhoven
Les Arts Florissants, William Christie
Gerhard Jenemann
Drottningholms Baroque Ensemble*
Vocalsolisten Frankfurt
Concerto Polacco
Alsfelder Vocal Ensemble
Helbich, Wolfgang
Choir of Westminster Abbey
The English Concert
Trevor Pinnock
Simon Preston
Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording.
The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument.
00:00:00 Suite in C Major, K. 399: I. Overture
00:05:00 Andante in F Major, K. 616
00:12:41 Adagio and Allegro in F Minor, K. 594
00:25:10 Adagio in C Major, K. 356
00:29:23 Church Sonata in C Major, K. 336
00:34:28 Piece in F Major, K. 33b
00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh
00:37:23 The London Sketchbook: Allegro in F Major, K. 15a
00:38:39 The London Sketchbook: Rondo in D Major, K. 15d
00:40:16 Adagio and Rondo in C Minor, K. 617
00:53:10 Fantasia in F Minor, K. 608
The Varnus Organ Hall needs your help. We are asking the communitys support to restoring and operating Varnus Hall, Canadas only private organ concert venue owned by Xaver Varnus, to provide a worthy home for organists, famous artists and young talent alike, from around the world to perform, and broadcast their concerts online. We are grateful to you if you can help our work with any donations. ca.gofundme.com/f/fundraising-for-varnus-organ-hall-in-nova-scotia
Xaver Varnus plays Toccata and Fugue in D minor (edited by Mendelssohn) on the great Sauer Organ of the Berliner Dom. Recorded live on the Opening Night of the «Berliner Internationaler Orgelsommer 2013».
At the time of its dedication in 1905, the great Sauer Organ of the Berliner Dom was the largest in Germany, with its 7269 pipes and 113 registers, distributed across four manuals and pedals. The court organ builder Wilhelm Sauer, from Frankfurt on the Oder, created an instrument that embodied the newest technical and musical developments of German organ building at the time. In that way, the organ met the high expectations of both the organ builder and his client: in the Protestant Cathedral of the capital city, there was to be a monumental, modern, and in every way extraordinary instrument of the highest quality. The organ of the Cathedral of Berlin represents the highpoint of Sauer’s career. At the same time, it marks the end of the long development of Romantic orchestral organs, whose sound corresponds to the characteristic sound of a symphonic orchestra of that period. Today, the organ in the Cathedral of Berlin is the largest late-Romantic pneumatic action organ in the world that has survived in its original condition.
•●The Official Video Site of Concert Organist Xaver Varnus●•
Born in Budapest, his first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. Xaver Varnus has played virtually every important organ in the world, including those in Bachs Thomaskirche in Leipzig (2014), Berliner Dom (2013), Notre-Dame (1981), Saint-Sulpice (2006) and Saint-Eustache (1996) in Paris, National Shrine in Washington, D.C. (1985), and Canterbury Cathedral (2004), as well as the largest existing instrument in the world, the Wanamaker Organ in Philadelphia (1985). His Quadruple Platinum Disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling organ CD ever. As a Canadian citizen, Xaver Varnus resides in Berlin, Germany. «Put simply, Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould» (The Globe
Andreas is a Countertenor. Born into a family of singers, Scholl was enrolled at the age of seven into the boys choir. Aged 13, he was chosen from 20,000 choristers gathered in Rome from around the world to sing solo at a Mass held on 4 January 1981. Just four years later, Scholl was offered a place at the Schola Cantorum Basiliensis, an institution that normally accepts only post-graduate students, based on the strength and quality of his voice. He has since become an instructor at the Schola Cantorum Basiliensis, succeeding his own teacher, Richard Levitt.
Scholls early operatic roles include his standing in for René Jacobs in 1993 at the Théâtre Grévin in Paris, where he caused a sensation. His major roles, such as his debut at Glyndebourne in 1998 as Bertarido in Handels Rodelinda, a role he reprised at the Metropolitan Opera in 2006, were written for the 18th-century alto castrato Senesino.
The bulk of Scholls recording career has been with Harmonia Mundi and Decca, and his CDs are among Harmonia Mundis best sellers. He has worked with most contemporary Baroque specialists, including William Christie and Philippe Herreweghe, and is himself a songwriter and composer of ballet and theatre music, with his own professional sound studio in Basel, Switzerland.
The opening chorus Herr, unser Herrscher from St John Passion, performed by the Nederlands Bach Society for All of Bach. The St John Passion was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.
For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.
Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Jos van Veldhoven, conductor
Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass
Фильм «Женщина в Беде» Все серии подряд. Российские сериалы новинки, мелодрамы онлайн, фильмы hd
Анина мама Валентина уходит ненадолго в собес и пропадает без следа. Наши герои сбиваются с ног, пытаясь отыскать ее, подозревают, что ее похитили – хотя кто и зачем будет похищать пожилую женщину из небогатой семьи? Выясняется, что Валентина недавно продала дачный участок за подозрительно большие деньги. Ее муж Глеб подозревает, что ее мог похитить сын соседки по даче, чтобы потребовать выкуп. Но это было бы слишком просто…
Оказывается, дачу Валентина продала некоему Роману, сыну крупного бизнесмена Павла Кондратьева, который недавно скончался. Аня находит в интернете фотографии с похорон миллионера и с удивлением видит в траурной толпе свою мать.
НЕВЕРОЯТНАЯ ЭКРАНИЗАЦИЯ! ДЕТЕКТИВ! Алмазный эндшпиль. 1-2 серии. ДЕТЕКТИВНЫЙ СЕРИАЛ www.youtube.com/channel/UCgN_VU99ugR-LCGYXWRvGGg Подписывайся на Свэлл Фильм Официальный Канал Компании! Минимум рекламы, максимум хороших фильмов!
По одноимённому роману Елены Михалковой.
Антон Белов тайно перевозит драгоценные камни. Последний «вояж» едва не стоит ему жизни. Убийца считает его лишь пешкой в своей игре. Сможет ли пешка изменить ход партии?
Совершено ограбление: прямо из банка похищен уникальный бриллиант «Зевс». Майя Марецкая знает, кто совершил преступление, но молчит. Изменит ли её судьбу встреча с Антоном?
Ювелир Моня Верман ищет редчайший адамант, следы которого ведут из Франции восемнадцатого века в Россию двадцать первого. Принесёт ли счастье «Француз» своему новому хозяину?
Кто победит в искусно разыгранной партии, где выигрыш дороже любых бриллиантов?
Режиссер: Пётр Амелин
Актеры: Антон Батырев, Евгения Громова, Сергей Барковский, Сергей Кузнецов, Татьяна Пилецкая, Эрнст Романов, Дмитрий Аверин, Ольга Онищенко, Сергей Мурзин, Леонид Алимов, Андрей Некрасов, Олег Леваков, Александр Самсон, Александр Ершов, Галина Мочалова, Татьяна Захарова, Баходир Меликмурадов, Виктория Заболотная, Дмитрий Быстревский, Иван Купреенко, Алексей Ревякин, Наталья Корольская, Олег Попов
Жанр: детектив, криминальный фильм, мелодрама, экранизация
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