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In my process of learning the duduk, I have experienced different techniques and styles. I finally have found my musical identity as a duduk player after a long and difficult journey; however, I have benefited from different styles and cultures, and, inspired from different stories. This journey gave me new and different perspectives, knowledge, experience and story. You are welcome to write your own story.
Special thanks to Derya Ulkat and Deniz Ulkat.
Thanks a lot to Baris Ayhan and Lea Laubacher for French subtitles.
ABOUT ME
I am a professional duduk player and educator.
I studied in Istanbul Technical University Turkish Music State Conservatory. I studied the duduk with Suren Asaduryan and Özcan Gül. I joined in Erkan Oğur’s and Derya Türkans workshops, who are two prominent representatives of Anatolian music.
It is possible to hear both Turkish and Armenian and also Ottoman Classical Music modes and patterns in my playing style. I have contributed to many albums and music productions with my duduk throughout my career. I composed music for quartet (duduk, piano, double bass, drums) and founded the band “Canberk Ulaş Quartet” in 2015 and I released my album titled “Telafi" with this band in 2017.
I continue working on my music projects, giving concerts in different parts of the world and giving duduk online lessons to duduk lovers from all over the world.
This Concerto for Oboe and Violin in C Minor, performed by Emma Black and Shunske Sato for All of Bach, is a reconstruction of the supposed original form of the concerto for two harpsichords in C Minor. In this version, each instrument makes full use of its own timbre and characteristics. In the finale, the violin clearly gets more scope than the oboe to show off its most virtuoso side, while in the second movement – a rocking Siciliano – both instruments become closely entangled.
Recorded for the project All of Bach on December 6th 2019 at Stadsgehoorzaal, Leiden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Emma Black, oboe
Shunske Sato, violin and direction
Hauser performing Adagio by Albinoni with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor
Pavao Mašić, organ
Arrangement by Hauser and Filip Sljivac
Filmed and edited by MedVid production
Sound and mixing by Morris Studio
Composer: Franz Schubert
Artists: Alberto Miodini (piano)
When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.
You can find the tracklist in the comments:
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Она бежала от ухаживаний Геббельса, она покорила Голливуд, но не вынесла удушья славы и вернулась на родину. Очутившись в послевоенной Испании, Макарена хочет начать новую жизнь, дает согласие на съемки в фильме, где играет королеву Изабеллу I. Но бурное прошлое не отпускает ее…
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Лирическая Комедия «Плохая Соседка» Русские комедии, фильмы HD.
Можно прожить всю жизнь, систематизируя и сортируя всех и вся по размеру, цвету и форме. Но есть шанс, что в один день, как снег на голову, свалится человек-катастрофа, человек-стихийное бедствие, который, как цунами, пройдется по твоей квартире, поселит там хаос, вмиг разрушит упорядоченный устой твоей жизни и внезапно сделает тебя счастливым. Так и произошло в жизни Мишеля — он пустил к себе пожить Катю. На время. Но, как известно, нет ничего более постоянного, чем временное.
В Лос-Анджелесе умирает старый белогвардеец. Его правнуку, байкеру-экстремалу Владу Орлову, достается в наследство карта, на которой указано, где спрятано «золото Колчака». Влад решает отправиться в далекую Россию и отыскать клад. В Москве он находит себе компаньона, Олега Грушина, вместе с которым отправляется в Сибирь, не подозревая, что у них на хвосте сидят агенты ФБР и ФСБ. Да и постперестроечная Россия – не самое подходящее место для экспедиций американцев-кладоискателей…
Жанр: Боевик
Производство: Стелла
Год выпуска: 2003
Продолжительность: 01:26:12
Режиссер: Виктор Иванов
В ролях:
Джош Холланд, Александр Дьяченко, Евгений Сидихин, Борис Щербаков, Татьяна Черкасова, Виктор Степанов, Глеб Плаксин, Игорь Ясулович, Надежда Махмудова, Иван Агапов, Александр Пашковский, Антон Смекалкин, Александра Назарова, Эрик ван Гендерен, Кейн Абдул Боли, Алексей Котрелёв, Виктор Ельцов, Владимир Антоник (закадровый перевод)