J. S. Bach
Cantatas:
BWV 194
BWV 176 [10:29]
BWV 165 [12:54]
BWV 129 [18:52]
Soprano: Ruth Holton
Counter-tenor: Daniel Taylor
Tenor: Paul Agnew
Bass: Peter Harvey
Monteverdi Choir:
Sopranos: Suzanne Flowers, Gillian Keith, Emma Preston-Dunlop, Katharine Fuge, Elisabeth Priday, Joanne Lunn
Altos: Elinor Carter, Mark Chambers, Angus Davidson, Charles Humphries
Tenors: Rory OConnor, Paul Tindall, Peter Butterfield, Nicolas Robertson
Basses: Julian Clarkson, Charles Pott, Robert Evans, Michael McCarthy
English Baroque Soloists:
Violins 1: Alison Bury, Penelope Spencer, Catherine Martin, Debbie Diamond, Jane Gillie
Violins 2: Lucy Howard, Matthew Truscott, Silvia Schweinberger, Desmond Heath
Violas: Annette Isserlis, Katherine McGillivray, Colin Kitching
Cellos: Melanie Beck, Helen Verney
Double-bass: Valerie Botwright
Flute: Rachel Beckett
Oboes: Edouard Wesley, Mark Baigent, Jasu Moisio
Bassoon: Philip Turbett
Trumpets: Mark Bennett, Mike Harrison, Paul Sharp
Timpani: John Chimes
Harpsichord: Howard Moody
Organ: Robert Quinney
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
St Magnus Cathedral, Kirkwall, Orkney, Scotland
www.bach-cantatas.com/Performers/Gardiner-Rec4.htm
Volume 27 CD-2

J. S. Bach
Cantatas BWV 2, 10, SWV 386, 76 — J. E. Gardiner (Vol2 CD1)
Live recordings from the Bach Cantata Pilgrimage:
Basilique Saint-Denis, Paris, France.
Disc: 1
Track Listings
  1. Ach Gott, Vom Himmel Sieh Darein
  2. Tenor Sie Lehren Eitel Falsche List
  3. Alt Tilg, O Gott, Die Lehren
  4. Bass Die Armen Sind Verstort
  5. Tenor Durchs Feuer Wird Das Silber Rein
  6. Das Wollst Du, Gott, Bewahren Rein
  7. Meine Seel Erhebt Den Herren
  8. Sopran Herr, Der Du Stark Und Machtig Bist
  9. Tenor Des Hochsten Gut Und Treu
  10. Bass Gewaltige Stosst Gott Vom Stuhl
  11. Alt, Tenor Er Denket Der Barmherzigkeit
  12. Tenor Was Gott Den Vatern Alter Zeiten
  13. Lob Und Preis Sei Gott Dem Vater Und Dem Sohn
  14. Die Himmel Erzahlen Die Ehre Gottes, SWV386
  15. Die Himmel Erzahlen Die Ehre Gottes
  16. Tenor So Lasst Sich Gott Nicht Unbezeuget!
  17. Sopran Hort, Ihr Volker, Gottes Stimme
  18. Bass Wer Aber Hort
  19. Bass Fahr Hin, Abgottische Zunft!
  20. Alt Du Hast Uns, Herr, Von Allen Strassen
  21. Es Woll Uns Gott Genaedig Sein
  22. Sinfonia
  23. Bass Gott Segne Noch Die Treue Schar
  24. Tenor Hasse Nur, Hasse Mich Recht
  25. Alt Ich Fuhle Schon Im Geist
  26. Alt Liebt, Ihr Christen, in Der Tat!
  27. Tenor So Soll Die Christenheit
  28. Es Danke, Gott, Und Lobe Dich

J. S. Bach
Cantatas:
BWV 96 [19:22]
BWV 169 [23:39]
BWV 116 [15:29]
Chorale Vor deinen Thron tret ich Hiermit, BWV 668 [9:29]
Soprano: Katharine Fuge
Contralto: Nathalie Stutzmann
Tenor: Christoph Genz
Bass: Gotthold Schwarz
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Thomaskirche, Leipzig, Germany
Volume 9 CD 2

J. S. Bach
Motet BWV 225 [12:59]
Cantatas:
BWV 152 [18:01]
BWV 122 [14:56]
BWV 28 [14:05]
BWV 190 [16:53]
Sopranos: Gillian Keith [BWV 152], Katharine Fuge [BWV 122], Joanne Lunn [BWV 28] Counter-tenor: Daniel Taylor
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recording from the Bach Cantata Pilgrimage, at St Bartholomew’s Church, New York, NY, USA.
www.bach-cantatas.com/Performers/Gardiner-Rec3.htm

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From the protestant church Trogen in Switzerland
Choir and Orchestra of the J. S. Bach Foundation
Rudolf Lutz — conductor
Soloist
Claude Eichenberger — alto

Johann Sebastian Bach — Cantata BWV «169 Gott soll allein mein Herze haben» (God alone shall have my heart)

1:10 Sinfonia
9:03 Arioso e Recitativo (alto): Gott soll allein mein Herze haben
11:39 Aria (alto): Gott soll allein mein Herze haben
17:00 Recitative (alto): Was ist die Liebe Gottes?
18:01 Aria (alto): Stirb in mir, Welt, und alle deine Liebe
22:51 Recitative (alto): Doch meint es auch dabei
23:29 Chorale: Du süße Liebe, schenk uns deine Gunst

Subscribe to our channel: goo.gl/8R4k9P

For further information on the Bach Foundation, go to: www.bachipedia.org/
The complete cantata, introductory workshop and reflection lecture (in German) is available at: www.bachipedia.org/werke/bwv-169-gott-soll-allein-mein-herze-haben/

J. S. Bach
Cantatas:
BWV 46 [18:53]
BWV 101 [25:01]
BWV 102 [21:25]
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Vol. 5 CD 2
Live recordings at Dom, Braunschweig, Germany.

The two solo parts of the Concerto for two violins in D minor, performed by the Netherlands Bach Society for All of Bach, have survived in Bach’s own handwriting. This autograph dates from around 1730, a few years after the composer had moved from Köthen to Leipzig. Bach composed most of his instrumental concertos in the period 1717–1723, while working at the court of Leopold von Anhalt-Köthen, but this work appears to be an exception.

Recorded for the project All of Bach on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with violinists Shunske Sato and Emily Deans on the Concerto for two violins in D minor go to youtu.be/iwHOeTHMiGk
For more information on BWV 1043 and this production go to allofbach.com/en/bwv/bwv-1043/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Shunske Sato, violin and leader
Emily Deans, violin

Johann Sebastian BACH (1685-1750)
Erbarme dich, mein Gott
Aria (No. 39) from the oratorio Matthäuspassion, BWV 244
Text: Picander (1700-1764)
First performance: probably 11 April 1727, in Leipzig (Thomaskirche)

Delphine Galou, contralto
François-Marie Drieux, solo violin
Les Siècles,
conducted by François-Xavier Roth
Recorded in Summer 2008?

German text:

Erbarme dich, mein Gott, um meiner Zähren willen!
Schaue hier, Herz und Auge weint vor dir bitterlich.

English translation:

Have mercy, my God, for the sake of my tears!
See here, before you heart and eyes weep bitterly.

Marc D.

www.instagram.com/hausercello
www.facebook.com/hauserofficial

Hauser performing Adagio by Albinoni with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.

Elisabeth Fuchs, conductor
Pavao Mašić, organ

Arrangement by Hauser and Filip Sljivac

Filmed and edited by MedVid production
Sound and mixing by Morris Studio

2CELLOS

Summer Night Music 2002 — Spirits of Music
Open air at the Marktplatz Leipzig, Germany

Nigel Kennedy — violin
Uwe Kleinsorge — oboe
Gewandhaus Orchestra Leipzig

J.S. Bach – Erbarme Dich, Mein Gott from the St. Matthew Passion

Watch the full program: goo.gl/4H4QqJ

Spirits of Music is an unusual musical journey through the centuries, with stops on all continents. Inspired by their creators different faiths, the works on the program have a strong religious background and are moving examples of the emotional power and effect of music. Internationally renowned soloists and ensembles as Bobby McFerrin (a ten-time Grammy Award winner, he is one of the world’s best-known vocal innovators and improvisers, a worldrenowned classical conductor), Nigel Kennedy (one of the world’s leading violin virtuosos), Sibylla Rubens (has emerged as one of the most compelling lyric sopranos of her day) or the Gewandhaus Orchestra Leipzig will perform popular works from the European music tradition, encompassing Bach, Mozart and Verdi. Many magnificent examples of religious music come from artists as Kroke (playing and composing with the realm of authentic Jewish music), the Kuumba Singers (dedicated to the expression of black creativity and spirituality through song), Mari Boine (one of the most impressive folk artists of contemporary time), the Bulgarian Voices Angelite (24 women whose hypnotic chant circles the globe), Vocal Sampling (a Cuban six-man a cappella group which has been described as one of the wonders of the musical world) and the the Ensemble Al-Kindi (is currently rated among the best formations devoted to classical Arab music). With the inclusion of world music, the program will achieve a highly suspenseful juxtaposition of European and non-European music.