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Trumpet and Organ: Johann Sebastian Bach - Et Resurrexit from Mass in b minor

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Martin Schröder (Trompete) und Hans-André Stamm (Orgel) spielen den Chor «Et Resurrexit» aus der Messe in h-Moll von Johann Sebastian Bach (1685-1750) in einer Bearbeitung von Hans-André Stamm. Aufnahme vom 22. Juli 2020 in der ev. Christuskirche in Leverkusen.

Martin Schröder (Trumpet) und Hans-André Stamm (Organ) playing «Et Resurrexit» from Mass in b minor arranged by Hans-André Stamm. Recording from July 22th 2020 in the ev. Christuskirche in Leverkusen, Germany.

Bach Mass in B minor, Parrott, Taverner Consort, 2/2

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J. S. Bach, Mass in B minor BWV 232, in a stellar, groundbreaking recording from 1985, using one voice per part and a set of ripieno singers for the forte sections.
Taverner Consort and Players, conducted by Andrew Parrott. Emma Kirkby — soprano, Emily van Evera — soprano, Panito Inconomou — alto (child), Christian Immler — alto (child, nowadays a great bass), Michael Kilian — alto (child), Rogers Covey-Crump — tenor, David Thomas — bass

For first half: youtu.be/9myyCGSkvfw
Buy this CD here: www.amazon.com/Mass-B-Minor-Bwv-232/dp/B00005RFSB

Bach - Magnificat In D Major, BWV 243 | John Eliot Gardiner

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John Eliot Gardiner — English Baroque Soloists — Monteverdi Choir
Period Instruments

Nancy Argenta: Soprano I
Patrizia Kwella: Soprano II
Charles Brett: Alto
Anthony Rolfe-Johnson: Tenor
David Thomas: Bass

Spotify: open.spotify.com/album/1WMpzm3ymYln6sqoJ8bo84?si=m8zoHBAYTX2vLNBp5IZr2g
Buy: www.amazon.com/Bach-Magnificat-Jauchzet-allen-Landen/dp/B0000040W4

Odes. Henry Purcell (1659 - 1695)

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Henry Purcell (1659 — 1695). Odes

Come, Ye Sons Of Art, Away. Ode For The Birthday Of Queen Mary II, 1694
* Ouverture
* Come, Ye Sons Of Art, Away
* Sound The Trumpet, Sound
* Come, Ye Sons Of Art
* Strike The Viol, Touch The Lute
* The Day That Such A Blessing Gave
* Bid The Virtues, Bid The Graces
* These Are The Sacred Charmes
* See Nature, Rejoicing

Welcome To All The Pleasures. Ode For St. Cecilias Day, 1683
* Ouverture
* Welcome To All The Pleasures
* Here The Deities Approve / While Joys Celestial
* Then Lift Up Your Voice / The Powr Shall Divert Us A Pleasanter Way
* Beauty, Thou Scene Of Love
* In A Consort Of Voices

Of Old, When Heroes Thought It Base. The Yorkshire Feast Song, 1690
* Symphony
* Of Old, When Heroes Thought It Base / Brigantium, Honourd With A Race Divine
* The Bashful Thames, For Beauty So Renowned
* The Pale And The Purple Rose
* And In Each Track Of Glory Since
* Symphony
* And Now When The Renownd Nassau
* They Did No Stroms, No Threatnings Fear
* So When The Glittring Queen Of Night
* Let Music Join
* Sound, Trumpets, Sound!
* Sound All To Him

The English Concert Choir
The English Concert
Trevor Pinnock

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel

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NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
youtu.be/ZCPWPh06FwE — Benjamin Britten
youtu.be/BK3aTsBKj9M — Arshia Samsaminia
youtu.be/_h2-h831iLw — Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах

A. Vivaldi: Concerti per Flauto Traversiere [Academia Montis Regalis - B.Kuijken]

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Antonio Vivaldi

CONCERTO in E Minor RV 432:
I. Allegro

CONCERTO in G Major RV 436:
I. Allegro
II. Largo
III. Allegro

CONCERTO in D Major RV 429:
I. Allegro
II. Andante
III. Allegro

CONCERTO in A Minor RV 440:
I. Allegro non Molto
II. Larghetto
III. Allegro

CONCERTO in C Major RV 533:
I. Allegro Molto
II. Largo
III. [Allegro]

CONCERTO in G Major RV 438:
I. Allegro
II. Andante
III. Allegro

CONCERTO in G Major RV 438 «bis»:
I. [Allegro]

CONCERTO in D Major RV 427:
I. Allegro
II. Largo
III. [Allegro]

CONCERTO in E Minor RV 431:
I. Allegro
II. Allegro

Academia Montis Regalis
Barthold Kuijken [flauto traversiere, direction]