I DO NOT own this song. Please enjoy this 10 version of hymn to the sea from titanic. This song is excellent to sleep to. This kind of sleeping music can also be used for meditation or yoga. For more peaceful songs like this give this video a thumbs up. Like Subscribe and Share .gf.me/u/xpdhrs Hello Guys!!! If any of you are able or interested I have a Go Fund Me for attend appalachian state. Any contributions would be greatly appreciated. gf.me/u/xpdhrs
Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.
The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.
Well here it is, the «Holy Grail» and «Old Testament» of keyboard literature. It does not really make sense to post yet another recording of the WTC, and by an amateur who is barely scratching the surface of this priceless music. But hey, there is worse stuff on YouTube, and I am somewhat proud of these recordings from 2009-2014. While flawed in many ways, they are many times better than my first recording (from 2007-2008 I think).
I am much indebted to the good folks at Piano Society, especially to Andreas Pfaul, for their stern but honest feedback and their many useful suggestions which enabled me to do a much better job the second time round.
I know Ill want to improve on these one day, even the greats do. This music is so much better than anyone could ever play it — Bach is always ahead of you, beckoning, challenging, and leading the way. He is both a hard task master and a gentle teacher. Sheesh, I can get really religious about Bach :) No other composer does that to me. I would think myself weird if I did not know that many people feel the same.
I never took any video footage for these. My apologies for being a lazy sod and not providing imagery or sheets to go along with the music. This just seems too much work for such a large video. And anyway, one should concentrate on the music rather than watching pictures or checking notes against the score :) At least Ill provide the titles and starting times as usual. Let me know what you think!
Bach — Das Wolhtemperierte Clavier, Book I (ca. 1722)
00:00:10 BWV 846 — Prelude and Fugue No.1 in C major
00:04:20 BWV 847 — Prelude and Fugue No.2 in C minor
00:07:33 BWV 848 — Prelude and Fugue No.3 in C sharp major
00:11:26 BWV 849 — Prelude and Fugue No.4 in C sharp minor
00:19:58 BWV 850 — Prelude and Fugue No.5 in D major
00:23:39 BWV 851 — Prelude and Fugue No.6 in D minor
00:27:03 BWV 852 — Prelude and Fugue No.7 in E flat major
00:33:34 BWV 853 — Prelude and Fugue No.8 in E flat minor
00:43:13 BWV 854 — Prelude and Fugue No.9 in E major
00:46:03 BWV 855 — Prelude and Fugue No.10 in E minor
00:49:41 BWV 856 — Prelude and Fugue No.11 in F major
00:53:28 BWV 857 — Prelude and Fugue No.12 in F minor
00:59:33 BWV 858 — Prelude and Fugue No.13 in F sharp major
01:03:57 BWV 859 — Prelude and Fugue No.14 in F sharp minor
01:08:30 BWV 860 — Prelude and Fugue No.15 in G major
01:12:34 BWV 861 — Prelude and Fugue No.16 in G minor
01:17:32 BWV 862 — Prelude and Fugue No.17 in A flat major
01:21:17 BWV 863 — Prelude and Fugue No.18 in G sharp minor
01:26:54 BWV 864 — Prelude and Fugue No.19 in A major
01:30:29 BWV 865 — Prelude and Fugue No.20 in A minor
01:36:14 BWV 866 — Prelude and Fugue No.21 in B flat major
01:39:29 BWV 867 — Prelude and Fugue No.22 in B flat minor
01:46:01 BWV 868 — Prelude and Fugue No.23 in B major
01:49:41 BWV 869 — Prelude and Fugue No.24 in B minor
Bach — Das Wolhtemperierte Clavier, Book II (ca. 1742)
02:00:33 BWV 870 — Prelude and Fugue No.1 in C major
02:04:46 BWV 871 — Prelude and Fugue No.2 in C minor
02:09:29 BWV 872 — Prelude and Fugue No.3 in C sharp major
02:13:31 BWV 873 — Prelude and Fugue No.4 in C sharp minor
02:20:32 BWV 874 — Prelude and Fugue No.5 in D major
02:31:23 BWV 875 — Prelude and Fugue No.6 in D minor
02:35:05 BWV 876 — Prelude and Fugue No.7 in E flat major
02:40:28 BWV 877 — Prelude and Fugue No.8 in E flat minor
02:49:15 BWV 878 — Prelude and Fugue No.9 in E major
02:59:10 BWV 879 — Prelude and Fugue No.10 in E minor
03:07:06 BWV 880 — Prelude and Fugue No.11 in F major
03:13:15 BWV 881 — Prelude and Fugue No.12 in F minor
03:20:03 BWV 882 — Prelude and Fugue No.13 in F sharp major
03:25:54 BWV 883 — Prelude and Fugue No.14 in F sharp minor
03:35:16 BWV 884 — Prelude and Fugue No.15 in G major
03:39:58 BWV 885 — Prelude and Fugue No.16 in G minor
03:45:23 BWV 886 — Prelude and Fugue No.17 in A flat major
03:52:39 BWV 887 — Prelude and Fugue No.18 in G sharp minor
04:00:47 BWV 888 — Prelude and Fugue No.19 in A major
04:04:58 BWV 889 — Prelude and Fugue No.20 in A minor
04:12:10 BWV 890 — Prelude and Fugue No.21 in B flat major
04:20:14 BWV 891 — Prelude and Fugue No.22 in B flat minor
04:28:38 BWV 892 — Prelude and Fugue No.23 in B major
04:34:59 BWV 893 — Prelude and Fugue No.24 in B minor
Live recording from Theatre des Champs-Elysees,Paris.
Viva Vivaldi! with Cecilia Bartoli
Cecilia Bartolis all-Vivaldi sell-out concert performances with the Italian period instrument ensemble Il Giardino Armonico, at Pariss Théâtre des Champs-Elysées, brought together the talents of todays most celebrated mezzo-soprano and an outstandingly creative group of musicians. Included are arias from Vivaldis operas and pasticcios LOlimpiade, Tito Manlio, Ottone in Villa, Gloria, Juditha Triumphans, Farnace, Bajazet and La Fida Ninfa. The repertoire displays Bartolis breathtaking virtuosity in arias demanding a phenomenal range of vocal expression.
Cecilia Bartoli (born June 4, 1966 in Rome) is an Italian mezzo-soprano opera singer and recitalist. She is best known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartolis coloratura skill has earned her the title the Queen of Agility." --Wikipedia
Фильм Анатолия Бобровского «Возвращение «Святого Луки», 1970 г.
Бежавший из заключения вор-рецидивист похищает картину великого голландского живописца XVII века Франса Хальса «Святой Лука» и пытается продать ее иностранному «туристу». В поединок с матерым преступником вступает полковник Зорин…
Режиссёр: Бобровский Анатолий
Сценаристы: Кузнецов Владимир, Шустров Борис, Дерковский Сергей
Композитор: Шварц Исаак
Оператор: Веселер Роман
Художники-постановщики: Меняльщиков Саид, Валюшок Семен
«With the ecosystem destroyed after a nuclear war, Mari, a survivor, does all she can to rebuild. When she stumbles upon a robot soldier in an abandoned city, everything changes.»
Green Light Animated Short Film is a story about a girl and a robot soldier thrown into the worst situation brought up
by the misuse of highly-advanced science technology, trying to restore the land it used to be.
I tried to show the fellowship of Mari, a girl trying to make a better future without giving up hope in the tragic situation
where everything was destroyed and a robot which started a new life because of her, and how they make a new world.
Director — Seongmin Kim www.cgmeetup.com/ahhrahan
Executive Producer/ VFX Supervisor — Haejung Suk
Pipeline Producer — Unseol Jeong
Story — Seongmin Kim, Woojin Chang
Lighting — Unseol Jeong
Animation — Junsung Kim, Daehyun Lee, Gwangwon Son, Hongsuk Hur, Seungki Lee
Character — Changhyeok Kang
Sets — Jeonghwa Kang, Hakrae Lee, Jihoon Joo, Yeram Kim
Compositing — Unseol Jeong, nara Kim
2D Art — Daehwan Kim
Matte Painting — Jiwon Choi
Music
В центре фотографии имени братьев Люмьер прошла лекция кинокритика Антона Долина, посвященная современному Голливуду и премии «Оскар-2018».
Слушатели узнают, как меняется киноиндустрия, как составляются списки лауреатов, кто может рассчитывать на победу, и как в США относятся к русскому кино.
