Об этих проблемах пока не написано ни в печатных, ни в электронных СМИ. Но они существуют! Это реальные проблемы обычных людей, оказавшихся в сложных жизненных ситуациях.
Это касается каждого! «Прямой эфир» — хроника нашей жизни.
Ведущий: Борис Корчевников
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Как бы сильно человечество ни развивало технологии и как бы ни старалось обуздать природу, бороться с ней все еще не в наших силах. Особенно когда вся мощь стихии внезапно обрушивается на головы людей – и тогда становится понятно, кто на самом деле хозяин этой планеты. Стихийные бедствия уносят множество жизней и это всегда трагедия. В сегодняшнем видео мы собрали примеры самых ужасных катастроф в новой истории человечества. Судя по всему, планета пытается избавиться от людей, просто стряхнув их с себя. Не верите? Что ж, смотрите сами.
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#алкоголизм #лечениеалкоголизма #алкогольная зависимость #как бросить пить #зависимость от алкоголя
Что такое бытовое пьянство? С чего начинается алкоголизм? Сколько раз в неделю можно пить? Кто такой алкоголик? Можно ли говорить об алкоголизме среднего класса? Как врач может помочь бросить пить? Почему мы пьем? Алкоголь помогает расслабиться или вызывает депрессию? Стоит ли бояться врача психиатра?
Эксперт: Алексей Александрович Магалиф, врач психиатр.
Подробнее об эксперте: www.magalif.ru/about
Walkers! I’m beyond excited to share this video with you. Collaborating with Hans Zimmer on this release has been an out-of-body experience on a whole different level. Everyone who knows me, knows that I’m a huge fan of his work, and it has played a big part of my musical journey. Especially “Time,” which is probably my favorite song ever. Plus it marks the 10th anniversary for Inception this year too. I’m as grateful as I can possibly be for this opportunity!
Making this music video during a world that’s on lockdown, provided some obvious challenges. However, we decided to use that to our advantage, and I really hope you like the result. Let me know what you think in the comment section below!
This Concerto for Oboe and Violin in C Minor, performed by Emma Black and Shunske Sato for All of Bach, is a reconstruction of the supposed original form of the concerto for two harpsichords in C Minor. In this version, each instrument makes full use of its own timbre and characteristics. In the finale, the violin clearly gets more scope than the oboe to show off its most virtuoso side, while in the second movement – a rocking Siciliano – both instruments become closely entangled.
Recorded for the project All of Bach on December 6th 2019 at Stadsgehoorzaal, Leiden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Emma Black, oboe
Shunske Sato, violin and direction
Summer — Concerto No. 2 in G minor
from The Four Seasons by Antonio Vivaldi
Netherlands Bach Society
Violin and direction: Shunske Sato
The Four Seasons are among the most populair and best violin concertos written in the baroque era. Recorded on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam.
Composer: Franz Schubert
Artists: Alberto Miodini (piano)
When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.
You can find the tracklist in the comments:
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Она бежала от ухаживаний Геббельса, она покорила Голливуд, но не вынесла удушья славы и вернулась на родину. Очутившись в послевоенной Испании, Макарена хочет начать новую жизнь, дает согласие на съемки в фильме, где играет королеву Изабеллу I. Но бурное прошлое не отпускает ее…
