Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.

Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with soprano Klaartje van Veldhoven and conductor Stephan MacLeod on Komm, Jesu, komm, mein Leib ist müde go to www.youtube.com/watch?v=Hhc23uL8I1w
For more information on BWV 229 and this production go to allofbach.com/en/bwv/bwv-229/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Stephan MacLeod, conductor

Played by The Borodin Quartet With Alexander Buzlov (cello) — The Quintet was to be Schubert’s last completed chamber work. Just a few weeks after having completed the Quintet, Schubert died at three o’clock in the afternoon on November 19, 1828. It is widely believed to be among the handful of greatest chamber works ever composed.

The Borodin Quartet was formed in 1945 by four students from the Moscow Conservatory. Calling itself the Moscow Philharmonic Quartet, the group changed its name to Borodin Quartet ten years later and remains one of the very few existing established chamber ensembles with uninterrupted longevity. The current members of the Quartet are Ruben Aharonian, Sergei Lomovsky, Igor Naidin and Vladimir Balshin.

Kijk voor meer concerten op: avrotros.nl/klassiek/concerten
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Akademie für alte Musik Berlin
Georg Kallweit, viool/leiding

G.F. Händel 1685-1759

Water Music, HWV 348-350
— Overture: Largo-Allegro
— Adagio e staccato
— Allegro / Andante / Allegro da capo
— Allegro
— Air
— Minuet
— Bourrée
— Hornpipe
— Allegro moderato
— Allegro
— Alla hornpipe
— Minuet
— Rigaudon 1 / Rigaudon 2 / Rigaudon 1 — Lentement
— Bourrée
— Minuet 1 / Minuet 2
— Gigue 1 / Gigue 2 da capo
— Minuet

Opname: 10 januari 2016, Het Concertgebouw Amsterdam voor Het Zondagochtend Concert

Händels Water Music
Bijna drie eeuwen geleden gaf Händel een concert dat we ons nu nóg herinneren. Op een groot vlot voer hij, met orkest, over de Theems. De kabbelende rivier begeleidde de première van zijn Water Music. Een stuk dat niet bedoeld was voor de vissen en trekschuiten, maar voor koning George I. De drie suites van Water Music vormden de achtergrond voor een diner op zijn koninklijke jacht. Het smaakte deze ‘royals’ uitstekend: Händel en zijn musici moesten het werk twee keer herhalen.

Akademie für Alte Musik Berlin
Dit seizoen waagt Akademie für Alte Musik Berlin (Akamus) zich met HändelsWater Music aan een van de bekendste klassieke werken. Akamus won onlangs de Bach-medaille van de stad Leipzig, voor hun verdiensten in het historisch verantwoord uitvoeren van oude muziek. Wat dat betreft is Water Music extra interessant omdat er meerdere versies van het werk bestaan. Op het water klinkt muziek immers heel anders dan op het land.

Festspielsommer Styriarte 2019 in Graz
J.S. Bach Brandenburgische Konzerte 1 bis 6
Concentus Musicus Wien —
Leitung Stefan Gottfried
Aufnahme vom 20.07.2019

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Wolfgang Amadeus Mozart (1756-1791) The 5 Violin Concertos

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! — See more at: cso.org/beethoven9
#sharethejoy

Pyotr Ilyich Tchaikovsky — the Violin Concerto in D major, op.35 (1878)

1. Allegro moderato — 00:03
2. Canzonetta. Andante — 19:36
3. Finale. Allegro vivacissimo — 26:03

Encore — 38:16
Johann Sebastian Bach — Ich ruf zu Dir, BWV 639
Anders Hillborgs arrangement for violin and strings

The Nobel Prize Concert 2018

Pyotr Ilyich Tchaikovsky — the Violin Concerto in D major, op.35 (1878)

1. Allegro moderato — 00:03
2. Canzonetta. Andante — 19:36
3. Finale. Allegro vivacissimo — 26:03

Encore — 38:16
Johann Sebastian Bach — Ich ruf zu Dir, BWV 639
Anders Hillborgs arrangement for violin and strings

The Nobel Prize Concert 2018

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Johann Sebastian Bach ( 1685 — 1750 )

The Art of Fugue, BWV.1080

00:00 Contrapunctus 1
02:52 Contrapunctus 3
05:32 Contrapunctus 2
08:08 Contrapunctus 4
12:25 Contrapunctus 7
16:51 Contrapunctus 5
20:18 Contrapunctus 6
24:42 Contrapunctus 10
29:20 Contrapunctus 9
32:18 Contrapunctus 9
37:51 Contrapunctus 8
44:15 Contrapunctus 12a *
46:30 Contrapunctus 12b *
48:39 Contrapunctus 13a
50:55 Contrapunctus 13b
53:16 Contrapunctus 19
01:02:08 Contrapunctus 16
01:07:05 Contrapunctus 14
01:11:00 Contrapunctus 15
01:15:37 Contrapunctus 17

André Isoir, organist
* played four-handed with Pierre Farago
Rec. Saint-Cyprien-en-Périgord, 1998 ( La Dolce Volta )