From the Herderkirche in Weimar, Germany
Watch the second part: youtu.be/1NafQeEWNks
John Eliot Gardiner — conductor
Monteverdi Choir
English Baroque Soloists
Claron McFadden — soprano
Christoph Genz — tenor
Bernarda Fink — alto
Dietrich Henschel — bass
Katharine Fuge

0:00 I. Jauchzet, frohlocket!
0:58 Chorus: Jauchzet, frohlocket! auf, preiset die Tage
8:35 Evangelist: Es begab sich aber zu der Zeit
9:53 Recitative (alto): Nun wird mein liebster Bräutigam
10:39 Aria (alto): Bereite dich, Zion, mit zärtlichen Trieben
15:39 Chorale: Wie soll ich dich empfangen
16:45 Evangelist: Und sie gebar ihren ersten Sohn
17:13 Chorale (sopranos): Er ist auf Erden kommen arm / Recitative (bass): Wer will die Liebe recht erhöhn
19:53 Aria (bass): Großer Herr, o starker König
24:14 Chorale: Ach mein herzliebes Jesulein

26:00 II. Und es waren Hirten in derselben Gegend
26:13 Sinfonia
31:08 Evangelist: Und es waren Hirten in derselben Gegend
31:45 Chorale: Brich an, o schönes Morgenlicht
32:51 Evangelist: Und der Engel sprach zu ihnen / Recitative (soprano): Fürchtet euch nicht
33:31 Recitative (bass): Was Gott dem Abraham verheißen
34:12 Aria (tenor): Frohe Hirten, eilt, ach eilet
37:25 Evangelist: Und das habt zum Zeichen
37:48 Chorale: Schaut hin, dort liegt im finstern Stall
38:32 Recitative (bass): So geht denn hin, ihr Hirten
39:19 Aria (alto): Schlafe, mein Liebster, genieße der Ruh
48:02 Evangelist: Und alsobald war da bei dem Engel
48:13 Chorus: Ehre sei Gott in der Höhe
50:26 Recitative (bass): So recht, ihr Engel, jauchzt und singet
50:48 Chorale: Wir singen dir in deinem Heer

52:25 III. Herrscher des Himmels, erhöre das Lallen
52:46 Chorus: Herrscher des Himmels, erhöre das Lallen
54:27 Evangelist: Und da die Engel von ihnen gen Himmel fuhren
54:34 Chorus: Lasset uns nun gehen gen Bethlehem
55:14 Recitative (bass): Er hat sein Volk getröst’
55:45 Chorale: Dies hat er alles uns getan
56:33 Duet (soprano, bass): Herr, dein Mitleid, dein Erbarmen
1:03:05 Evangelist: Und sie kamen eilend und funden beide
1:04:20 Aria (alto): Schließe, mein Herze, dies selige Wunder
1:09:22 Recitative (alto): Ja, ja, mein Herz soll es bewahren
1:09:48 Chorale: Ich will dich mit Fleiß bewahren
1:10:42 Evangelist: Und die Hirten kehrten wieder um
1:11:05 Chorale: Seid froh dieweil
1:11:54 Chorus: Herrscher des Himmels, erhöre das Lallen

Go to part 2: youtu.be/1NafQeEWNks

Watch also the documentary «J.S. Bach: Jachzet, frohlocket! — An introduction to the Bach Christmas Oratorio»: youtu.be/ZTnrjuALzzQ

Watch also the documentary «Bach revisited — John Eliot Gardiner in Saxony and Thuringia»: youtu.be/Hq2h5vuPiLE

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J.S. Bach: Christmas Oratorio, BWV 248 / Part One — For The First Day Of Christmas — No. 1 Chorus: «Jauchzet, frohlocket» · The Monteverdi Choir · English Baroque Soloists · John Eliot Gardiner

Bach, J.S.: Christmas Oratorio — Arias and Choruses

℗ 1987 Deutsche Grammophon GmbH, Berlin

Released on: 1987-11-11

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Gregor Zielinsky
Composer: Johann Sebastian Bach
Author: Christian Friedrich Henrici

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Cat. No. 415 480-1 Deutche Grammophon
#BachSuites
#pogorelich
#classical

Equipment:
Garrard401 turntable
Gray Research 108B vicous tonearm
Shure SC35C cartridge/SS35C stylus
Custom junction box for capacitance matching
Graham Slee Era Gold V with PSU1 phonostage
Music Reference RM5 mk3 6922 vacuum tube linestage
Tascam DR07 mk2 PCM

If you have the means and desire to contribute to this channel, you can buy me a cup of coffee at:

www.buymeacoffee.com/cgoroo

NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
youtu.be/ZCPWPh06FwE — Benjamin Britten
youtu.be/BK3aTsBKj9M — Arshia Samsaminia
youtu.be/_h2-h831iLw — Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! — See more at: cso.org/beethoven9
#sharethejoy

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St. Matthew Passion, BWV 244: Part II. No. 47, Erbarme dich, mein Gott (Recorded 1946) · Marian Anderson · Johann Sebastian Bach · RCA Symphony Orchestra · Robert Shaw

Marian Anderson in Oratorio and Spiritual Vol. 1

℗ 1996 Nimbus Records Limited

Released on: 1996-01-01

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00:00:00 — The Four Seasons: Violin Concerto in E Major, Op. 8, No. 1, RV 269, «Spring»: I. Allegro
00:03:29 — Mandolin Concerto in C Major, RV 425: I. Allegro
00:06:23 — The 4 Seasons — Violin Concerto in G Minor, RV 315, «Lestate» (Summer): III. Presto
00:09:26 — 12 Violin Concertos, Op. 4, «La stravaganza»: No. 5 in A Major, RV 347
00:18:36 — Flute Concerto in G Minor, Op. 10, No. 2, RV 439, «La notte»
00:27:55 — The 4 Seasons: Violin Concerto in F Major, Op. 8, No. 3, RV 293, «Lautunno» (Autumn): I. Allegro
00:32:43 — Bassoon Concerto in A Minor, RV 498
00:42:33 — II. Largo
00:47:10 — 12 Violin Sonatas, Op. 2: No. 2 in A Major, RV 31
00:53:51 — Concerto for 2 Trumpets in C Major, RV 537
01:00:49 — II. Largo
01:05:49 — Chamber (Lute) Concerto in D Major, RV 93: I. Allegro
01:09:17 — Sopranino Recorder Concerto in C Major, RV 444
01:19:00 — The 4 Seasons: Violin Concerto in F Minor, Op. 8, No. 4, RV 297, «Linverno» (Winter): II. Largo
01:21:21 — I. Allegro
01:25:28 — Concerto for 2 Violins in A Minor: Larghetto e spirituoso
01:29:35 — The Four Seasons, Spring: Largo e sempre pianissimo
01:32:14 — Guitar Concerto in A: Larghetto
01:39:16 — Flute Concerto in D Major: Il gardellino — Largo
01:42:28 — Concerto for Two Mandolins in G RV532 — Andante
01:45:14 — Guitar Concerto in D — Largo

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St Matthew Passion, BWV 244, Pt. 1: Aria. «Buss und Reu» · Nikolaus Harnoncourt · Paul Esswood

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Counter-tenor Vocals: Paul Esswood
Composer: Johann Sebastian Bach

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J. S. Bach
Cantatas:
BWV 194
BWV 176 [10:29]
BWV 165 [12:54]
BWV 129 [18:52]
Soprano: Ruth Holton
Counter-tenor: Daniel Taylor
Tenor: Paul Agnew
Bass: Peter Harvey
Monteverdi Choir:
Sopranos: Suzanne Flowers, Gillian Keith, Emma Preston-Dunlop, Katharine Fuge, Elisabeth Priday, Joanne Lunn
Altos: Elinor Carter, Mark Chambers, Angus Davidson, Charles Humphries
Tenors: Rory OConnor, Paul Tindall, Peter Butterfield, Nicolas Robertson
Basses: Julian Clarkson, Charles Pott, Robert Evans, Michael McCarthy
English Baroque Soloists:
Violins 1: Alison Bury, Penelope Spencer, Catherine Martin, Debbie Diamond, Jane Gillie
Violins 2: Lucy Howard, Matthew Truscott, Silvia Schweinberger, Desmond Heath
Violas: Annette Isserlis, Katherine McGillivray, Colin Kitching
Cellos: Melanie Beck, Helen Verney
Double-bass: Valerie Botwright
Flute: Rachel Beckett
Oboes: Edouard Wesley, Mark Baigent, Jasu Moisio
Bassoon: Philip Turbett
Trumpets: Mark Bennett, Mike Harrison, Paul Sharp
Timpani: John Chimes
Harpsichord: Howard Moody
Organ: Robert Quinney
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
St Magnus Cathedral, Kirkwall, Orkney, Scotland
www.bach-cantatas.com/Performers/Gardiner-Rec4.htm
Volume 27 CD-2