УРОКИ ГИТАРЫ ДЛЯ НАЧИНАЮЩИХ С НУЛЯ - 1 УРОК (Первые Аккорды,Простой Ритм)

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УРОКИ ГИТАРЫ ДЛЯ НАЧИНАЮЩИХ С НУЛЯ. ГИТАРА ДЛЯ НАЧИНАЮЩИХ ГИТАРА С НУЛЯ. АККОРДЫ НА ГИТАРЕ. 1 Урок (Простой ритм, Первые аккорды)

Материалы по уроку здесь: yadi.sk/d/VtSLFJVm3S2iLs
Тюнер — Guitar Tuna
В AppStore — goo.gl/5Lj4VM
В Playmarket — goo.gl/Na9Dec
ПОМОЩЬ КАНАЛУ (ДОНАТ) КАРТА СБЕРБАНК — 4276 5400 4908 0108
Обучение и уроки на гитаре в Самаре провожу «лично» и в «SKYPE» по всей России.
Группа в ВК — vk.com/volmax.uroki.guitar
Я в ВК — vk.com/volkovmaks

Изготовление простой деревянной свирели (How to make a simple wooden flute)

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В этом видео подробно показан процесс изготовления простой диатонической свирели, начиная от бруска и заканчивая готовым инструментом. Все этапы пусть и нескладно, но более-менее подробно комментируются. (The process of making a simple traditional slavic flute)
Адрес моей мастерской в сети — niho.online

The Phantom of The Opera Sarah Brightman

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Sarah Brightman (Christine) and Antonio Banderas (Phantom) duet in this rendition of the titular number from Andrew Lloyd Webbers Phantom of The Opera.

From Andrew Lloyd Webber: The Royal Albert Hall Celebration — A celebratory tribute to musical compositions of Lord Andrew Lloyd Webber, live from the Royal Albert Hall. Featuring hits from some of his most renowned productions, such as Starlight Express, Evita, Cats, Phantom of the Opera, Jesus Christ Superstar, and more.

If you enjoyed that why not check out these other hit musicals!:

Jesus Christ Superstar: tiny.cc/mti5lz
Cats: tiny.cc/bsi5lz
Joseph and The Amazing Technicolor Dreamcoat: tiny.cc/fri5lz
Phantom of The Opera: tiny.cc/7ui5lz
Love Never Dies: tiny.cc/3yi5lz

Welcome to The Shows Must Go On the channel bringing you showtunes, backstage access and full performances from some of the best loved musicals in history!

Featuring melodic moments, show-stopping solos and high notes for the history books.

Subscribe for more here: tiny.cc/m08flz

#PhantomOfTheOpera #SarahBrightman #AntonioBanderas #AndrewLloydWebber #Musicals #MusicalTheatre #stayhome #withme

Vivaldi - 13 Cello Concertos | Christophe Coin

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Antonio Lucio Vivaldi (1678 — 1741)

Concertos for cello
Concerti per violoncello

Concerto for cello, strings and basso continuo in A minor, RV419
Concerto per violoncello, archi e basso continuo in la minore, RV 419

01. Allegro (00:00:01)
02. Andante
03. Allegro

Concerto for cello, strings and basso continuo in F major, RV410
Concerto per violoncello, archi e basso continuo in Fa maggiore, RV 410

01. Allegro (00:09:25)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in G major, RV414
Concerto per violoncello, archi e basso continuo in sol maggiore, RV 414

01. Allegro molto (00:21:29)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in D minor, RV406
Concerto per violoncello, archi e basso continuo in re minore, RV 406

01. Allegro non molto (00:31:24)
02. Andante
03. Minuetto

Concerto for cello, strings and basso continuo in C major, RV398
Concerto per violoncello, archi e basso continuo in do maggiore, RV 398

01. Allegro (00:42:00)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in A minor, RV421
Concerto per violoncello, archi e basso continuo in la minore, RV 421

01. Allegro non troppo (00:49:42)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in F major, RV411
Concerto per violoncello, archi e basso continuo in fa maggiore, RV 411

01. Allegro (00:57:43)
02. Largo
03. Allegro molto

Concerto for cello, strings and basso continuo in C minor, RV401
Concerto per violoncello, archi e basso continuo in do minore, RV 401

01. Allegro non molto (01:03:59)
02. Adagio
03. Allegro ma non molto

Concerto for cello, strings and basso continuo in E flat major, RV408
Concerto per violoncello, archi e basso continuo in Mi bemolle maggiore, RV 408

01. Allegro non molto (01:14:54)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in G minor, RV417
Concerto per violoncello, archi e basso continuo in sol minore, RV 417

01. Allegro (01:24:51)
02. Andante
03. Allegro

Concerto for cello, strings and basso continuo in C major, RV399
Concerto per violoncello, archi e basso continuo in do maggiore, RV 399

01. Allegro (01:34:00)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in D major, RV403
Concerto per violoncello, archi e basso continuo in re maggiore, RV 403

01. Allegro (01:41:00)
02. Andante e spiritoso
03. Allegro

Concerto for cello, strings and basso continuo in A minor, RV422
Concerto per violoncello, archi e basso continuo in la minore, RV 422

01. Allegro (01:48:51)
02. Largo cantabile
03. Allegro

Performers:
Violin solo: Enrico Onofri concertmaster
Violins I: Fabrizio Haim Cipriani*, Luca Giardini, Stefano Barneschi
Violins II: Elin Gabrielsson, Francesco Colletti, Marco Bianchi
Violas: Ernest Braucher*, Maria Cristina Vasi, Riccardo Minasi
Violone: Giancarlo De Frenza, Patxi Montero
Violoncello: Elena Russo, Paolo Beschi
Theorbo

Bach Mass in B minor, Parrott, Taverner Consort, 2/2

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J. S. Bach, Mass in B minor BWV 232, in a stellar, groundbreaking recording from 1985, using one voice per part and a set of ripieno singers for the forte sections.
Taverner Consort and Players, conducted by Andrew Parrott. Emma Kirkby — soprano, Emily van Evera — soprano, Panito Inconomou — alto (child), Christian Immler — alto (child, nowadays a great bass), Michael Kilian — alto (child), Rogers Covey-Crump — tenor, David Thomas — bass

For first half: youtu.be/9myyCGSkvfw
Buy this CD here: www.amazon.com/Mass-B-Minor-Bwv-232/dp/B00005RFSB

Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 Presentation (Centurys record. : Lili Kraus)

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Today’s talents will be tomorrow’s legends. Please Subscribe to our New channel @PAINTED.
Discover and Empower classical music Artists all around the World!
www.youtube.com/channel/UCTdFciYWomCnjgKtOT6idXg
———
Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to SONY MUSIC who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo_Allegro Assa (22:31)

Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace ass (50:39)

Piano Concerto piano No.22 K.482, a, Allegro (57:47)
Piano Concerto piano No.22 K.482, b, Andante (1:10:53)
Piano Concerto piano No.22 K.482, c, Allegro (1:19:30)

Piano Concerto piano No.23 K.488, a, Allegro (1:31:20)
Piano Concerto piano No.23 K.488, b, Adagio (1:41:57)
Piano Concerto piano No.23 K.488, c, Allegro Assai (1:47:30)

Piano Concerto No.24 C Minor K.491 1.Allegro (1:55:27)
Piano Concerto No.24 C Minor K.491 2.Larghetto (2:08:24)
Piano Concerto No.24 C Minor K.491 3.Allegretto (2:15:23)

Piano Concerto No.25 C Major K.503 1.Allegro (2:24:47)
Piano Concerto No.25 C Major K.503 2.Andante (2:39:38)
Piano Concerto No.25 C Major K.503 3.Allegretto (2:45:48)

Piano Concerto No.26 D Major K.537 1.Allegro (2:55:10)
Piano Concerto No.26 D Major K.537 2.Larghetto (3:09:18)
Piano Concerto No.26 D Major K.537 3.Allegretto (3:15:06)

Piano Concerto No.27 B-Flat Major K.595 1.Allegro (3:27:00)
Piano Concerto No.27 B-Flat Major K.595 2.Larghetto (3:40:29)
Piano Concerto No.27 B-Flat Major K.595 3.Allegro (3:48:17)

Piano: Lili Kraus
Vienna Festival Orchestra
Conductor: Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart na montré combien son expression personnelle a su épouser la forme que lusage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusquà en souffrir la symétrie et la régularité dune section, à tel point que la forme simpose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans lœuvre de Mozart, la place hautement représentative quils occupent si leurs andantes nétaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.

Lili Kraus a comparé son affinité avec Mozart à une mission: « Quand jai commencé à explorer Mozart, jai découvert la beauté infinie de cette musique, et dune certaine manière il mest donné de donner vie à cette beauté. Je trouve quil est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à lesprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsquil sagissait de la musique pour piano de Mozart, plusieurs générations dauditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot…

Mozart — Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Centurys recording: Lili Kraus/Simon): www.youtube.com/watch?v=FHwmL8Md22w