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In my process of learning the duduk, I have experienced different techniques and styles. I finally have found my musical identity as a duduk player after a long and difficult journey; however, I have benefited from different styles and cultures, and, inspired from different stories. This journey gave me new and different perspectives, knowledge, experience and story. You are welcome to write your own story.
Special thanks to Derya Ulkat and Deniz Ulkat.
Thanks a lot to Baris Ayhan and Lea Laubacher for French subtitles.
ABOUT ME
I am a professional duduk player and educator.
I studied in Istanbul Technical University Turkish Music State Conservatory. I studied the duduk with Suren Asaduryan and Özcan Gül. I joined in Erkan Oğur’s and Derya Türkans workshops, who are two prominent representatives of Anatolian music.
It is possible to hear both Turkish and Armenian and also Ottoman Classical Music modes and patterns in my playing style. I have contributed to many albums and music productions with my duduk throughout my career. I composed music for quartet (duduk, piano, double bass, drums) and founded the band “Canberk Ulaş Quartet” in 2015 and I released my album titled “Telafi" with this band in 2017.
I continue working on my music projects, giving concerts in different parts of the world and giving duduk online lessons to duduk lovers from all over the world.
J.S. Bach: St. John Passion, BWV 245 / Part Two — No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber " · Anthony Rolfe Johnson · Stephen Varcoe · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir
Bach, J.S.: St. John Passion
℗ 1986 Deutsche Grammophon GmbH, Berlin
Released on: 1986-01-01
Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous
J. S. Bach
Cantatas
BWV 70 [22:59]
BWV 132 [17:40]
BWV 147 [28:07]
Soprano: Brigitte Geller
Counter-tenor: Michael Chance
Tenor: Jan Kobow
Bass: Dietrich Henschel
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Michaeliskirche, Lüneburg, Germany.
Volume 13 CD 2
Like many of his colleagues J.S. Bach frequently borrowed from himself and paid tribute to other composers by transcribing their works for other instruments, For example his oeuvre for organ includes transcriptions of some instrumental concertos based on work of composers like Vivaldi.
These release contains transcriptions of both Bach’s own concertos for solo keyboard and of instrumental concertos by Vivaldi. These works are certainly enhanced by the sonorities of the organ.
Played by the Russian organist Elena Barshai on the Silbermann organ of Arlesheim Cathedral and the Metzler organ of the Church of St. Clara, Basle (both in Switzerland).
Also included is an arrangement for two organs – both played by Barshai — of Bach’s Concerto for four harpsichords (which again is based on a concerto for four violins by Vivaldi).
Tracklist in comments
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Andreas is a Countertenor. Born into a family of singers, Scholl was enrolled at the age of seven into the boys choir. Aged 13, he was chosen from 20,000 choristers gathered in Rome from around the world to sing solo at a Mass held on 4 January 1981. Just four years later, Scholl was offered a place at the Schola Cantorum Basiliensis, an institution that normally accepts only post-graduate students, based on the strength and quality of his voice. He has since become an instructor at the Schola Cantorum Basiliensis, succeeding his own teacher, Richard Levitt.
Scholls early operatic roles include his standing in for René Jacobs in 1993 at the Théâtre Grévin in Paris, where he caused a sensation. His major roles, such as his debut at Glyndebourne in 1998 as Bertarido in Handels Rodelinda, a role he reprised at the Metropolitan Opera in 2006, were written for the 18th-century alto castrato Senesino.
The bulk of Scholls recording career has been with Harmonia Mundi and Decca, and his CDs are among Harmonia Mundis best sellers. He has worked with most contemporary Baroque specialists, including William Christie and Philippe Herreweghe, and is himself a songwriter and composer of ballet and theatre music, with his own professional sound studio in Basel, Switzerland.
From the Festival d’Ambronay, 2012
Contralto Nathalie Stutzmann conducts violinist Satomi Watanabe and Orfeo 55
Johann Sebastian Bach — Saint Matthew Passion «Ebarme Dich, mein Gott» BWV 244
A coproduction of
Ozango — Le Festival d’Ambronay
with the participation of France Télévisions
in association with M_Media
with the support of Centre National du Cinéma et de limage animée
