The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Whether or not they are an enthusiast of classical music, practically everyone in the Netherlands knows the St Matthew Passion. Since 1870 the Netherlands has had a rich tradition of annual St Matthew Passion performances. The Netherlands Bach Society was formed in 1921, in reaction to the popular performances by Willem Mengelberg and the Concertgebouw Orchestra. The founders believed that the St Matthew should be performed where it belonged – in a church. The annual performance by the Bach Society in Naarden grew to become the Dutch St Matthew Passion.

Recorded for the project All of Bach on April 16th and 19th 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the documentary about our performance of St Matthew Passion go to www.youtube.com/watch?v=yvlL-WHXK_w
For the interview with violinist Shunske Sato on BWV 244 go to www.youtube.com/watch?v=ak0Pxyt9Qfw
For the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to www.youtube.com/watch?v=T-ShZbOGdV8
For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to www.youtube.com/watch?v=53VrYf_8B0I
For the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to www.youtube.com/watch?v=LNBD3PYKXWQ
For the interview with tenor Charles Daniels on BWV 244 go to www.youtube.com/watch?v=CC93_G3FgTY
For more information on BWV 244 and this production go to allofbach.com/en/bwv/bwv-244/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Kampen Boys Choir
Jos van Veldhoven, conductor

Soloists Coro 1
Benjamin Hulett, evangelist
Griet De Geyter (First Maid, Pilate’s Wife), soprano
Tim Mead, alto
Robert Murray, tenor
Andreas Wolf (Jesus), bass

Soloists Coro 2
Lore Binon, soprano
Alex Potter (First Witness), alto
Charles Daniels (Second Witness), tenor
Sebastian Noack (Judas, Pilate), bass

Segunda parte de Grandes Obras para órgano de Johann Sebastian Bach. Interpretación a cargo de Hans-André Stamm.

Tracklist below.

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Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording.

The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument.

00:00:00 Suite in C Major, K. 399: I. Overture
00:05:00 Andante in F Major, K. 616
00:12:41 Adagio and Allegro in F Minor, K. 594
00:25:10 Adagio in C Major, K. 356
00:29:23 Church Sonata in C Major, K. 336
00:34:28 Piece in F Major, K. 33b
00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh
00:37:23 The London Sketchbook: Allegro in F Major, K. 15a
00:38:39 The London Sketchbook: Rondo in D Major, K. 15d
00:40:16 Adagio and Rondo in C Minor, K. 617
00:53:10 Fantasia in F Minor, K. 608

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Information: www.brilliantclassics.com/articles/m/mozart-the-great-piano-concertos-vol-1/

Check out part 2 here: www.youtube.com/watch?v=uaxHxTD6__g

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Composer: Wolfgang Amadeus Mozart
Artists: Derek Han (piano), Philharmonia Orchestra and Paul Freeman (conductor)
This an issue of series consisting of 14 3CD-sets with selected highlights taken from our complete edition. This part contains the following works: No. 1 K. 37, No. 11 K. 413, No. 15 K. 450, No. 20 K. 466, No. 21 K. 467 “Elvira Madigan”, No. 22 K. 482, No. 23 K. 488, No. 25 K. 503.

Tracklist:

Piano Concerto No. 15 In B-Flat Major, K 450:
0:00:00 I. Allegro
0:11:04 II. Adagio
0:16:24 III. Allegro Assai

Piano Concerto No. 11 In F Major K 413:
0:24:16 I. Allegro
0:33:29 II. Larghetto
0:41:05 III. Tempo Di Menuetto

Piano Concerto No. 23 In A Major K 488:
0:46:28 I. Allegro
0:57:16 II. Andante
1:03:31 III. Allegro

Piano Concerto No. 21 in C Major, K 467 «Elvira Madigan»:
1:11:30 I. Allegro
1:26:09 II. Andante
1:32:57 III. Allegro Vivace Assai

Piano Concerto No. 1 In F Major, K 37:
1:40:31 I Allegro
1:45:51 II. Andante
1:51:22 III. Allegro

Piano Concerto No. 25 In C Major, K 503:
1:56:19 I. Allegro Maestoso
2:13:38 II. Andante
2:21:01 III. Allegretto

Piano Concerto No. 20 In D Minor, K 466:
2:30:59 I. Allegro
2:44:54 II. Romanze
2:53:18 III. Allegro Assai

Piano Concerto No. 22 In E-Flat Major, K 482:
3:01:09 I. Allegro
3:15:10 II. Andante
3:24:02 III. Allegro

Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: brilliant-classics.lnk.to/YouTube

And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Johann Sebastian BACH (1685-1750)
Erbarme dich, mein Gott
Aria (No. 39) from the oratorio Matthäuspassion, BWV 244
Text: Picander (1700-1764)
First performance: probably 11 April 1727, in Leipzig (Thomaskirche)

Delphine Galou, contralto
François-Marie Drieux, solo violin
Les Siècles,
conducted by François-Xavier Roth
Recorded in Summer 2008?

German text:

Erbarme dich, mein Gott, um meiner Zähren willen!
Schaue hier, Herz und Auge weint vor dir bitterlich.

English translation:

Have mercy, my God, for the sake of my tears!
See here, before you heart and eyes weep bitterly.

Marc D.

Download

Live recording from Theatre des Champs-Elysees,Paris.
Viva Vivaldi! with Cecilia Bartoli

Cecilia Bartolis all-Vivaldi sell-out concert performances with the Italian period instrument ensemble Il Giardino Armonico, at Pariss Théâtre des Champs-Elysées, brought together the talents of todays most celebrated mezzo-soprano and an outstandingly creative group of musicians. Included are arias from Vivaldis operas and pasticcios LOlimpiade, Tito Manlio, Ottone in Villa, Gloria, Juditha Triumphans, Farnace, Bajazet and La Fida Ninfa. The repertoire displays Bartolis breathtaking virtuosity in arias demanding a phenomenal range of vocal expression.
Cecilia Bartoli (born June 4, 1966 in Rome) is an Italian mezzo-soprano opera singer and recitalist. She is best known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartolis coloratura skill has earned her the title the Queen of Agility." --Wikipedia

Serenity and dream…

1. 0:06 Op. 9, No. 1 in B flat minor. Larghetto
2. 5:53 Op. 9, No. 2 in E flat major. Andante
3. 10:29 Op. 9, No. 3 in B major. Allegretto
4. 17:09 Op. 15, No. 1 in F major. Andante cantabile
5. 22:07 Op. 15, No. 2 in F sharp major. Larghetto
6. 25:43 Op. 15, No. 3 in G minor. Lento
7. 30:53 Op. 27, No. 1 in C sharp minor. Larghetto
8. 36:32 Op. 27, No. 2 in D flat major. Lento sostenuto
9. 42:27 Op. 32, No. 1 in B major. Andante sostenuto
10. 47:27 Op. 32, No. 2 in A flat major. Lento
11. 53:01 Op. 37, No. 1 in G minor. Lento
12. 59:51 Op. 37, No. 2 in G major. Andante
13. 1:06:17 Op. 48, No. 1 in C minor. Lento
14. 1:12:25 Op. 48, No. 2 in F sharp minor. Andantino
15. 1:20:11 Op. 55, No. 1 in F minor. Andante
16. 1:25:36 Op. 55, No. 2 in E flat major. Lento sostenuto
17. 1:31:19 Op. 62, No. 1 in B major. Andante
18. 1:38:51 Op. 62, No. 2 in E major. Lento
19. 1:45:11 Op. 72, No. 1 in E minor. Andante
20. 1:49:19 Op. posth in C sharp minor. Lento con gran espressione
21. 1:53:18 Op. posth in C minor. Andante sostenuto

Trois heures de cette unique pièce dart.

Erik Satie — Gymnopédie No.1

Les Gymnopédies, publiés à Paris à partir de 1888, sont trois compositions pour piano écrites par le compositeur et pianiste français Erik Satie.

Les peintures dÉdouard Cortès.

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