Сказка Морозко, по мотивам русской народной сказки. Новогодняя история, рассказывающая о трескучих российских морозах и суровой человеческой жадности и её последствиях! Сказка Морозко — сказка о доброй кроткой девочке Настеньке, которая своим душевным теплом побеждает мороз и находит своё главное счастье — суженого!
Игорь собирался поплавать в бассейне, но Лена не пустила его, поскольку он не принял всех мер безопасности. Игорь начал ставить свои условия, и в конце концов супруги пришли к согласию. Но оказывается, что не все карты Лены были раскрыты.
The Breaking of the Fellowship (feat. «In Dreams») · Howard Shore · Edward Ross
The Lord of the Rings: The Fellowship of the Ring (Original Motion Picture Soundtrack)
℗ 2001 New Line Productions, Inc.
Executive Producer: Danny Bramson
Executive Producer: Fran Walsh
Conductor, Producer: Howard Shore
Orchestration: Howard Shore
Mixer: John Kurlander
Performed by: London Philharmonic Orchestra
Associate Producer: Michael Tremante
Executive Producer: Paul Broucek
Executive Producer: Peter Jackson
Producer: Suzana Peric
Performed by: The London Oratory School Schola, featuring Edward Ross
Performed by: The London Voices
Performed by: The New Zealand Symphony Orchestra
Writer: Fran Walsh
Writer: Howard Shore
Sit back and enjoy the sights and sounds of Rivendell, the last homely house east of the sea. This is a remaster of the 3 hour version I made last year. For this 6 hour version, I did some work on the original photo to increase its quality. I upgraded the waterfalls, as well as the smoke coming from the chimney. I used a real video of the moon and blended it into the scene to make the moonlight as realistic as possible. No copyright intended. All content belongs to its respective owners. Be sure to select the 4K option for the best experience. Enjoy.
If you enjoyed this video, be sure to visit my channel for more LOTR inspired videos.
Music is from the original Lord of the Rings Trilogy by Howard Shore.
The official music video for I Still Havent Found What Im Looking For by U2.
Filmed by Barry Devlin on the streets of Las Vegas in April 1987 after the band’s first show in the city, for the release of I Still Haven’t Found What I’m Looking For as the second single from The Joshua Tree album.
☛ «she is a beautiful and technically accomplished player», «the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)»
— American Record Guide, July-August 2015
☛ «Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.», «She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.»
— Donald Rosenberg, Gramophone Magazine
☛ «A gifted and obviously devoted Bachian»
— James Oestreich, New York Times
☛ «in all the years, all the versions, I have never heard „Book 1“ done better», «The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ «elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music», «A brilliant performance and brilliant set all around!»
— Robert Cummings, Classical.net
☛ «This is a recording to change your perception of the Well Tempered Klavier.»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rothers Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
Glenn Goulds debut album of Bachs Goldberg Variations was recorded in June 1955. The Columbia LP quickly became one of the most revered piano recordings ever made and Gould became the most famous classical artist of the day. His exciting, unorthodox new way of playing Bach left listeners awestruck and critics around the world hailing him as a genius. But until recently this iconic album was limited by the dated recording technology of its time.
On September 25, 2006, history was made again. Zenph Studios recorded its debut re-performance® to standing ovations in the CBCs famed Glenn Gould Studio in Toronto. The date would have been Glenn Goulds 74th birthday, and what a gift Zenph created to give his fans.
The Zenph re-performance is a revelation in its clarity, depth, and vibrancy. Gould seems to play at an almost inhuman speed and yet with complete accuracy. The 30 variations dazzle the listener with their inventiveness and variety. As music historian and Gould biographer Kevin Bazzana writes in the CDs liner notes, «Here, albeit with his trademark vocalizing no longer accompanying the performance, Goulds musical personality is unquestionably present...»
Among the most revered virtuosos of all time, Nicolò Paganini was a true musical legend of his era, inspiring musicians such as Robert Schumann to forge his own career as a pianist. Franz Schubert was also a regular audience member at Paganini’s concerts, despite the outlandish ticket prices.
Paganini often remarked that, despite his legendary status as a violinist, he found it rather difficult to compose for the instrument. This release presents Paganinis complete violin concertos, performed by violinist Alexandre Dubach accompanied by the Orchestre Philharmonique de Monte-Carlo.
Composer:
Nicolò Paganini
Artist:
Alexandre Dubach (violin)
Orchestre Philharmonique de Monte-Carlo
Michel Sasson (conductor)
Lawrence Foster (conductor)
00:00:00 Violin Concerto No. 4 in D Minor: I. Allegro maestoso
00:16:44 Violin Concerto No. 4 in D Minor: II. Adagio flebile con sentimento
00:23:25 Violin Concerto No. 4 in D Minor: III. Rondo galante. Andantino gaio
00:34:10 Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso
00:54:15 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio espressivo
00:59:28 Violin Concerto No. 1 in D Major, Op. 6: III. Rondo: allegro spirituoso
01:09:08 Violin Concerto No. 3 in E Major: I. Introduzione. Andantino — Allegro marziale
01:26:57 Violin Concerto No. 3 in E Major: II. Adagio. Cantabile spianato
01:34:13 Violin Concerto No. 3 in E Major: III. Polacca. Andantino vivace
01:46:22 Violin Concerto No. 6 in E Minor: I. Risoluto
02:07:04 Violin Concerto No. 6 in E Minor: II. Adagio
02:13:59 Violin Concerto No. 6 in E Minor: III. Rondo ossia polonese
02:25:27 Violin Concerto No. 5 in A Minor: I. Allegro maestoso
02:44:27 Violin Concerto No. 5 in A Minor: II. Andante un poco sostenuto
02:53:03 Violin Concerto No. 5 in A Minor: III. Rondo
03:03:37 Violin Concerto No. 2 in B Minor, Op. 7: I. Allegro maestoso
03:19:05 Violin Concerto No. 2 in B Minor, Op. 7: II. Adagio
03:26:05 Violin Concerto No. 2 in B Minor, Op. 7: III. Ronde à la clochette
