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Описание книги Бодо Шефер и Каролы Ферстл — «Деньги хорошо влияют на женщину»:
Во-первых, женщине следует осознать, что доверяя все финансовые вопросы мужу она рискует не только остаться ни с чем, но и остаться в растерянности относительно того, как распорядиться деньгами и наследством при внезапной потере мужа.
Женщине также следует пересмотреть ролевую модель в семье, при которой «женщину следует держать босой и беременной» и позволить себе не только зарабатывать, но и зарабатывать больше мужа, если есть такая возможность.
Деньги позволяют лучше удовлетворять все потребности личности, чем их отсутствие.
«Halo: Сумерки» — драматичная история легендарного охотника за головами Джеймсона Локка (Майк Колтер/ Mike Colter) и его команды, ставших жертвами биологической атаки. Действующие под руководством Локка, агенты Департамента морской разведки (ДМР) вынуждены координировать свою работу с командующим войсками Седры, который враждебно настроен к ДМР. Члены команды, найдя дьявольский артефакт, вынуждены бороться за выживание. В итоге, им придется выбирать между долгом и жизнью. Агент Локк — новый персонаж во вселенной Halo, которому предстоит сыграть важную роль в Halo 5: Guardians.
Хронометраж: 90 мин.
Производство: США, 2014
Жанр: научная фантастика
Сергей Бурунов рассказывает о том, как пошел на курсы диджеинга, как обиделся на Александра Петрова из-за премьеры фильма и как провел первый отпуск на море в сознательном возрасте. А еще наш гость поговорит с Иваном на повышенных тонах в специальной рубрике для больших артистов.
Откуда «бабки» и как бесятся с жиру?
Сколько стоили свадебная шубка Пугачёвой, машины Тимати, лопата из золота и бриллианты Киркорова?
Заграничные дачи Николаева, Аллегровой, Леонтьева, Орбакайте и всех остальных.
Рейтинг миллионеров отечественного шоу-бизнеса.
Composer: Johann Sebastian Bach
Artist: Yuan Sheng piano
This is the third instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
This recent recording of the complete 6 Partitas is again a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.
00:00:00 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
00:01:43 Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
00:05:37 Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
00:08:35 Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
00:14:10 Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I
About this Album:
Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composer’s shadow, during his lifetime he was exalted as Bach’s equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bach’s; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime – the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition.
International Piano Magazine considers Yuan Sheng “China’s premier Bach interpreter”, the New York Times describes his Bach playing as “a model of clarity, balance and proportion”. Yuan Sheng studied in his native country in Bejing, and through a scholarship entered Manhattan School of Music, where he studied with Solomon Mikowsky and later with Bach specialist Rosalyn Tureck. His interpretation of Bach’s famous Goldberg Variations is genuinely personal, but never artificial or self conscious. He doesn’t use the piano as a “pianistic” instrument (though his technical command is all the more impressive), but simply as a means to express the message of this music, a human message of beauty, joy and sorrow.
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
Goldberg Variations, BWV 988:
00:00:00 I. Aria
00:04:27 II. Variatio 1
00:06:32 III. Variatio 2
00:07:58 IV. Variatio 3, canone all’unisono
00:09:41 V. Variatio 4
00:10:50 VI. Variatio 5
00:12:24 VII. Variatio 6, canone alla seconda
00:13:41 VIII. Variatio 7
00:15:22 IX. Variatio 8
00:17:22 X. Variatio 9, canone alla terza
00:19:21 XI. Variatio 10, fughetta
00:21:01 XII. Variatio 11
00:23:17 XIII. Variatio 12, canone alla quarta
00:25:25 XIV. Variatio 13
00:29:20 XV. Variatio 14
00:31:38 XVI. Variatio 15, canone alla quinta, andante
00:36:17 XV. Variatio 16, ouverture
00:39:31 XVI. Variatio 17
00:41:44 XVII. Variatio 18, canone alla sesta
00:43:25 XVIII. Variatio 19
00:44:55 XIX. Variatio 20
00:47:03 XX. Variatio 21, canone alla settima
00:50:38 XXI. Variatio 22
00:52:15 XXII. Variatio 23
00:54:29 XXIII. Variatio 24, canone all’ottava
00:56:59 XXIV. Variatio 25
01:04:54 XXV. Variatio 26
01:07:02 XXVI. Variatio 27, canone alla nona
01:08:45 XXVII. Variatio 28
01:11:04 XXVIII. Variatio 29
01:12:58 XXIX. Variatio 30, quodlibet
01:14:43 XXX. Aria da capo
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