Mass in B Minor, BWV 232: Symbolum nicenum: 6. Et resurrexit · Collegium Vocale Gent · Philippe Herreweghe
J.S. Bach: Mass in B Minor
℗ harmonia mundi
Released on: 2007-07-31
Artist: Collegium Vocale Gent
Orchestra: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach
Misa en B menor (BWV 232), una de las obras mas famosas del compositor alemán barroco Johann Sebastian Bach.
Y con esta interpretación que a mi parecer es la mejor de parte del organista y director Karl Richter con el Münchener Bach-Chor
y la Münchener Bach-Orchester y como solistas:
Hermann Prey (Bajo)
Horst R. Laubenthal (Tenor)
Gundula Janowitz, (Soprano)
Hertha Töppe (Alto)
*PIEZAS (PARODIAS)
— Kyrie eleison (Chorus)
— Christe eleison (S-A)
— Kyrie eleison (Chorus)
— Gloria in excelsis Deo (Chorus)
— Et in terra pax (Chorus)
— Laudamus te (A)
— Gratias agimus tibi (Chorus)
— Domine Deus (S-T)
— Qui tollis peccata mundi (Chorus)
The opening of this sonata in D minor, performed by Matthias Havinga for All of Bach, has an uncertain and emphatically andante sound. To the ears of seventeenth and eighteenth-century musicologists the key of D minor represented melancholy, devotion, solemnity and seriousness. Following this tentative start, Bach launches into experimentation, by juggling motifs almost wildly and searching for new keys.
Recorded for the project All of Bach on September 21st 2016 at the Sint-Bavokerk, Haarlem. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Matthias Havinga, organist
Organ: Christian Müller, 1738
Selection of opera, ballet etc. movements of the works by Jean-Baptiste Lully.
(Soundtrack from the movie: Le Roi Danse)
1. Lully: Te Deum Motet a deux choeurs 00:00
2. Cordier: La Bocanne primitive
3. Cordier: La Bocanne compliquée
4. Lully: Phaéton — Troupe dAstrée dansante
5. Lully: La Nuit Ballet — Ouverture
6. Lully: La Plaisiers Ballet — Sarabande
7. Lully: La Nuit Ballet — Le Roi représentant le soleils levant 10:14
8. Lully: Xerxes Ballet — Air pour les matelots jouants des trompettes marines
9. Lully: Xerxes Ballet — Air pour les esclaves et singes dansants
10. Lully: Xerxes Ballet — Air pour les postures de Scaramouche
11. Lully: Xerxes Ballet — Air pour les docteurs, Frivelins et Polichinelles
12. Lully: Xerxes Ballet — Air pour les esclaves dansants
13. Lully: Idylle sur la paix — Air pour Madame la Dauphine
14. Lully: Alcidiane Ballet — Ritournelle et air de Mademoiselle Hilaire 21:01
15. Lully: Alcidiane Ballet — Ouverture
16. Lully: Triumphe de LAmour — Ouverture
17. Lully: Persée — Entrée des divinités infernales
18. Lully: Le Bourgeois Gentilhomme — Marche pour la cérémonie des Turcs 30:05
19. Lully: Le Bourgeois Gentilhomme — Giourdina
20. Lully: Le Bourgeois Gentilhomme — Chaconne des Scaramouches, Frivelins et Arlequins
21. Lambert: Ombre de mon amant (Air de cour)
22. Lully: Triumphe de LAmour — Prélude pour la nuit 38:13
23. Cambert: Pomone — Passons nos jours dans ces vergers
24. Cambert: Pomone — Que voyez-vous mes yeux
25. Lully: Armide — Plus jobserve ces lieux 47:14
26. Lully: Atys, «Le Sommeil» — Dormons, dormons tous
27. Lully: Armide — Passacaille 58:08
28. Lully: Armide — Prelude
29. Lully: Les Folies dEspagne
30. Lully: Les Amants magnifiques — Entrée dApollon
31. Lully: Triumphe de LAmour — Entrée dApollon 01:07:28
32. Lully: Triumphe de LAmour — Deuxieme air
33. Lully: Isis — Cest lui dont les dieux ont fait choix
34. Lully: Armide — Que léclat de son nom
35. Lully: Amadis — Esprits empressés a nous plaire
Complete Opera (Best Version) — Links in description
The Fairy Queen (Semi-Opera Z. 629) by Henry Purcell (1692)
Performed by English Baroque Soloists
Conducted by John Eliot Gardiner
First Music
1. Prelude — 0:00
2. Hornpipe — 1:58
Second Music
3. Air — 2:53
4. Rondeau — 3:40
5. Overture — 5:10
Act I
6. Song In Two Parts: «Come, Come, Come, Let Us Leave» — 7:13
7. Scene Of The Drunken Poet: «Fill Up The Bowl» — 9:37
8. First Act Tune: Jig — 16:17
Act II
9. Prelude And Song: «Come All Ye Songsters Of The Sky» — 17:30
10. Prelude — 19:22
11. Trio: «May The God Of Wit Inspire» — 20:12
12. Echo — 21:16
13. Chorus: «Now Joyn Your Warbling Voices All» — 22:50
14. A Dance Of Fairies — 23:18
15. Song And Chorus: «Sing While We Trip It On The Green» — 24:02
16. Song: «See, Even Night Her Self Is Here» — 25:44
17. Song: «I Am Come To Lock All Fast» — 30:01
18. Song: «One Charming Night» — 31:12
19. Song And Chorus: «Hush, No More, Be Silent All» — 33:10
20. A Dance For The Followers Of Night — 36:30
21. Second Act Tune: Air — 38:21
Act III
22. A Song In Two Parts And Chorus: «If Loves A Sweet Passion» — 39:42
23. Overture: Symphony While The Swans Come Forward — 47:42
24. Dance For The Fairies — 49:45
25. Dance For The Green Men — 50:34
26. Song: «Ye Gentle Spirits Of The Air, Appear» — 52:02
27. Dialogue Between Coridon And Mopsa: «Now The Maids And The Men» — 57:07
28. Song: «When I Have Often Heard» — 1:01:03
29. A Dance Of Haymakers — 1:04:16
30. Song And Chorus: «A Thousand Thousand Ways Well Find» — 1:05:13
31. Third Act Tune: Hornpipe — 1:07:21
Act IV
32. Symphony — 1:08:21
33. Solo And Chorus: «Now The Night Is Chacd Away» — 1:14:32
34. Duet: «Let The Fifes, And The Clarions» — 1:16:38
35. Entry Of Phoebus — 1:18:34
36. Song: «When A Cruel Long Winter»-Chorus: «Hail! Great Parent Of Us All» — 1:19:10
37. Song: «Thus The Ever Grateful Spring» (Spring) — 1:23:28
38. Song: «Heres The Summer, Sprightly, Gay (Summer) — 1:25:25
39. Song: „See My Many Colourd Fields“ (Autumn) — 1:27:04
40. Song And Chorus: „Now Winter Comes Slowly“ (Winter) — 1:30:07
41. Fourth Act Tune: Air — 1:33:29
Act V
42. Prelude — 1:34:25
43. Epithalamium: „Thrice Happy Lovers“ — 1:35:32
44. The Plaint: „O Let Me Weep“ — 1:38:09
45. Entry Dance — 1:45:51
46. Symphony — 1:46:59
47. Song: „Thus The Gloomy World“ — 1:48:12
48. Solo And Chorus: „Thus Happy And Free“ — 1:53:55
49. Song: „Yes Daphne, In Your Looks I Find“ — 1:55:32
50. Monkeys Dance — 1:57:26
51. Song: „Hark How All Things“ — 1:58:28
52. Song And Chorus: „Hark! the Eching Air“ — 2:00:35
53. Duet And Chorus: „Sure The Dull God“ — 2:03:27
54. Prelude — 2:05:32
55. Solo: „See, See, I Obey“ — 2:06:04
56. Duet „Turn Then Thine Eyes“ — 2:08:02
57. Solo: „My Torch, Indeed“ — 2:09:27
58. Trio: They Shall Be As Happy» — 2:10:12
59. Air — 2:11:21
60. Chorus: «They Shall Be As Happy» — 2:12:51
61. Chaconne: Dance For Chinese Man And Woman — 2:14:01
